{"title":"Vintage Vases","description":"\u003cp\u003eA vase is the object from which design eras can be most quickly discerned. Its form has little to do; it must hold water and support a bouquet, and everything beyond that is attitude. That is why there is hardly any category in which glassworks and pottery workshops have worked so freely.\u003c\/p\u003e\u003cp\u003eThis selection spans approximately sixty years. From Bohemia come an Art Nouveau trumpet vase with thread overlay and a 1920s Tango glass vase with a network of veins. From Italy comes the Efeso vase by Ercole Barovier for Barovier \u0026amp; Toso from 1968. From Sweden, the Åseda Stubbavas in cobalt blue and Bo Borgström's Amber vase, and from Finland, the Rocket Vase 1379 by Erkkitapio Siiroinen for Riihimäki. Additionally, there are signed studio ceramics and West German ceramics from the 1960s.\u003c\/p\u003e\u003cp\u003eThe selection deliberately includes glass and ceramics. Those who wish to sort by material will find precise details in the object descriptions, along with dimensions, condition, and, where available, signatures or model numbers.\u003c\/p\u003e","products":[{"product_id":"bjoern-wiinblad-head-kerzenstaender-rosenthal-1970er","title":"Björn Wiinblad \"Head\" Candlestick for Rosenthal, 1970s","description":"\u003cp\u003eStriking candlestick from Björn Wiinblad's \"Head\" series for Rosenthal, manufactured in the 1970s. The unmistakable face shape and high-quality ceramic craftsmanship make the piece a clearly recognizable classic of Scandinavian design.\u003c\/p\u003e\n\u003cp\u003eBjörn Wiinblad (1918–2006) is one of the most famous Danish artists and designers of the 20th century. His characteristic graphic imagery with faces, figures, and floral motifs influenced numerous manufacturers for decades—in addition to his own studio in Kongens Lyngby, most notably his collaboration with Rosenthal, for which he designed a wide range of tableware, vases, sculptures, and decorative objects starting in the 1950s. The \"Head\" series is one of Wiinblad's iconic motifs and is now sought after internationally by collectors.\u003c\/p\u003e\n\u003cp\u003eThe candlestick serves as a standalone decorative object on sideboards, consoles, or dining tables, and also complements any collection of Scandinavian ceramics or Rosenthal design pieces. Very good condition—a timeless accessory for lovers of vintage design and 20th-century artist ceramics.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions: \u003c\/b\u003eH: 18 cm x W: 17 cm x D: 15 cm\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMore information about \u003ca href=\"https:\/\/artfillsspace.com\/blogs\/designer-and-manufaktures\/bjorn-wiinblad\" title=\"Björn Wiinblad\"\u003eBjörn Wiinblad\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":52712538276187,"sku":"VTG-DCO-014","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_1978_fd76a3e6-799a-477b-ac34-5d204ccea6ee.jpg?v=1779179847"},{"product_id":"grandjean-jourdan-vallauris-keramikvase-blau-signiert-1960er","title":"Grandjean-Jourdan Vallauris ceramic vase, blue, 1960s","description":"\u003cp\u003eElegant signed ceramic vase by Grandjean-Jourdan from Vallauris, Southern France, dated around the 1960s. The calm silhouette and intense blue hue give the piece a subtle yet very striking effect—typical of high-quality French studio ceramics of that period.\u003c\/p\u003e\n\u003cp\u003eVallauris is one of the most influential ceramic centers of the 20th century. For several decades, numerous well-known workshops and artists worked here, including Pablo Picasso, who brought international recognition to the region. The Grandjean-Jourdan family operated their own ceramic workshop in Vallauris and is now particularly sought after for their signed vases and vessels in deep blue and expressive hues.\u003c\/p\u003e\n\u003cp\u003eThe vase is very suitable as a serene object on a sideboard, console, or dining table and complements collections of French ceramics, Vallauris pieces, or Mid-Century interiors with a characterful splash of color. Very good condition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 29 cm, Diameter 19.5 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMore information about \u003ca href=\"https:\/\/artfillsspace.com\/blogs\/designer-and-manufaktures\/grandjean-jourdan-vallauris\" title=\"Grandjean Jourdan\"\u003eGrandjean Jourdan\u003c\/a\u003e\u003c\/p\u003e","brand":"Vallauris France","offers":[{"title":"Default Title","offer_id":52802823061851,"sku":"VTG-DCO-004","price":650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2377_33e8fd99-f391-482d-9001-6779c444f2af.jpg?v=1779249187"},{"product_id":"uta-fayl-rosenthal-venus-keramik-vase-1970er","title":"Ceramic Vase Venus by Uta Fayl for Rosenthal 1970s","description":"\u003cp\u003eThis ceramic vase, model \"Venus,\" was designed by Uta Fayl for Rosenthal's Studio Line and dates from the 1970s. The vase is signed Rosenthal on the base and has a compact, sculptural form.\u003c\/p\u003e\n\u003cp\u003eRosenthal Studio Line stands for a special combination of industrial ceramic production and artistic design. Many objects in this series were designed by artists and designers and display a distinctive formal language that goes beyond mere utility ceramics.\u003c\/p\u003e\n\u003cp\u003eThe \"Venus\" vase is an excellent collector's item and a decorative accent. Its size allows it to be placed on a sideboard, shelf, table, or in a display cabinet. It looks particularly good in combination with other ceramic objects, design books, or calm Mid-Century furniture.\u003c\/p\u003e\n\u003cp\u003eThe condition is excellent.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Width 12.5 cm, Depth 12.5 cm, Height 11 cm.\u003c\/p\u003e","brand":"Rosenthal","offers":[{"title":"Default Title","offer_id":52887564452187,"sku":"VTG-DCO-032","price":135.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_3218.jpg?v=1777386211"},{"product_id":"tamara-aladin-bulle-glasvase-blau-riihimaen-lasi-finnland-1970er","title":"Tamara Aladin \"Bubble\" Glass Vase for Riihimäen Lasi Oy, Finland 1970s","description":"\u003cp\u003eStriking blue glass vase, \"Bulle\" model, designed by Tamara Aladin for the Finnish manufacturer Riihimäen Lasi Oy and dated to the 1970s. The clear, almost architectural silhouette and the deep blue, hand-blown glass make this piece a typical example of Scandinavian glass design of this period — minimalist, precise, and with a calm, collector-oriented presence.\u003c\/p\u003e\n\u003cp\u003eTamara Aladin (1932–2019) is one of the most influential Finnish glass designers of the 20th century. From 1959 to 1976, she worked for Riihimäen Lasi Oy, one of the most important Finnish glass manufacturers of its time. Her vases combine the geometric clarity of Finnish modernism with bold, often monochromatic colors in shades of blue, smoky gray, amber, and green — a visual language that is highly sought after internationally today and aligns with designers such as Nanny Still, Helena Tynell, or Erkkitapio Siiroinen.\u003c\/p\u003e\n\u003cp\u003eThe \"Bulle\" model exemplifies this approach: a columnar body with calm volume, clearly defined edges, and a light effect that makes the blue glass appear in different depths depending on the incidence of light. On a sideboard, console, dining table, or in a display cabinet, the vase acts as an independent sculptural object — equally convincing on its own as it is in a group with other Scandinavian glass pieces. It harmonizes particularly well with Mid-Century furniture, teak, brass, and minimalist modern interiors.\u003c\/p\u003e\n\u003cp\u003eThe condition is excellent. An authentic Finnish design vase from the 1970s for collectors of Scandinavian glass and lovers of clearly designed objects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 18 cm, Width 6.5 cm, Depth 6.5 cm.\u003c\/p\u003e","brand":"Riihimäen Lasi Oy","offers":[{"title":"Default Title","offer_id":53027915333979,"sku":"VTG-DCO-078","price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2366.jpg?v=1779247561"},{"product_id":"ilse-ludwig-korbel-enghalsvase-studio-keramik-tittmoning-1980er","title":"Ilse Ludwig-Korbel Narrow-Necked Vase · Studio Pottery, Tittmoning · 1980s, signed","description":"\u003cp\u003eIlse Ludwig-Korbel (born 1925 in Wetzlar) is one of the internationally recognized voices in German studio ceramics. After graduating from the Werkkunstschule Wiesbaden in 1948, she deepened her education from 1956 to 1957 in Darmstadt – as a student of Ida Erdös Meisinger and Hentschel – and passed her master craftsman examination in Kassel in 1957. In the same year, she opened her own workshop in Tittmoning, Upper Bavaria, where she developed an independent, multi-award-winning body of work over several decades.\u003c\/p\u003e\n\u003cp\u003eThe present narrow-necked vase from the 1980s is an exemplary piece from the artist's mature creative phase. The form follows the classic bottle vase: a soft, balanced body, a slender neck, and a precisely drawn shoulder line. This clarity is not an end in itself for Ludwig-Korbel, but rather a stage – the entire statement lies in the glaze.\u003c\/p\u003e\n\u003cp\u003eThe iridescent flowing glaze runs in fine gradations over the body, alternating between matte and glossy crystallizing zones and showing speckled areas in places. The interplay between depth and surface, between controlled application and firing chance, is the hallmark of her workshop. Each vase is therefore unique – the combination of form, firing, and glaze cannot be reproduced exactly twice.\u003c\/p\u003e\n\u003cp\u003eThe base of the vase bears the artist's typical signature, making its attribution unmistakable. An authentic collector's item of German studio ceramics from the 1980s, suitable for display in a showcase as well as for free placement – wherever a work deserves time and attention.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 14 cm · Body diameter 15 cm\u003c\/p\u003e","brand":"Ilse Ludwig-Korbel","offers":[{"title":"Default Title","offer_id":53088948027739,"sku":"VTG-DCO-081","price":920.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_4244.png?v=1779740009"},{"product_id":"vintage-studiokeramik-vase-flaschenform-kraterglasur-gruen-ocker","title":"Studio Pottery Vase, Bottle Form, Crater Glaze Green-Ochre, Vintage, 1960s\/70s","description":"\u003cp\u003eStudio pottery vase in an organic, flattened bottle form, probably Western Europe, 1960s to 1970s. The hand-built, slightly asymmetrical body with gentle indentations in the wall carries a crater glaze in matte sage to olive green, whose fine pores, crackle lines and dark speckles create a lively, almost mineral surface. Towards the narrow, obliquely cut neck the glaze turns into a rich, running ochre brown with dark and violet flow marks that also lines the mouth.