{"title":"New","description":"","products":[{"product_id":"zeitungsstaender-chrom-palisander-kunstleder-1970er","title":"Italian Newspaper Rack, Chromed Metal, Rosewood and Faux Leather, 1970s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:block [\u0026amp;_strong:has(+br)]:pb-2 [\u0026amp;_strong:has(+br)+br]:hidden\"\u003eSimple Italian magazine rack from the 1970s, 56 cm high and 41.5 cm wide, with an upright handle made of chrome-plated metal and a solid rosewood grip in deep chocolate brown. Two compartments made of black faux leather are hung over eyelets on the central crossbar and hold magazines, periodicals, or coffee table books.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:block [\u0026amp;_strong:has(+br)]:pb-2 [\u0026amp;_strong:has(+br)+br]:hidden\"\u003eThe frame is made of round, highly polished chrome-plated metal in flowing curves, typical of Italian side furniture of the late 1960s and early 1970s. The rosewood grip shows a clear flame grain and gives the otherwise technical piece a warm, material touch. The construction is firm and stable, with a secure stand.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:block [\u0026amp;_strong:has(+br)]:pb-2 [\u0026amp;_strong:has(+br)+br]:hidden\"\u003eThe combination of chrome, precious wood, and faux leather belongs to the vocabulary of Milan's Brianza furniture during these years and can be found in a related form with designers such as Romeo Rega or Alessandro Albrizzi. The piece does not bear a factory mark — the attribution thus remains limited to the stylistic tradition.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:block [\u0026amp;_strong:has(+br)]:pb-2 [\u0026amp;_strong:has(+br)+br]:hidden\"\u003eNext to the armchair or at the end of the sofa, the stand fulfills its function and remains subtle enough not to dominate the space. The chrome is in very good condition with no pitting or rust, the rosewood grip shows minimal signs of wear, the faux leather has age-related creases and a small detachment at one eyelet — structurally completely intact.\u003c\/p\u003e","brand":"Unbekannt","offers":[{"title":"Default Title","offer_id":53353533800795,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5111.jpg?v=1781099502"},{"product_id":"art-deco-spiegel-tabletts-paar-streamline-1930er","title":"2 Art Deco Mirrored Trays · Streamline Moderne · 1930s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:block [\u0026amp;_strong:has(+br)]:pb-2 [\u0026amp;_strong:has(+br)+br]:hidden\"\u003eTwo mirror trays from the early 1930s in the typical design language of Streamline Moderne. Both feature a circumferential frame of chrome-plated metal with a triple longitudinal groove — a serial stripe motif that became part of the leading vocabulary of European arts and crafts after 1928. Inside is a clear, flat mirror; at the four corners, a cylindrical turned wooden handle, capped by round metal caps with a concentric bull's-eye pattern.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:block [\u0026amp;_strong:has(+br)]:pb-2 [\u0026amp;_strong:has(+br)+br]:hidden\"\u003eThe larger tray measures 30.5 × 28 × 3.5 cm and is almost square; the wooden handles are made of dark, almost ebony-colored tropical wood, probably rosewood or ebonized fine wood. The narrower second tray measures 31 × 21.5 × 3.2 cm in a transverse rectangular dressing table format and features reddish-brown wooden handles in a walnut or mahogany tone.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:block [\u0026amp;_strong:has(+br)]:pb-2 [\u0026amp;_strong:has(+br)+br]:hidden\"\u003eBoth pieces share the same frame type and end cap construction and are highly likely to come from the same model family — offered in different sizes and wood finishes, as was common in German, Austrian, and French arts and crafts workshops of the interwar period. Neither tray bears a maker's mark; the attribution remains limited to the stylistic circle and corresponds to the vocabulary of houses such as WMF, BMF, Argentor, or comparable South German-Austrian manufacturers of this phase.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:block [\u0026amp;_strong:has(+br)]:pb-2 [\u0026amp;_strong:has(+br)+br]:hidden\"\u003eTogether, the two trays form a functional boudoir ensemble — the larger one for perfume bottles and jewelry boxes, the narrower one for brush sets and mirrors. The condition is age-appropriate: The mirror surface of the larger tray shows slight foxing at the edge, both frames bear the typical oxidation patina in the grooves, and the wooden handles show developed signs of use. Structurally, both pieces are fully intact.