\u003c\/p\u003e\n\u003cp\u003eCrater and volcanic glazes of this kind became popular from the late 1950s, above all through West German manufacturers; related glazes can be found at Ruscha or at the Dutch workshop Mobach. As these makers usually marked their work and the base of this vase bears neither mark nor signature, it is offered without attribution as Western European studio pottery. With its free form and the contrast of green and ochre, it works as a single piece as well as in a group with other studio ceramics in mid-century and vintage interiors.\u003c\/p\u003e\n\u003cp\u003eThe vase measures approx. 14 cm in height, 9 cm in width and 4 cm in depth. It is in very good condition with no chips, cracks or repairs; irregularities in the glaze are inherent to the making process.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53088970080603,"sku":"VTG-DCO-084","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_4260.png?v=1779728595"},{"product_id":"fritz-van-daalen-studiokeramik-vase-krempe-1960er","title":"Fritz van Daalen Studio Ceramic Vase · Rimmed Form · 1960s · Aalen","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eStudio ceramic vase from the workshop of Fritz van Daalen, made in Aalen in the 1960s. 16.5 cm high, 14.5 cm wide, and 14 cm deep, with a characteristic wide-flared rim at the shoulder and an asymmetrically compressed mouth – both traces of the freehand forming that distinguishes this workshop from industrial serial ceramics.\u003c\/p\u003e\n\u003cp\u003eThe glaze holds the true appeal of the piece. Olive-brown, ocher, and black-manganese runs lie on a grey-silvery base tone, distributing themselves downwards from the shoulder in cloud-like streaks – a typical result of a reducing firing atmosphere in a chamber kiln, as was common in German studio ceramic workshops of the 1960s and 70s. The surface is matte-silky, grainy in the lighter zones, smoother in the dark runs. On the inside of the rim, parallel finger grooves show the craftsmanship; a separately applied dark brown-black interior glaze catches the light in the mouth area.\u003c\/p\u003e\n\u003cp\u003eThe impressed workshop stamp is visible on the inside of the rim – an oval VD ligature with the addition \"W. Germany\". This stamp clearly attributes the piece to the Fritz van Daalen workshop, which was founded in Schwäbisch Gmünd in 1938 and continued in Aalen from 1950\/51, where production continued until 1973. The combination of typical West German export marking and studio character dates the piece to the 1960s, the workshop's most productive phase.\u003c\/p\u003e\n\u003cp\u003eThe vase is equally effective as a solitaire on a console or in a sideboard arrangement – compact enough for any display cabinet, sculptural enough to function as a sculpture. The condition is very good, without cracks, glaze chips, or restorations. An old handwritten inventory label with the number \"487\" is still on the base – a dealer's note that can be removed if desired or kept as a trace of provenance.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53278869389659,"sku":"VTG-DCO-086","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_4722.png?v=1781197200"},{"product_id":"erwin-eisch-pfauenauge-vase-signiert-1987","title":"Erwin Eisch Peacock Eye Vase, signed 1987 — Glashütte Eisch Frauenau","description":"\u003cp\u003eBulbous vase made of mouth-blown glass with the famous peacock eye décor from the Eisch glass factory in Frauenau. Golden yellow to amber-coloured drops lie under clear glaze and shimmer iridescently between violet, pink and turquoise - a modern tribute to Tiffany's Favrile glass, reinterpreted by Erwin Eisch. The height is 16 cm, the diameter 9.5 cm.\u003c\/p\u003e\n\u003cp\u003eThe widely flared, wavy rim and the bulbous body give the vase its characteristic silhouette. The original signature \u003cstrong\u003eEisch 87\u003c\/strong\u003e is incised on the bottom, securely proving its authenticity and vintage. Condition: very good, no chips or restorations.\u003c\/p\u003e","brand":"Glashütte Eisch","offers":[{"title":"Default Title","offer_id":53429595963739,"sku":"VTG-DCO-095","price":140.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5805.png?v=1782283059"},{"product_id":"v-nason-murano-sommerso-vase-blau-chartreuse-1970er","title":"V. Nason Murano Sommerso Vase · blue-chartreuse · 1970s · with label","description":"\u003cp\u003eA slender, prism-cut Murano vase from V. Nason \u0026amp; C., 1970s – and a particularly beautiful example of the island's cut-sommerso tradition. The tall, polygonal form thrives on the interplay of the cut facets: light and color break at the shoulders, the body remains crystal clear inside, while the outer edges and base glow in three rich layers – cobalt blue at the shoulder and neck, a very light aqua layer in the middle, and an intense chartreuse green at the foot, rising from the base like a flicker. With a height of 29 cm and a square base of 9 × 9 cm, the vase has an almost sculptural presence; it works equally well as a solitary piece or as an accent in a group of glass or with a single, tall stem.\u003c\/p\u003e\n\u003cp\u003eThe sommerso technique (\"submerged\") was perfected in Murano in the 1950s and consists of layering several glass layers so that they fuse together when the form is carried, without mixing the colors. On the front there is still the \u003cstrong\u003eoriginal glued factory label \"V NASON \u0026amp; C — MURANO ITALY\"\u003c\/strong\u003e with the typical NV monogram – an important authenticity and collector's feature that rarely remains with this workshop. The condition is very good: no chips, no cracks, the cut edges are clean, the polished base without scratches. The intense color depth is difficult to capture in photos – in backlight, the vase unfolds a significantly stronger interplay between blue and green.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53451901698395,"sku":"VTG-DCO-101","price":520.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6192.jpg?v=1782838410"},{"product_id":"murano-sommerso-fischmaul-vase-kobalt-aquamarin-1960er","title":"Murano Sommerso Fishmouth Vase, Cobalt-Aquamarine, 1960s","description":"\u003cp\u003eThe vase has a lively quality – as if someone had captured the water of a Mediterranean morning in glass. Deep cobalt blue sits on the inside, enveloped by a layer of clear aquamarine, with an ultra-thin coat of crystal-clear glass on the very outside. This triple Sommerso layering – perfected over decades in Murano and made iconic by designers like Flavio Poli for Seguso Vetri d'Arte – gives the glass its characteristic optical depth. Depending on the incidence of light, the blue core appears to float, almost like a drop just falling into water.\u003c\/p\u003e\n\u003cp\u003eThe upper rim is pulled in four directions, a classic fish mouth that gives the vase its sculptural presence. At 24 cm high, 16 cm wide, and 8 cm deep, it is a full-fledged solo piece – on a low side table, on a bright windowsill, or as a calming accent on a sideboard. Even without flowers, the vase functions as a pure sculpture: the solid glass, hand-blown and pulled by the glassmaker, has a pleasant weight and depth that immediately creates atmosphere in any living space.\u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53463957143899,"sku":"VTG-DCO-107","price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6456.png?v=1782676908"},{"product_id":"barovier-toso-efeso-vase-ercole-barovier-amber-1968","title":"Barovier \u0026 Toso Efeso Vase, Amber-Brown with Air Bubbles, Italy 1968","description":"\u003cp\u003eHold the vase up to the light—and what was just a dark amber begins to live. Thousands of tiny air bubbles, each one a different size and position, float in the glass like rising bubbles in a still glass of champagne. It is precisely this effect that has made Ercole Barovier's \"Efeso\" series one of the most important Murano classics of the 20th century since its introduction at the Venice Biennale in 1964. The color is not created by molten glass, but by a technique of \"hot coloring without melting\" developed by Barovier himself: metal oxides are placed between two white-hot, transparent layers of glass—the heat triggers chromatic reactions that no second piece can identically reproduce.\u003c\/p\u003e\n\u003cp\u003eThe vase presented here, dating from 1968, shows the rarer amber-brown variant with warm amber and gold tones, interspersed with darker oxide gradients. The classic Efeso silhouette—spherical body, narrow neck, widely flared lip—comes into its own with dimensions of 19 cm height and 16.5 cm diameter. On a sideboard, in a display cabinet, or as a solitaire on a side table, it is not simply decoration, but a collector's item with provenance and significance: a piece of Murano design history from the hand of one of the most important glass designers of the 20th century.\u003c\/p\u003e","brand":"Barovier \u0026 Toso","offers":[{"title":"Default Title","offer_id":53464118919515,"sku":"VTG-DCO-108","price":1150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6439.png?v=1782838344"},{"product_id":"murano-sommerso-vase-gelb-kobalt-applied-trail-1960er","title":"Murano Sommerso Vase, Yellow-Cobalt with applied glass ribs, 1960s","description":"\u003cp\u003eA vase like a small theatre: from a compact dark amber base, the glass body grows upwards in a chalice shape, amber-yellow, clear as captured summer afternoon sun — and cobalt blue glass ribs run along the outer wall like water droplets frozen in the moment of falling. The upper lip is not drawn round, but is free and saddle-shaped, with the cobalt as a dark hem tracing the form. A true Murano workshop piece from the 1960s: cast, free-blown and shaped with pincers in that very moment of glow.\u003c\/p\u003e\n\u003cp\u003eWith a height of 21.5 cm, a width of 14 cm and a depth of 18 cm, the vase is an expressive solitaire — on a sideboard, a console or in a bookshelf, as a sculptural statement piece that unfolds its full effect even without flowers. A remnant fragment of the original workshop label is preserved on the yellow lip, unfortunately too rubbed to be clearly legible — the character of the label (rectangular, golden) is typical for several Murano workshops of the 1960s and 70s, including Cenedese, AVEM and Salviati. The stylistic signature clearly points to the circle of the Sommerso design language of Flavio Poli and Antonio da Ros.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53476216799579,"sku":"VTG-DCO-109","price":260.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6602.png?v=1782855544"},{"product_id":"hohe-bodenvase-popcorn-glasur-handgedreht-deutschland-1960er","title":"WGP floor vase with popcorn glaze, hand-thrown, Germany 1960s","description":"\u003cp\u003eA slender floor vase with a strong stage presence: 38 cm high, cylindrically built, covered with a popcorn or crater glaze that shimmers in sandy beige and warm honey tones. The surface looks like petrified sea foam — thousands of small craters in which the light refracts. In contrast, the recessed neck is glazed deep black, creating visual tension in the vase.\u003c\/p\u003e\n\u003cp\u003eOn the base, next to the inscription \"hand-thrown\", there is an embossed coat of arms stamp, as used by smaller South German workshops in the 1960s. The craftsmanship is evident in the fine turning marks on the inside of the neck and in the color gradients of the reactive glaze. With a diameter of 14.5 cm and its slender silhouette, the vase works equally well as a sculptural object on its own or with a single long-stemmed branch or dry pampas plume.\u003c\/p\u003e","brand":"WGP","offers":[{"title":"Default Title","offer_id":53510663766363,"sku":"VTG-DCO-112","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6812.jpg?v=1783195348"},{"product_id":"murano-sommerso-facettvase-graphit-mandruzzato-stil-1960er","title":"Murano Sommerso Faceted Vase Graphite in Mandruzzato style, 1960s","description":"\u003cp\u003eSculptural Murano Sommerso faceted vase in deep graphite grey, created in the Italian glass tradition of the 1960s and in the design language of the Mandruzzato workshop — the Muranese family that developed the sommerso technique, originally conceived by the Flavio Poli circle, into its own signature style through the characteristic faceted cut (Italian \"molatura\"). A teardrop-shaped, smoky-dark inner core is embedded in a clear crystal mantle; the all-around ground facets catch the light in sharp prisms and make the grey core appear to shift and float depending on the viewing angle.\u003c\/p\u003e\n\u003cp\u003eThe square, also faceted base gives the vase stability and an architectural presence that works on any sideboard, side table, or bookshelf — solo or in a group with other sommerso vases of different sizes and and colors. With a height of 20.5 cm and a diameter of 8 cm, it is an ideal medium-sized vase for single blooms or as a pure sculptural object. Without a factory mark, as was common for Muranese workshop production of the era; very good original condition without chips or scratches in the cut.\u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53545771434331,"sku":"VTG-DCO-116","price":245.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7031.png?v=1783542539"},{"product_id":"sommerso-kunstvase-bernstein-aubergine-hospodka-chribska-stil-1960er","title":"Sommerso Art Vase Amber \u0026 Aubergine in the style of Josef Hospodka for Chribska, 1960s","description":"\u003cp\u003eSculptural 1960s Sommerso art vase in the distinctive design language of Josef Hospodka, chief designer at the Chribska glassworks in the Bohemian Giant Mountains. The massive glass body features an amber-colored base that transitions upwards into a deep aubergine – both color layers are enclosed as Sommerso within a clear crystal casing. The transition appears like color clouds rising in water, encased and permanently frozen by a clear crystal layer.\u003c\/p\u003e\n\u003cp\u003eThe rim, freely pulled from the hot glass with its wave-like extended wings – often called \"propeller shape\" by collectors – is Hospodka's signature from the 1960s and makes every vase unique, as this \"off-hand\" technique never allows for two identical pieces. At 27.5 cm high and 15.5 cm in diameter across the extended rim, it is a striking solitary piece for a sideboard, windowsill, or as a centerpiece on a dining table. Without a factory mark, as was common for most Chribska studio pieces of this era; excellent original condition with no chips or scratches.\u003c\/p\u003e","brand":"Chribska","offers":[{"title":"Default Title","offer_id":53562314228059,"sku":"VTG-DCO-117","price":285.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7147.jpg?v=1783665778"},{"product_id":"aseda-glasbruk-amber-vase-bo-borgstroem-b5-1970er","title":"Åseda Glasbruk Amber Vase by Bo Borgström, B5 Series, 1970s","description":"\u003cp\u003eSculptural amber vase from Åseda Glasbruk in Småland, designed by Bo Borgström, who shaped the company's style from the 1960s onwards and positioned its art glass line internationally as far as North America and Australia. The pagoda-like silhouette with three strikingly distinct rings on the neck is one of his characteristic forms – each ring is individually pulled from the hot glass, so that the transition to the conical body creates a rhythmic, almost architectural profile. The warm amber coloration of the upper part beautifully contrasts with the clear crystal foot, which is crafted as a solid Sommerso base and bathes the vase in a warm glow as soon as light falls on it.\u003c\/p\u003e\n\u003cp\u003eThe piece belongs to the B5 series of the Åseda collection (B for Borgström, 5 for vase) and was produced in the early 1970s. With a height of 30.5 cm and a diameter of about 13 cm, the vase is a striking solitaire piece for a sideboard, windowsill, or console – alone or in a series with other Borgström vases of different colors and heights. Without a label, as is common for many Åseda pieces from this period; very good original condition without chips or scratches.\u003c\/p\u003e","brand":"Åseda Glasbruk","offers":[{"title":"Default Title","offer_id":53564297347419,"sku":"VTG-DCO-118","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7165.png?v=1783669677"},{"product_id":"rudi-stahl-studiokeramik-flaschenvase-signiert-datiert-1978","title":"Rudi Stahl studio pottery bottle vase, signed and dated February 1978","description":"\u003cp\u003eHand-thrown studio ceramic bottle vase by Rudi Stahl (1918–1987), one of the most important German post-war studio ceramicists from Höhr-Grenzhausen in the Westerwald region. The form follows a classic bottle silhouette with a tall cylindrical body, a short conical shoulder transition, and a widely flared, flat plate rim — a form that Rudi Stahl repeatedly varied during his most productive years. The fine grooves from the throwing process are still clearly visible on the freely turned body; the glaze runs in a beige-ochre sand tone over the upper two-thirds and transitions into a deep aubergine-black field with a finely iridescent metallic shimmer on the lower third. The upper inner plate is covered with the same dark feldspar glaze, so that the eye and fingertips repeatedly encounter this calm, matte-glossy element at the opening.\u003c\/p\u003e\n\u003cp\u003eThe underside bears a three-line incised signature, which clearly establishes the collector's value of this unique piece — \"Feb 78\" for February 1978, \"Handarbeit\" (handmade) and the full artist's name \"Rudi Stahl\". The exact dating is an exceptional feature, as Rudi Stahl marked most of his vases with a model number instead of a date; a dated unique piece is therefore a significantly rarer collector's item than the series vases usually signed only with a catalog number. Very good vintage condition with no chips or scratches.\u003c\/p\u003e","brand":"Rudi Stahl","offers":[{"title":"Default Title","offer_id":53584884859227,"sku":"VTG-DCO-121","price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7488.jpg?v=1783964481"},{"product_id":"graeflich-ortenburg-krugvase-619-ursula-beyrau-fat-lava-1960er","title":"Gräflich Ortenburg Jug Vase 619, Designed by Ursula Beyrau, yellow-orange Fat Lava, 1960s\/70s","description":"\u003cp\u003eBulbous jug vase by Gräflich Ortenburgsche Steingutmanufaktur Tambach, model 619, designed by Ursula Beyrau, 1960s to early 1970s. Measuring 16 cm wide, 15 cm deep, and 14 cm high, the form combines a flattened spherical shape with a short cylindrical neck and a wide round strap handle—one of the iconic jug vases of West German stoneware production, compact enough for a side table and expressive enough as a standalone piece on a sideboard. The glaze is a vibrant orange-yellow ground, over which a deep black to dark brown fat lava drip glaze runs in dense crater formations. The interplay of warm sun yellow and dark crusty texture makes the vase a prime example of the Fat Lava technique, developed in the post-war manufactories of the Höhr-Grenzhausen and Tambach regions.\u003c\/p\u003e\n\u003cp\u003eEmbossed on the underside is the coat of arms of the Counts of Ortenburg with a crown above, and below it the model number 619—clear proof of origin that unequivocally assigns the vase to the Ortenburg manufactory and clearly distinguishes it from the many unmarked Fat Lava vases of the era. Very good vintage condition: glaze intact, no chips, no hairline cracks, foot rim clean. The vase is suitable as a collector's item for enthusiasts of German post-war ceramics as well as a sculptural interior object for homes in the Mid-Century Modern style or warm earth-tone interiors of 1970s retro aesthetics.\u003c\/p\u003e","brand":"Gräflich Ortenburgschen Steingutmanufaktur Tambach","offers":[{"title":"Default Title","offer_id":53599207194971,"sku":"VTG-DCO-123","price":115.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7479.png?v=1784126740"},{"product_id":"rakubrand-kugelvase-kupferluester-studiokeramik-signiert-1970er","title":"Raku-fired spherical vase, copper luster, signed, studio pottery 1970s","description":"\u003cp\u003eHand-thrown spherical vase from the Raku firing, made by a studio ceramist in the 1970s. The reduced design language — a perfectly thrown sphere with a small, raised opening, 16 cm in diameter and 11 cm in height — follows the Japanese-inspired aesthetic of Western post-war studio ceramics, which focused on Raku firing as an expression of restraint and chance. The surface shows the full spectrum that only this technique can create: warm, coppery glistening zones where the metal salt formed a luster when pulled from the 1000-degree hot kiln and subsequently reduced in sawdust, interspersed with deep black smoke areas where the unglazed clay absorbed the carbon from the smoking fire, and silvery-gray areas where the reduction partially occurred. No centimeter of the surface is like the other — precisely therein lies its charm.