\u003c\/p\u003e","brand":"unknown","offers":[{"title":"Default Title","offer_id":53357181665627,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5459.png?v=1781195849"},{"product_id":"paar-tischleuchten-keramik-olivgruen-wgp-1960er","title":"Pair of Table Lamps · West German Ceramics · Olive Green · 1960s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003ePair of West German ceramic table lamps from the late 1960s. Both bases are cuboid-prismatic in shape, 12.5 × 12.5 cm at the base and 20.5 cm high, with softly rounded edges and a recessed shoulder section that transitions into a short, double-beaded neck. The overall height with the new raffia shades is 31 cm.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe glaze is a reactive two-zone glaze in muted olive green — lighter, almost mint green and fine-grained in microtexture on the main surfaces, fading to a dark, almost blackish olive tone on the edges and shoulder. This effect is created by the firing technique and is typical of the reactive kiln techniques widely used in West German ceramic workshops in the 1960s. The two lamps show the typical small glaze variations between pieces — on lamp A, the light mint zone on the shoulder is more pronounced, while on lamp B, the dark color along the edges is more prominent. Both pieces come from the same mold and form a true manufacturing pair.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe shape with a cubic base, curved shoulder recess, and beaded neck belongs to the style circle of major West German manufacturers of this period — Carstens Tönnieshof, Steuler, and Otto Keramik produced comparable models in the late 1960s.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe E14 sockets sit directly on the ceramic neck, the socket ring is patinated with age but functional. The natural beige raffia shades are new — both ensure immediate usability. The condition of the ceramic bases is very good, without cracks, chips, or glaze flaking. The lamps have the strongest effect when placed as a double on a sideboard, on either side of a bed, or as a symmetrical console pair.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Unbekannt","offers":[{"title":"Default Title","offer_id":53386601202011,"sku":null,"price":380.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG-5625.png?v=1781632635"},{"product_id":"art-deco-pressglas-schale-irene-walther-soehne-bernstein-1937","title":"Art Deco Pressed Glass Bowl \"Irene\" · August Walther \u0026 Söhne · Amber · 1937","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eOval pressed glass bowl \"Irene\" by August Walther \u0026amp; Söhne, manufactured around 1937 in the Saxon Glass Factory in Ottendorf-Okrilla near Dresden. Amber-yellow clear pressed glass, 36 × 22 × 9 cm, resting on four cushion-like feet, with two laterally rolled volute handles as a typical identifying feature of the shape.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe bowl dates from the heyday of German Art Deco pressed glass and is documented in the 1937 Walther pattern book under catalogue number 22005. The decor is consistently geometric: on the underside of the base, a raised quatrefoil cross with a central oval medallion from which four block-shaped cross-shaped bars radiate, flanked by four large arched lobes. On the inside of the wall, fan-like arched bundles open towards the rim; the outer wall is structured by vertical flutes. The differing glass volume in relief zones, feet and handles creates the warm interplay of light and dark for which Walther pressed glass is known — in thin zones, the bowl glows golden yellow; in solid areas, the tone deepens to warm amber-brown.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe \"Irene\" model series was produced in several colour variants – in addition to the amber presented here, also in green, blue and clear. The amber version (also known as \"Butterscotch\" in contemporary Walther terminology) is one of the manufacturer's classic colours and was included in the range from 1932. The bowl does not bear a pressed-in factory mark – Walther \u0026amp; Söhne usually marked their pressed glass from the 1930s with paper adhesive labels, which were mostly lost in the decades that followed. The clear attribution is made via the shape, the decor and comparison with the documented pattern book entry.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eWhether on a sideboard as a fruit bowl, on the coffee table as a serving dish, or as a central piece of a laid table, the bowl immediately asserts its presence. Collectors of Art Deco pressed glass and Walther manufactured pieces will find a documented model here in the sought-after amber colour variant. The condition is very good: no chips on the wavy rim, all four feet and both volute handles fully intact, no scratch grid in the base, no dishwasher dullness, no cracks.