\u003c\/p\u003e\n\u003cp\u003eThe signature of the potter is incised on the bottom — a jagged monogram that clearly identifies the vase as a unique studio ceramic piece. No company stamp, no series assignment, but the personal mark of a person who worked at the potter's wheel and carried out the firing themselves. The white base circle comes from the firing — there, the vase stood on the firing plate and was not exposed to the smoking fire. Very good vintage condition: no chips, no cracks, glaze intact. The spherical vase is suitable as a pure sculptural object for a sideboard, console, or bookshelf, as well as an Ikebana vase for a single branch or a minimalist flower composition.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53599247565147,"sku":"VTG-DCO-124","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7473.png?v=1784126743"},{"product_id":"studiokeramik-mini-vase-ringrillen-schwarz-bronze-glasur-signiert-1970er","title":"Studio Pottery Miniature Vase — fluted body, black-bronze glaze, signed, 1970s","description":"\u003cp\u003eSmall, hand-thrown studio pottery vase, probably from the 1970s, in a classically minimalist workshop form: bulbous-oval body, short cylindrical neck with a slightly flared mouth, compact standing format. The entire vase body features a dense, intentionally emphasized ring-groove texture – the parallel turning grooves are not smoothed but left as a craftsman's fingerprint, translated into a fine rhythmic pattern by the changing light along the surface. Over the grooves lies a deep midnight-blue-black metallic glaze with pronounced bronze-gold reduction effects: on the ridges, the glaze breaks into warm bronze highlights, while in the depressions it remains dark and dense – an interplay that visually enlivens the small volume of the vase and reveals the signature of the workshop firing.\u003c\/p\u003e\n\u003cp\u003eThe format is small and intimate: height 10.3 cm and diameter 6.7 cm – perfect for a single bloom, a short dried flower stem, or as a standalone sculptural miniature on a console, a row of books, a bedside table, or in a display cabinet. The base of the vase bears a hand-incised potter's monogram in the soft clay (sgraffito in the unfired shard); the shard is visible on the unglazed base as a light cream-colored stoneware tone. The condition is very good, no visible chips, no hairline cracks, the glaze is fully preserved. A characteristic workshop miniature from the craft-oriented studio pottery movement of the 60s\/70s, in which individual potteries in Germany, Denmark, Sweden, and the Netherlands deliberately set their own signature and signed unique pieces against industrial mass-produced ceramics.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53677444628827,"sku":"VTG-DCO-130","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_8992_cc1e3dd7-8300-4a62-9a60-7f517f9fd123.png?v=1785273885"},{"product_id":"duemler-breiden-studio-053-27-wellenkamm-vase-rauch-ocker-kobalt-1960er","title":"Dümler \u0026 Breiden \"Studio\" Waved Ridge Vase 053\/27 — Smoke Ochre \u0026 Cobalt, Hand-Thrown, West Germany 1960s","description":"\u003cp\u003eFrom Dümler \u0026amp; Breiden's early \"Studio\" line: a hand-thrown ovoid vase with an organically raised wave-crest rim, emerging from the body in four soft points and glazed deep black on the inside. The matte, silky, smoky body features a speckled ochre-copper-brown glaze, into which cobalt blue clouds and silver-gray flecks are embedded in such a way that the object reads differently from every angle — sometimes a landscape, sometimes a fossil, sometimes a cloud formation.\u003c\/p\u003e\n\u003cp\u003eThe model number 053\/27 is debossed, along with the D\u0026amp;B Studio factory mark; the piece measures 28 cm in height and 22 cm in diameter and is in very good condition with no chips, cracks, or hairline cracks. This Studio series was the experimental design line of the Bad Ems factory from the late 1950s onwards and is now considered among the most sought-after West German post-war studio ceramics — suitable as a solitaire on a sideboard, console, or mantelpiece, where the wave-crest opening unfolds its effect frontally.\u003c\/p\u003e","brand":"Dümler \u0026 Breiden","offers":[{"title":"Default Title","offer_id":53699131474267,"sku":"VTG-DCO-134","price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_9023.png?v=1786259276"},{"product_id":"murano-sommerso-swallow-tail-vase-gruen-amber-flavio-poli-stil-1960er","title":"Murano Sommerso Swallow-Tail Vase in Green and Amber, in the style of Flavio Poli, Italy 1960s","description":"\u003cp\u003eA slender, upward-striving vase made of Murano Sommerso glass, blown in a triple layer technique: a rich green color core runs inside from the rim downwards into a warm gold amber, both colors encased in a solid, colorless crystal mantle. The characteristic mouth opens into a soft V-shape, like a swallow's tail, which collectors in Italian catalogs describe as \"coda di rondine\" — it is the formal characteristic that distinguishes this piece from the common block and spherical Sommerso vases and reveals its kinship with the works of Flavio Poli for Seguso Vetri d'Arte from the late 1950s and 1960s.\u003c\/p\u003e\n\u003cp\u003eWith a height of 26 cm, a width of 10.5 cm, and a depth of 6 cm, it is suitable as a solitary eye-catcher on a dresser or as part of a small vase group with other Murano Sommerso pieces. The condition is very good: no chips, no cracks, the glass is transparent in transmitted light and shows the typical few small air bubbles, which indicate hand-blown craftsmanship. The base is flat and polished, without a factory mark or adhesive label — this is the usual condition in the Sommerso segment of the 1960s, as the studios only signed a small part of their production.\u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53742520500571,"sku":"VTG-DCO-137","price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_9497.png?v=1786263270"},{"product_id":"ruscha-313-vulkano-kurt-tschoerner-fat-lava-1960er","title":"Ruscha 313 \"Vulcano\" handled vase, Kurt Tschörner, Fat Lava, 1960s","description":"\u003cp\u003eA classic of West German post-war ceramics: the Ruscha model 313 handled vase, designed in 1954 by Kurt Tschörner and produced for over two decades in various decors. The example offered here features the legendary \"Vulkano\" decor – a bright orange-red base glaze, into which dark red-brown melt traces have been burned like small lava flows. Olive green and black accents provide a striking counterpoint along the boldly curved strap handle and the spout opening. A collector's item that explains in a few seconds why the era of Fat Lava ceramics is once again internationally sought after today.\u003c\/p\u003e\n\u003cp\u003eCompact with factory dimensions of H 15.5 × W 19 × D 16 cm, the vase finds a place anywhere it can immediately become an eye-catcher: on a bookshelf next to a rosewood book spine, on a sideboard in front of a geometric graphic of the period, or solo on a side table. The condition is very good; the glaze and edges are intact.\u003c\/p\u003e","brand":"Kurt Tschörner","offers":[{"title":"Default Title","offer_id":53742697087323,"sku":"VTG-DCO-138","price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_9470.png?v=1786266483"},{"product_id":"emanuel-beranek-skrdlovice-5987-uranglas-freeform-vase-1959","title":"Emanuel Beránek Škrdlovice Freeform Vase Model 5987, Uranium Glass, 1959","description":"\u003cp\u003eA sculptural freeform vase from the vintage year when Czech studio glass had its international breakthrough. Model 5987 was designed and hand-blown in 1959 at the glassworks in Škrdlovice, Moravia, led by Emanuel Beránek – in the same series year as the later famous sister model 5988. A turquoise blue core shimmers through a green casing of \u003cstrong\u003euranium glass\u003c\/strong\u003e: in daylight, a warm, iridescent aqua-green; under UV light, a strong signal neon green that reveals the characteristic uranium oxide fluorescence. The silhouette is organically free-formed, with a tall, drawn-out tip and a perforated opening on the side – a sculptural object made of glass, created precisely at the moment when Eastern European workshops began to treat the medium as an independent art form.\u003c\/p\u003e\n\u003cp\u003eThe vase measures H 21 × W 11 × D 5 cm and appears monumental despite its compact size – solo on a light pedestal, in front of a plain white wall, or as a counterpoint next to a geometric form. The thick, cast glass has a palpable weight in hand; the base is ground flat, and the surface shows the fine tool marks of a hand-crafted free-form shape. The condition is very good, no chips, no cracks. Uranium glass objects from this period are generally safe for decorative purposes, and the fluorescence remains permanent.\u003c\/p\u003e","brand":"Emanuel Beránek","offers":[{"title":"Default Title","offer_id":53746269946203,"sku":"VTG-DCO-139","price":390.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_9552.png?v=1786292343"},{"product_id":"studiokeramik-kugelvase-ascheglasur-eisenspeck-leach-hamada-tradition","title":"Studio Pottery Sphere Vase Ash Glaze, Iron Speckle, Leach\/Hamada Tradition, Signed","description":"\u003cp\u003eA small, quietly composed spherical vase from the workshop of a studio potter who consciously works in the Anglo-Japanese tradition of Bernard Leach and Shoji Hamada. Hand-thrown on the wheel, the body shows the fine horizontal ridges of finger marks; irregularly placed iron speckles and deeper chestnut-brown zones are distributed over the green ash glaze, where the iron oxide has condensed into striking crystals during reduction firing. The green ash glaze is one of the classic Leach base tones from St Ives, the characteristic iron speckles are the tool signature of the Mashiko school around Hamada – a formal language that has shaped the international studio pottery vocabulary since the 1930s.\u003c\/p\u003e\n\u003cp\u003eThe format is deliberately small and intimate: H 10 × Ø 10 cm, with a narrow mouth, so that a single bloom or a dried stem completes the silhouette. The lower zone is left as an unglazed stoneware ring and shows the warm, sand-colored shard – a conscious commitment to the material honesty of the Mingei movement. The base mark bears an incised potter's signature; the condition is very good, no chips, no cracks.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53749334606171,"sku":"VTG-DCO-140","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_9539.png?v=1786372339"},{"product_id":"boehmische-jugendstil-trompetenvase-fadenauflage-tschechien","title":"Bohemian Art Nouveau trumpet vase, satin glass with thread overlay and floral appliqués","description":"\u003cp\u003eA trumpet vase made of satin-finished, warm yellowish-tinted glass with an iridescent rim, applied thread-thin glass tendrils, and three small, plastically applied flower or leaf buds. The body is crafted in the classic fanfare shape of Bohemian Art Nouveau glass: a high, voluminously offset foot ring, a slender cylindrical shaft, and a widely opened, trumpet-shaped mouth with a gently wavy, triple-notched rim. Freely modeled glass threads run across the matte surface in loose, organic movement around the vase body and incorporate the small applications like delicate tendrils into the surface – a style characteristic of Bohemian glassworks around 1900, which experimented with free thread application on a frosted background.\u003c\/p\u003e\n\u003cp\u003eWith a height of 21 cm and a mouth diameter of 16.5 cm, the vase is present without being dominant – it works as a solitaire on a mantelpiece, in a display cabinet, or on a secretary. In glancing light, the matte surface shimmers between delicate ivory and a warm yellowish glow, while the mouth rim shows a fine mother-of-pearl-like iridescence. A partially preserved label remnant is on the object. The condition is very good, the matte satin finish is undisturbed, no chips or cracks.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53754175422811,"sku":"VTG-DCO-143","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_9506.png?v=1786429269"},{"product_id":"boehmisches-tango-glas-vase-gelb-rosa-aedernetz-1920er","title":"Bohemian Tango Glass Vase, yellow with pink-violet inclusions and network of veins, 1920s","description":"\u003cp\u003eA small trumpet vase made of satin Tango glass, a characteristic Bohemian Art Deco technique from the 1920s, in which a warm yellow base is covered with irregular, cloudy, intertwining color inclusions in pink and violet, and then overlaid with a fine, spiderweb-like network of veins in dark brown. The body is classically divided into two parts: a cylindrical, slightly bulging base supports a slender neck that widens conically upwards with a slightly irregular, organically flowing rim. The color distribution is unique to each piece – here, the most intense pink-violet clouds concentrate at the transition between the base and the neck and extend upwards as fine veins to the rim. This technique was primarily produced by Franz Welz and in the vicinity of the Kralik glassworks (including Ernst Steinwald, Tomschick) in Northern Bohemia and remains a sought-after collecting area of Bohemian Art Deco to this day.\u003c\/p\u003e\n\u003cp\u003eWith a compact format of 12.5 cm height and a mouth diameter of 6 cm, the vase is a miniature solitaire for a shelf, windowsill, or display cabinet – as charming as a single-flower vase as it is a pure collector's item. The condition is very good, the satin surface flawless, no chips or cracks.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53754181386587,"sku":"VTG-DCO-144","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_9556.png?v=1786431882"},{"product_id":"marmoriertes-solifleur-glasvase-violett-schwarzer-fuss","title":"Soliflore vase, mottled violet and white glass, black base, France\/Europe mid-20th century.","description":"\u003cp\u003eA slender soliflore vase of captivating elegance: From a dark, glossy black glass base rises a finely tapering, trumpet-shaped stem of marbled glass, its violet-amethyst threads running in fine, vertical lines through a milky-white ground – an effect created when colored glass masses are twisted together while still hot, ensuring that each vase remains a unique handmade piece. The mouth opens slightly flared and asymmetrically, in keeping with freehand glassblowing art, while the wide, smoothly tapering base gives the vase a stable, almost sculptural steadiness. A distinct pontil mark is visible on the bottom, an unmistakable sign of mouth-blown glass without a mold seam.\u003c\/p\u003e\n\u003cp\u003eWith a height of 24 cm and a base diameter of 12 cm, the vase is generous enough for individual flower branches or tall dried flowers, and asserts itself as a standalone object on a console, sideboard, or windowsill, solely through its silhouette, even without floral content. The color contrast between the deep black base and the light, veined stem makes it a versatile link between classic and modern interiors. The condition is very good, without chips or cracks on the delicate rim.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53755077787995,"sku":"VTG-DCO-146","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_9803.png?v=1786437488"},{"product_id":"erwin-eisch-studioglas-vase-irisierend-federzug-1980","title":"Erwin Eisch Studio Glass Vase, iridescent with feathering decor, signed \"Eisch 80\", Frauenau 1980","description":"\u003cp\u003eA large studio glass vase by Erwin Eisch from 1980, whose shape rises from a full, drop-shaped body into a long, gently curved neck and ends at the top in a widely flared funnel mouth. Over the opalescent lilac-colored glass body lies Eisch's characteristic \"feather stroke\" technique: wafer-thin threads drawn upwards and in arcs with a comb while hot, creating a feather-like pattern reminiscent of peacock eyes. The entire surface bears a delicate iridescent luster, which changes between silver-grey, rosé, and violet depending on the light, while the rim of the mouth is accentuated with a strong, almost black overlay in deep wine red – a deliberately set counterpoint to the light body. Erwin Eisch, born in Frauenau in 1927 and one of the founders of the European studio glass movement, used this technique to adopt the formal vocabulary of Art Nouveau and translate it into a free, artistic style.\u003c\/p\u003e\n\u003cp\u003eWith a height of 39.5 cm and a diameter of 12.5 cm, the vase is an object with a true spatial presence, standing alone or with a single tall branch on a sideboard, mantelpiece, or console, without needing additional staging. The base shows the ground-off pontil mark and the incised signature \"Eisch 80\", which clearly dates the piece. The condition is very good, without chips or cracks, the delicate rim of the mouth is completely intact.\u003c\/p\u003e","brand":"Erwin Eisch","offers":[{"title":"Default Title","offer_id":53755193295195,"sku":"VTG-DCO-147","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_9812.png?v=1786438261"},{"product_id":"aseda-stubbavas-kobaltblau-boerne-augustsson-schweden","title":"Åseda Glasbruk \"Stubbavas\" in cobalt blue, attributed to Börne Augustsson, Sweden 1950s\/60s","description":"\u003cp\u003eA heavy vase of deep cobalt blue glass, rising as a slender, slightly irregular column, its entire surface covered in a powerful relief pattern. The form is based on the so-called Stubbavas, a model from the Swedish glassworks Åseda, which is also simply called \"Börnevas\" after master glassblower Börne Augustsson: The body is free-blown, and while the glass mass is still in motion, the glassmaker uses a special tool to press marks and grooves into the thick-walled piece. This creates the sharp-edged facets, stepped fracture edges, and rugged surfaces that resemble a broken tree stump or cracked ice – each piece turns out slightly differently. Where the glass is thicker, the blue intensifies to almost inky depths; at the protruding edges, it lightens to brilliant azure, and the top is freely shaped with softly rounded, bulging lips.\u003c\/p\u003e\n\u003cp\u003eWith a height of 22 cm and a base area of approximately 7 × 6.5 cm, the vase is compact enough for a shelf, windowsill, or side table and unfolds its full effect when backlit, where the relief breaks down the light refraction into countless facets. It holds a single flower just as well as nothing at all – as a pure glass object, it stands on its own. The condition is very good, without chips or cracks; manufacturing-related air bubbles and slight irregularities in the structure are part of the character of free-blown studio glass.\u003c\/p\u003e","brand":"Åseda Glasbruk","offers":[{"title":"Default Title","offer_id":53755339964763,"sku":"VTG-DCO-148","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_9818.png?v=1786440114"},{"product_id":"paar-solifleurvasen-opalglas-blau-gelbe-randauflage-60er-70er","title":"Pair of soliflore vases made of blue opal glass with yellow rim overlay, hand-blown, 1960s\/70s","description":"\u003cp\u003eA pair of small vases with a strikingly clear silhouette: A slender stem rises from a solid, colorless-overlayed base, opening upwards into a wide, flared funnel – a diabolo shape that draws the eye upwards. The body consists of warmly glowing, blue opal glass, which gives the light a milky depth and shimmers between light sky blue and richer cobalt depending on the incidence of light. The top is finished with an applied, bright yellow glass thread that forms a strong ring around the entire rim, creating a deliberately placed color contrast. Both vases are hand-blown, which can be seen in the subtle differences in curve and rim thickness; a narrow hole for a single flower is located in the bottom of each funnel.\u003c\/p\u003e\n\u003cp\u003eWith a height of 15 cm and a rim diameter of 10 cm, both vases are compact enough for a windowsill, shelf, bedside table, or set table, and appear significantly stronger as a pair than individually – placed side by side, mirrored at two ends of a shelf, or as table decorations each with a single flower. The condition is very good, without chips or cracks; small manufacturing-related air bubbles and slight irregularities in the color gradient are part of the character of handmade studio glass.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53756705440091,"sku":"VTG-DCO-149","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_9894.png?v=1786458817"},{"product_id":"riihimaki-1379-rocket-vase-amber-siiroinen-originaletikett","title":"Riihimäki 1379 Rocket Vase, Amber, Erkkitapio Siiroinen, 1968–1976 — with original label","description":"\u003cp\u003eA wide, shallowly curved body from which a long, conical neck gracefully rises—the silhouette collectors refer to as the \"Rocket Vase.