\u003c\/p\u003e","brand":"August Walter","offers":[{"title":"Default Title","offer_id":53408843137371,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5814.png?v=1781872365"},{"product_id":"space-age-wandgarderobe-aluminium-1970er","title":"Space Age Wardrobe with Hat Rack, 1970s — Aluminum frame and white lacquered wood","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eA modular wall coat rack from the 1970s with the typical vocabulary of Space Age design. Three horizontal rows of aluminum square tubes are screwed together via four vertical axes, forming a strictly geometric grid image measuring 74 cm in width and 109.5 cm in height. The depth is 24.5 cm.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eTwelve cream-colored hook bodies are hung in the rail grid, their hourglass shape with two round cutouts being a classic motif of Italian plastic design of those years. In addition, shiny U-shaped metal claws, serving as robust coat hooks, are mounted on the upper two rows. This provides about five to six effective hanging points for clothes, supplemented by the upper hat shelf made of white lacquered or white coated wood. Wall mounting is simple, using two hooks in the open upper rail ends.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eNo factory label has been preserved — an orange-yellow residue on a hook body may be the remains of a manufacturer's sticker. The formal language, the material combination, and the modular construction place the piece in Italian production of the early 1970s.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eSuch a coat rack fits into the entrance area of a 70s-oriented apartment, into a gallery or studio foyer, or as an honest functional sculpture in a collection of Space Age furniture. Bright aluminum and muted cream white are a calm, not loud color combination. Condition: overall good, with age-appropriate traces on the aluminum frame and a diagonal paint crack on the top of the hat shelf, which faces the wall when mounted and is not visible in everyday use.\u003c\/p\u003e","brand":"unknown","offers":[{"title":"Default Title","offer_id":53409155285339,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5848.jpg?v=1781875630"},{"product_id":"italienischer-hocker-bastgeflecht-rot-1960er","title":"Italian stool with wickerwork, 1960s — red lacquered wooden frame","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eAn Italian stool from the 1960s with clear, folk-inspired design. Four turned wooden legs with fine ring milling are connected by continuous cross struts to form a rectangular frame, measuring 47.5 cm in width, 35.5 cm in depth, and 37.5 cm in height. The wood is painted in a strong, rich red and thrives on the contrast with the light natural seat.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe seat consists of hand-woven raffia, classically crafted in a geometric pattern and tightly stretched after decades of use. This combination of rustic turned wood and natural weave belongs to the long Italian tradition of small seating furniture, as it was used for centuries in households, by fireplaces, in kitchens, and in front of workbenches — reinterpreted in the 1960s with strong paint colors.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe piece is suitable as a footstool next to a lounge chair, as an additional seat in a kitchen or hallway, as a small side table next to a low bed, or as a colorful accent in an otherwise understated interior. Its compact dimensions also make it usable in small rooms. Condition: overall very good, the raffia weave is stable and complete, the red lacquer shows only slight age-related signs of wear.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003e \u003c\/p\u003e","brand":"unknown","offers":[{"title":"Default Title","offer_id":53414258737499,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/relling_3_28299cd6-8e9c-400a-90d3-6a4fe6d91fa1.png?v=1781976835"},{"product_id":"studiokeramik-betende-figur-signiert-1980er","title":"Standing praying figure — signed studio pottery from the 1980s, bronze-colored glaze","description":"\u003cp dir=\"auto\"\u003e\u003cstrong\u003eSigned Studio Ceramics \"Praying Figure\", 1980s – Bronze Glaze\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eExpressive studio ceramic sculpture from the 1980s. The praying figure is interpreted in a modern, abstract form – powerful yet delicate.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDimensions\u003cstrong\u003e:\u003c\/strong\u003e Height 28.5 cm, Width 15 cm, Depth 14 cm.