\" The amber-colored glass is dipped in a thick clear layer, creating a transparent ring around the warm honey tone at the bottom edge and base. At 20 cm high and 11 cm in diameter, the piece sits heavily and deeply; its thick-walled base gives it a secure stand. The model number 1379 is etched on the bottom, and the original triangular paper label \"RIIHIMÄKI SUOMI-FINLAND\" with the lynx signet is still fully present—rare for these vases, as it easily detaches when washed.\u003c\/p\u003e\n\u003cp\u003eThe shape was designed by Erkkitapio Siiroinen, who joined Riihimäen Lasi in 1968 and was one of the formative designers there until the closure of the craft workshop in the mid-1970s. Model 1379 was produced in several colors—amethyst, midnight blue, red, petrol—with amber best carrying the warmth of the form: in glancing light, the color gradient from the dark shoulder to the light neck is clearly visible. The vase works equally well as a solifleur with a single long-stemmed bloom or as a solitary piece on a dresser. Condition very good, no chips, no cracks, no clouding.\u003c\/p\u003e","brand":"Riihimäki","offers":[{"title":"Default Title","offer_id":53756765995355,"sku":"VTG-DCO-150","price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_9912.png?v=1786458757"},{"product_id":"murano-sommerso-facettvase-dreieck-gruen-mandruzzato-stil","title":"Murano Sommerso Faceted Triangular Vase, green, Mandruzzato style, 1960s\/70s","description":"\u003cp\u003eA slender triangular prism, tapering slightly towards the top, with sharply ground and highly polished surfaces — each edge at the base is additionally finely beveled. The glass glows in a rich grass green, which lightens towards the center to a brighter, almost yellow-green core: the typical effect of the Sommerso technique, where one layer of color is submerged into a second. Inside, a narrow triangular channel runs through the solid body almost to the bottom. At 24.5 cm high and with a leg length of 7.5 cm at the base, the piece has noticeable weight and stands absolutely securely.\u003c\/p\u003e\n\u003cp\u003eSuch block vases were created from the late 1950s in the Murano glassworks, where raw glass bodies were hand-ground and polished into shape. This vase is unsigned and without a label — however, the quality of the grinding, the edge guidance, and the color structure correspond to the well-known Mandruzzato design language. As a solifleur with a single flower, the form is best showcased; in backlight on a windowsill, the glass works like a prism. Condition very good, no chips, no cracks, the ground surfaces are clear and without disturbing scratches.\u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53757070246235,"sku":"VTG-DCO-151","price":145.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_9903.png?v=1786463730"},{"product_id":"ingrid-glas-borkenglas-vase-blau-marmoriert-1970er","title":"Ingrid Glas Borkenglas-Vase Blue Marbled, 1970s","description":"\u003cp\u003eThe wall looks like broken tree bark: deep, irregular notches and ridges, in which the light refracts. Below, the color swirls through the glass — bright aquamarine at the mouth, condensed into strong cobalt blue in the lower half, dissolving into cloudy, almost watery streaks. The foot tapers into thick-walled, colorless glass, giving the slender cylinder a noticeable weight. At 25 cm high and about 6 cm in mouth diameter, the form remains upright and calm; the colorless flashed colored glass is mouth-blown into a deeply reliefed mold.\u003c\/p\u003e\n\u003cp\u003eThe vase comes from the Ingrid Glashütte, which developed its bark glass program in the 1960s and 1970s from Kurt Wokan's repertoire of forms and thus became the benchmark for this glass genre. The slender cylinder with a height of 25 cm is one of the larger versions of the series; the paper label is — as with almost all surviving pieces — no longer present. The condition is very good: no chips, no cracks, only normal signs of age on the bottom. Placed individually with a long-stemmed flower or as a solitary color object on a shelf, the vase unfolds its effect most clearly.\u003c\/p\u003e","brand":"Ingrid Glas","offers":[{"title":"Default Title","offer_id":53867506368859,"sku":"VTG-DCO-152","price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_9920.jpg?v=1787503489"},{"product_id":"elias-alvarez-studiokeramik-vase-organisch-gerissener-rand-abstrakte-bemalung-soho-signiert","title":"Elias Alvarez Studio Pottery Vase · Organic torn rim, abstract painting · Somo, signed","description":"\u003cp\u003eAn unusual, hand-formed studio pottery vase with a deliberately asymmetrical, jaggedly torn opening – a design statement that makes the vase more of a sculpture than a classic vessel. The bulbous body features a delicate, rosé-white mottled speckle glaze, while the torn rim zone shimmers in dark cobalt blue-black and ochre-gold speckled decor. On the front, the vase bears a hand-painted abstract figure reminiscent of Joan Miró: a curved burgundy line, a circular \"head\" in blue-grey, and a spiral eye motif in sage green – a minimalist, symbolic visual language typical of studio ceramics of the 1980s\/90s. Dimensions: H 27 cm x W 22.5 cm x D 13 cm.\u003c\/p\u003e\u003cp\u003eOn the unglazed bottom, the vase is clearly hand-engraved with the signature: \"Elias Alvarez\" and below it \"Somo\" – presumably a reference to the town of Somo in Cantabria, Northern Spain. The same signature combination also appeared in an international collector's forum from 2010, where another Elias Alvarez piece from Somo was discussed as presumably Spanish raku or reduction-fired work, without the artist being definitively identified there. No documented catalogues raisonnés or sales records could be found for this name in auction and collector databases; the vase is therefore listed as signed, but otherwise undocumented Spanish studio pottery, whose formal language and craftsmanship stylistically point to the late 1980s to 1990s. The condition is very good: no damage, no chips, cracks or glaze defects visible – only the intentionally irregular rim shape characteristic of the firing process.\u003c\/p\u003e\u003cp\u003eA unique piece for collectors of studio and postmodern ceramics: The sculptural silhouette and the freehand-painted imagery make the vase a distinctive object that works as a piece of art even without floral filling.\u003c\/p\u003e","brand":"Elias Alvarez","offers":[{"title":"Default Title","offer_id":53898432086363,"sku":"VTG-DCO-153","price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_0442.png?v=1789651829"},{"product_id":"studiokeramik-vase-doppelmund-im-umkreis-von-wilhelm-elly-kuch-deutschland-1960er-70er","title":"Studio pottery vase \"Doppelmund\", in the circle of Wilhelm \u0026 Elly Kuch, Germany 1960s\/70s","description":"\u003cp\u003eOrganic, hand-built stoneware vase in pebble\/stone shape with a narrow, slit-like double opening (\"double mouth\") at the top. The flowing glaze shows speckled olive, ochre, and black tones, remaining unglazed at the bottom and revealing the reddish-brown stoneware body – a characteristic feature of West German studio pottery of the 1960s\/70s.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 13.5 x 10 x 15 cm (W x D x H)\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e very good, no chips, cracks, or repairs visible\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAttribution:\u003c\/strong\u003e On the unglazed base, there is a hand-incised, cursive ligature signature (not a press stamp). The form (organic \"stone vase\" with double mouth opening), glaze palette, and material correspond to the documented oeuvre of Wilhelm \u0026amp; Elly Kuch (Burgthann near Nuremberg), who, in addition to the usual \"KUCH\" press stamp, also produced hand-signed unique pieces. Since the signature could not be conclusively matched with a reference signature, the piece is listed as \"in the circle of Wilhelm \u0026amp; Elly Kuch\" – a stylistically very plausible, but not unequivocally proven attribution.\u003c\/p\u003e\u003cp\u003eA characteristic vintage collector's item for lovers of German studio pottery and Mid-Century interiors.\u003c\/p\u003e","brand":"Wilhelm \u0026 Elly Kuch (zugeschrieben)","offers":[{"title":"Default Title","offer_id":53910673588571,"sku":"KER-KUCH-STEINVASE-01","price":160.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_9853.png?v=1789651810"},{"product_id":"jacques-dani-ruelland-vase-boule-gelb-glasiert-signiert-frankreich-1960er","title":"Jacques \u0026 Dani Ruelland 'Fig' vase, yellow glazed, signed, France 1960s","description":"\u003cp\u003eSmall, spherical vase from the \"Fig\" series by Jacques (1926–2008) and Dani Ruelland (1933–2010), one of the most important French ceramist couples of the post-war period. The shape – a round, drop-like body with a slender, slightly flared neck – is one of the most characteristic designs of the duo from Paris, later Avignon: Dani modeled the shapes, Jacques was responsible for the enameling. The vase is executed in a rich, high-gloss yellow to mustard-colored glaze, typical of the Ruellands in the 1960s, with a fine brownish tint at the rim. Signed \"Ruelland\" incised on the underside.\u003c\/p\u003e\n\u003cp\u003eDimensions: approx. 10.5 cm high, 10.5 cm diameter – a compact collector's item for a console, bookshelf, or as a standalone piece on a desk. Condition: very good vintage condition, no chips or cracks, the glaze without significant signs of wear. Due to the handmade nature, each piece by the Ruellands is unique – this small format with the bright yellow glaze is considered particularly sought-after and rare on the market.\u003c\/p\u003e","brand":"Jacques \u0026 Dani Ruelland","offers":[{"title":"Default Title","offer_id":53951352406363,"sku":"VTG-DCO-159","price":1450.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/ruelland-vase-01.jpg?v=1788291087"},{"product_id":"gerhard-liebenthron-kugelvase-schalenmund-studiokeramik-signiert-gl-82-bremen-1982","title":"Gerhard Liebenthron Globular Vase with Cup Rim, Studio Pottery, Signed GL 82, 10.9 cm, Bremen 1982","description":"\u003cp\u003eThis globular vase comes from the workshop of Bremen ceramist Gerhard Liebenthron (1925–2005), who, after studying at the Norddeutsche Kunsthochschule, created freely thrown and hand-built unique pieces in Bremen for decades, latterly in the Böttcherstraße. The signature is hand-incised into the unglazed base: the monogram GL with the year 82 beside it. Liebenthron marked his work in this way with monogram and year, which dates the vase to 1982.\u003c\/p\u003e\n\n\u003cp\u003eThe compressed globular body rises into a slender, waisted neck ending in a small, flared cup-shaped rim. Freely drawn black-brown lines and loops run across the cream-white ground, together with dark speckles that gather into denser areas in places. The glaze is satin with a soft sheen. The inside of the cup rim is glazed in glossy deep brown, contrasting clearly with the light exterior.\u003c\/p\u003e\n\n\u003cp\u003eAs a bud vase for a single stem or as an object on a shelf, sideboard or windowsill, the vase suits a vintage or mid-century interior as well as a collection of German studio pottery. It measures 10.9 cm in height and 13 cm in diameter. The condition is very good, with no chips, cracks or hairlines and no notable signs of wear; small irregularities in glaze and decoration are part of the handmade production. No VAT is shown.\u003c\/p\u003e","brand":"Gerhard Liebenthron","offers":[{"title":"Default","offer_id":53952405668187,"sku":"VTG-DCO-160","price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/liebenthron-vase-01.jpg?v=1788293271"},{"product_id":"scheurich-keramik-vase-517-30-fat-lava-grun-schwarz-creme-vintage-70er","title":"Scheurich Ceramic Vase 517-30, Fat Lava, Green-Black-Cream, Vintage, 70s","description":"\u003cp\u003eClassic Fat Lava ceramic vase by Scheurich Keramik, West Germany, 1970s. Cylindrical shape (model 517-30) with a compressed, ribbed bottleneck and typical Scheurich strip glaze: glossy black on the shoulder and base ring, with two rich green bands in between, and a cream-colored, iridescent band in the middle with characteristic Fat Lava bubbles. Dark brown glaze inside. Embossed model number '517-30' and country of origin stamp 'W.-GERMANY' on the base.\u003c\/p\u003e\u003cp\u003eDimensions: Height approx. 30 cm, diameter approx. 12.5 cm. Condition: very good vintage condition, glaze intact, no chips or cracks, age- and production-related manufacturing marks in the glaze (see photos).\u003c\/p\u003e","brand":"Scheurich","offers":[{"title":"Default","offer_id":53952899744091,"sku":"VTG-DCO-161","price":80.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_0987.jpg?v=1788295300"},{"product_id":"vintage-studiokeramik-kanne-kristallglasur-frankreich","title":"Vintage Studio Pottery Jug, Horst Kerstan, Kandern","description":"\u003cp\u003eThis handcrafted ceramic jug originates from the renowned Kanderner ceramic workshop of Horst Kerstan (1941–2005), who took over his teacher Richard Bampi's workshop in the Black Forest in 1965 and became one of the most significant German studio potters of the post-war era. The spherical, elegant silhouette with a tall, cylindrical neck, shaped spout, and curved handle showcases the three-dimensional crystal\/flow glaze typical of Kerstan's work, in sage green-grey with dark brown-black speckles and fine flow marks. The base reveals the unglazed, reddish-terracotta body with the impressed workshop mark \"K in a circle\" – the documented mark of Horst Kerstan's Kanderner workshop.\u003c\/p\u003e\u003cp\u003eDimensions: Height approx. 17 cm, diameter approx. 10.8 cm. Condition: good vintage condition, age-appropriate signs of wear, signed on the bottom with the workshop mark (see photos).\u003c\/p\u003e","brand":"Horst Kerstan","offers":[{"title":"Default Title","offer_id":53953211531611,"sku":"VTG-DCO-162","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_1017.jpg?v=1788296397"},{"product_id":"ingrid-glas-vase-borkenglas-blau-vintage-70er-jahre","title":"Ingrid Glass Vase, Bark Glass, Blue, Vintage, 70s","description":"\u003cp\u003eStructured bark glass vase by Ingrid Glas (Ingrid Glashütte, Euskirchen), Germany, 1970s. The striking hourglass shape with a cinched waist and flaring rim is typical of the manufacturer's \"Rindenglas\" (bark glass) series. The surface features the characteristic relief-like, tree bark-like textured decor, which transitions from a strong cobalt blue in the middle to a lighter, transparent ice blue at the rim and base. The thick-walled pressed glass is clear and undecorated on the inside.\u003c\/p\u003e\u003cp\u003eDimensions: Height approx. 22.5 cm, diameter approx. 8.5 cm. Condition: very good vintage condition, no chips or cracks, minimal age and manufacturing-related surface marks in the glass (see photos).\u003c\/p\u003e","brand":"Ingrid Glas","offers":[{"title":"Default Title","offer_id":53953431404891,"sku":"VTG-DCO-163","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/ingrid-vase-01.jpg?v=1788298374"},{"product_id":"murano-sommerso-vase-blau-grun-seguso-stil-1960er-70er","title":"Murano Sommerso Vase Blue-Green, Seguso Style, 1960s\/70s","description":"\u003cp\u003eThis exceptional Sommerso vase, made of thick-walled, hand-blown Italian art glass, impresses with its highly sculptural, free-form silhouette. The clear glass encloses vibrant layers of color in turquoise and cobalt blue, as well as emerald to yellow-green. Depending on the viewing angle, a particularly intense interplay of transparency, depth, and light emerges.\u003c\/p\u003e\n\u003cp\u003eCharacteristic is the dynamically curved, multi-pointed rim. The faceted and sculpturally modeled wall emphasizes the craftsmanship and makes the object an impressive eye-catcher even without floral decoration.\u003c\/p\u003e\n\u003cp\u003eThe technique is called \u003cstrong\u003eSommerso\u003c\/strong\u003e: different colored layers of glass are successively melted into transparent glass without merging. The design language and coloring are reminiscent of works from the surroundings of Seguso Vetri d’Arte and Flavio Poli. Since no signature, engraving, or manufacturer's label is discernible, the attribution is made to Seguso\u003cstrong\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn expressive vintage object for a sideboard, console, dining table, or display cabinet – particularly beautiful with a few long branches, but equally effective as a pure glass sculpture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eHeight: approx. 25.5 cm\u003cbr\u003eDiameter \/ maximum width: approx. 18.5 cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cbr\u003eVery good vintage condition. No discernible chips, cracks, or breaks. The photos are part of the condition description.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":54015844155739,"sku":"VTG-DCO-038","price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_1577.png?v=1789651816"},{"product_id":"fat-lava-vase-quadratisch-tiefblaue-laufglasur-westdeutsche-keramik-wgp-1960er-70er-jahre","title":"Tokoname Vase, square, deep blue flowing glaze, vintage Japan, 1960s\/70s","description":"\u003cp\u003eSquare, slightly tapering stoneware vase with an exceptionally intense blue flowing\/crystalline glaze: Almost black at the upper rim, it transitions downwards into a luminous cobalt\/turquoise blue. The unglazed, ochre-colored stoneware base bears an impressed base mark identifying the vase as Tokoname-Yaki – ceramics from the Japanese pottery town of Tokoname (Aichi Prefecture), one of the \"Six Ancient Kilns of Japan\" with a pottery tradition spanning over 900 years.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 5 x 5 x 15.5 cm (W x D x H)\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e very good vintage condition, no chips, cracks, or repairs visible; occasional, production-related light firing marks on the base (typical for this glazing technique)\u003c\/p\u003e\n\u003cp\u003eA compact, colorfully very impressive collector's item of Japanese vintage ceramics – also ideal as a small Ikebana vase.\u003c\/p\u003e","brand":"Tokoname-Yaki (Japan)","offers":[{"title":"Default Title","offer_id":54017313800539,"sku":"KER-TOKONAME-QUADRATVASE-01","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_0831.png?v=1789651736"},{"product_id":"steuler-keramik-vase-317-25-fat-lava-gelb-schwarz-vintage","title":"Steuler Ceramic Vase 317\/25, Fat Lava, Yellow-Black, West German Pottery, Vintage 60s\/70s","description":"\u003cp\u003eClassic Fat Lava ceramic vase by Steuler Keramik, West Germany, 1960s\/1970s. Compressed bottle shape (model 317\/25) with broad shoulders, slender neck, and widely flared funnel rim. Crater glaze in typical Fat Lava style: a deep black, foamed lava relief over a bright yellow-orange background, lightening to warm mustard yellow at the edges and rim. Unglazed cream-colored foot ring. On the base, the hexagonal Steuler embossed mark and the model number '317 \/ 25'. The yellow-black version of this shape is significantly rarer than the commonly found white variant. Steuler Keramik is one of the sought-after names in West German art ceramics, known primarily for designs by Cari Zalloni (series 'Zyklon', 'Cascad', 'Continua').\u003c\/p\u003e\n\u003cp\u003eDimensions: Height 25 cm, base diameter 14 cm, rim diameter 10.5 cm. Condition: very good vintage condition, glaze fully intact and glossy, no chips, cracks, or repairs, minimal age-appropriate signs of wear on the foot ring and production-related manufacturing marks in the glaze (see photos).\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Steuler Keramik","offers":[{"title":"Default Title","offer_id":54099735937371,"sku":"KER-WGP-317-25-GELB-01","price":90.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_1977.png?v=1789635395"},{"product_id":"tamara-aladin-glasvase-1363-amethyst-riihimaeen-lasi-finnland-60er","title":"Tamara Aladin glass vase model 1363, amethyst in clear glass, Riihimäen Lasi Oy, Finland 1960s","description":"\u003cp\u003eHeavy, bulbous glass vase with a tall, slender neck: model 1363, designed by Tamara Aladin for the Finnish manufacturer Riihimäen Lasi Oy, 1960s. The amethyst-colored glass core rests within a thick layer of clear glass, which makes the base appear as a solid, visually almost water-filled plinth — an interplay of deep violet and colorless glass that ranges from rose to aubergine depending on the light.\u003c\/p\u003e\u003cp\u003eThe vase is mold-blown, with the neck subsequently drawn out — typical of Aladin's working method, which characterized over half of the vases produced at Riihimäki in the 1960s. Aladin worked for the manufacturer from 1959 to 1976 and designed over 150 models, predominantly for export, especially to Germany.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSignature:\u003c\/strong\u003e The base bears the sandblasted factory signature \"RIIHIMÄEN LASI O.Y. FINLAND\" with the model number \"1363\" — a clear attribution to the manufacturer and model.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height approx. 17.5 cm, diameter approx. 9.5 cm.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good condition. No chips, no cracks. Small, production-related air bubbles in the glass as well as slight signs of age and use are common features of pieces from this period and do not detract from its impact.\u003c\/p\u003e\u003cp\u003eA classic piece of Finnish mid-century glass that works just as well solo as it does in a group with other Scandinavian or Murano sommerso objects.\u003c\/p\u003e","brand":"Riihimäen Lasi Oy","offers":[{"title":"Default Title","offer_id":54134952526171,"sku":"GLAS-RIIHIMAKI-1363-AMETHYST-01","price":135.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/riihimaki-1363-amethyst-01.png?v=1790014607"},{"product_id":"keramikvase-diabolo-orangerot-schwarz-westdeutsche-keramik-vintage-60er-70er","title":"Ceramic vase, diabolo shape, orange-red and black, West German pottery, vintage 60s\/70s","description":"\u003cp\u003eSmall ceramic vase of West German art pottery, 1960s\/1970s, in a compressed diabolo or club shape: wide, flared body, narrow recessed waist, and above it a cylindrical, slightly conically opening neck. The glaze is a glossy, deep orange-red, finely speckled over the entire body and fading into deep black at the waist, shoulder, and rim. The inside and the rim are glazed in black, which further emphasizes the color contrast. The base features a cream-colored, unglazed foot ring and a dark-slipped base area, containing a faintly legible mark, likely 'Germany'. As neither the model number nor the manufacturer's mark can be clearly determined, the vase is intentionally offered as unidentified West German pottery; the shape, glaze application, and base design correspond to the series production of the Rhineland-Palatinate manufactories of these years, as classified under the collective term West German Pottery. The diabolo shape in red and black is one of the sought-after silhouettes of this era and is effective both individually and in a group.\u003c\/p\u003e\n\u003cp\u003eDimensions: Height 15.3 cm, diameter 8 cm. Condition: very good vintage condition, glaze intact and glossy throughout, no chips, cracks, or repairs, minimal signs of age-related wear on the foot ring and production-related manufacturing marks in the glaze (see photos).\u003c\/p\u003e","brand":"Westdeutsche Keramik (unbestimmt)","offers":[{"title":"Default Title","offer_id":54137095061851,"sku":"KER-WGP-DIABOLO-ORANGEROT-01","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2299.png?v=1790021047"},{"product_id":"solifleur-vase-bernstein-blasenfuss-aseda-glasbruk-schweden-1960er","title":"Soliflore vase in amber with bubble base, Åseda Glasbruk, Sweden 1960s","description":"\u003cp\u003eSlim soliflore vase made of mouth-blown glass: an amber-colored, upward-extending stem that ends in a wide, plate-like flared rim, and a solid base of colorless clear glass with regularly enclosed air bubbles. This technique, known as \"bullicante,\" makes the base appear as if filled with pearls and gives the delicate shape the necessary weight. In English-speaking countries, this type is referred to as a \"bone vase\" or \"Jack-in-the-pulpit,\" depending on the shape of the rim.\u003c\/p\u003e\n\u003cp\u003eThe vase is attributed to Åseda Glasbruk in Småland, where Bo Borgström was artistic director from 1961 and designed this series of colored stem vases with bubble bases. The factory operated from 1947 to 1977 and exported extensively to Europe, North America, and Australia; in 1975, it became part of the Royal Krona group. Dating: 1960s to early 1970s.\u003c\/p\u003e\n\u003cp\u003eSignature: The base bears the original gold circular label \"Made in Sweden\" as well as a handwritten number in ink.\u003c\/p\u003e\n\u003cp\u003eDimensions: Height approx. 25 cm, diameter of the rim approx. 8.5 cm.\u003c\/p\u003e\n\u003cp\u003eCondition: Very good condition. No chips, no cracks, label intact. Fine production-related bubbles and minimal signs of age and use are common characteristics of handcrafted pieces from this period.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Åseda Glasbruk","offers":[{"title":"Default Title","offer_id":54137105351003,"sku":"GLAS-ASEDA-SOLIFLEUR-BERNSTEIN-01","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/aseda-solifleur-01.jpg?v=1790021285"},{"product_id":"vintage-blasenglas-solifleur-vase-grun-mundgeblasen-1960-70er","title":"Vintage bubble glass solifleur vase green – hand-blown, 1960s\/70s","description":"\u003cp\u003eThis mouth-blown solifleur vase made of vibrant green bubble glass is a characteristic piece of mid-century glass art from the 1960s and 1970s. Its spherical, thick-walled body transitions into a slender neck that opens into a wide, funnel-shaped rim. Thousands of fine air bubbles trapped within the glass make the green sparkle vibrantly in the light, giving the object a deep, almost kinetic effect.\u003c\/p\u003e\u003cp\u003eThe vase was free-blown by hand, as evidenced by the polished pontil mark on the base and the subtle swirl marks in the glass. The design language, color, and \"bullicante\" technique of controlled bubble inclusions point to the influence of Italian blown glass from Empoli and Murano, as well as West German glassworks of the same era. Since no signature, label, or engraving can be found, we deliberately refrain from making a definitive attribution, instead referring to its stylistic proximity.\u003c\/p\u003e\u003cp\u003eWith its slender, tall form, the vase is ideal for a single blossom, dried grasses, or simply as a standalone glass object on a sideboard, windowsill, or in a display case, where the light beautifully highlights the bubble structure. It combines well with other green vintage glassware or mid-century ceramics. The condition is very good; there are no visible chips, cracks, or fractures, only minimal signs of wear on the base consistent with age; the bubbles and slight irregularities in the glass are intentional features of the manufacturing technique. The dimensions are approximately 22 cm in height and 10 cm in diameter at the rim.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":54137116229979,"sku":"VTG-GLS-BUBBLE-GRN-22","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2278.png?v=1790021311"},{"product_id":"chribska-sommerso-vase-rosa-gruen-josef-hospodka-zugeschrieben-34-cm-1960er","title":"Chřibská sommerso vase, pink \u0026 green with white rim, attributed to Josef Hospodka, 34 cm, 1960s","description":"\u003cp\u003eThis sculptural vase made of mouth-blown art glass is attributed to Josef Hospodka (1923–1989), the influential designer of the North Bohemian Chřibská glassworks, and was presumably created in the 1960s in what was then Czechoslovakia. Chřibská is considered one of the oldest continuously operating glassworks in Europe, and Hospodka’s free-form Sommerso works in pink, green, and clear glass with a white thread trim are known on the international collector's market as typical designs from this glassworks. There is no label or signature on this piece, which is why the attribution should be understood as a stylistic classification rather than a verified manufacturer identification.\u003c\/p\u003e\n\n\u003cp\u003eRising from a narrow, round base, the strongly ribbed body slims upward and opens into a wide, flower-like lobed rim, the lobes of which are rolled outward and folded into sculptural ears, making the vase look like an opening lily or calla. In the Sommerso technique, a luminous core in fuchsia-pink, which deepens to a dark aubergine toward the waist, is fused into thick, clear crystal glass, while the base shows a fresh yellow-green; a fine opaque white glass thread traces the wavy rim. Depending on the incidence of light, the colors shift between pink, magenta, and amethyst, and the clear ribs bundle the light so that the silhouette stands out sculpturally from all sides.\u003c\/p\u003e\n\n\u003cp\u003eThe vase is an expressive solo object for a sideboard, windowsill, or display cabinet, but also holds individual long-stemmed flowers and fits just as well into a mid-century interior as it does into a contemporary setting. The thick-walled glass has a tangible weight and shows the fine tool marks and occasional air bubbles of free-form furnace work. It measures 34 cm in height and 18 cm in diameter and is in very good condition.\u003c\/p\u003e","brand":"Josef Hospodka","offers":[{"title":"Default Title","offer_id":54217167536475,"sku":"VTG-DCO-044","price":275.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2627.png?v=1790696948"},{"product_id":"murano-sommerso-vase-rubinrot-aquamarin-27-cm-1960er","title":"Murano Sommerso vase, ruby red \u0026 aquamarine, 27.5 cm, 1960s","description":"\u003cp\u003eThis slender vase of mouth-blown art glass is attributed to Murano and was presumably made in the 1960s, when sommerso vases shaped freely at the furnace were among the most sought-after works of the Venetian glass island. This attribution is supported above all by the ruby red core within an aquamarine-tinted layer of clear glass, a colour combination typical of Murano, as well as by the sculpturally pinched base and the asymmetrically drawn mouth, features often found on sommerso vases from the circle of Seguso and Flavio Poli. There is no label or signature on this piece, which is why no specific glassworks or designer is named and the origin should be understood as a stylistic attribution.\u003c\/p\u003e\n\n\u003cp\u003eFrom a solid, rounded base with four deeply pressed hollows, the body rises slender and gently curved, ending in an asymmetrically drawn oval mouth, one side of which reaches upward like a petal or a calla lily. In the sommerso technique, a deep ruby red core that darkens to aubergine towards the edges lies beneath clear glass with a delicate aquamarine tint. The casing shows its full thickness at the base, and against the light the red glows intensely while the hollows focus the light like small lenses.\u003c\/p\u003e\n\n\u003cp\u003eAs a bud vase for single long-stemmed flowers or as a sculptural piece on a sideboard, windowsill or shelf, the vase suits a mid-century interior as well as a contemporary setting. The thick-walled glass has a noticeable weight and shows the fine tool marks and occasional small air bubbles of free shaping at the furnace. It measures 27.5 cm in height and 8 cm in diameter and is in good condition with light age-related signs of use.\u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":54219109826907,"sku":"VTG-DCO-046","price":190.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2744_32de1b7c-4ffb-47d6-a953-1edccffd24ac.png?v=1790715164"}],"url":"https:\/\/artfillsspace.com\/en\/collections\/vintage-vasen.oembed?page=2","provider":"ArtFillsSpace","version":"1.0","type":"link"}