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe surface is rough and volcanically textured with fine inclusions. The metallic shimmering bronze glaze shimmers between anthracite, olive green, and copper brown depending on the light – an effect achieved by reduction firing. The sculpture is signed.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFrom different angles, a fascinating ambiguity emerges: sometimes it appears as a single contemplative figure, sometimes as two beings standing closely together. Typical of high-quality studio ceramics of the late 1970s and 1980s with influences from Romanesque art and modernism.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCondition\u003cstrong\u003e:\u003c\/strong\u003e Very good, no restorations, beautiful original patina.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003ePerfect as a standalone piece on a sideboard, console, or bookshelf. Particularly effective against a plain wall in modern, minimalist, or collector's interiors.\u003c\/p\u003e","brand":"unknown","offers":[{"title":"Default Title","offer_id":53414551585115,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5925.png?v=1782838613"},{"product_id":"erwin-eisch-pfauenauge-vase-signiert-1987","title":"Erwin Eisch Peacock Eye Vase, signed 1987 — Glashütte Eisch Frauenau","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eBulbous vase made of hand-blown glass with the famous peacock's eye décor by the Eisch glassworks in Frauenau. Golden yellow to amber drops lie under clear glaze and shimmer iridescently between violet, pink and turquoise – a modern homage to Tiffany's Favrile glass, reinterpreted by Erwin Eisch. The height is 16 cm, the diameter 9.5 cm.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe widely flared, wavy rim and the bulbous body give the vase its characteristic silhouette. The original signature \u003cstrong\u003eEisch 87\u003c\/strong\u003e is incised on the base, clearly confirming authenticity and vintage. Condition: very good, no chips or restorations.\u003c\/p\u003e","brand":"Glashütte Eisch","offers":[{"title":"Default Title","offer_id":53429595963739,"sku":null,"price":140.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5805.png?v=1782283059"},{"product_id":"spiegeltablett-josef-frank-svenskt-tenn-messing-1950er","title":"Round Mirror Tray Brass, attributed to Josef Frank — Svenskt Tenn, 1950s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eRound mirrored tray with polished brass frame and triple loop brass wire handles mounted on both sides - a design language closely associated with Josef Frank and his work for Svenskt Tenn in Stockholm. The tray measures 30 cm in diameter and is 3 cm high.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe mirrored surface shows the warm discolouration at the edges typical of 1950s mercury mirrors - the so-called \"foxing\" patina, which is considered a design quality and immediately identifies the piece as authentically old. There is no preserved manufacturer's mark, which is why the tray is usually listed on the market as \"attributed to Josef Frank\". Condition: overall very good, brass with a beautiful original patina.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003e \u003c\/p\u003e","brand":"Josef Frank","offers":[{"title":"Default Title","offer_id":53431924851035,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5860.png?v=1782283065"},{"product_id":"vintage-stapelhocker-metall-holz-1980er","title":"Vintage Stacking Stool with Wooden Seat, 1980s — white lacquered metal frame","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eRound stackable stool from the 1980s with a four-legged, white-painted tubular metal frame and a lacquered wooden seat in a warm honey tone. The seat height is 45 cm. The simple, clear form comes from the workshop and school furniture tradition and is now a sought-after classic for kitchens, studios, cafés and patios.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eA total of four identical stools are available and can be purchased individually. They can be stacked to save space and can be used as extra seating for guests, as well as a plant stand, side table or plant pedestal. Condition: solidly used, with age-appropriate signs of wear on the lacquer and beautiful patina on the wood.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003e \u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003e \u003c\/p\u003e","brand":"unknown","offers":[{"title":"Default Title","offer_id":53436687155547,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6096.jpg?v=1782333517"},{"product_id":"studiokeramik-schale-aschenbecher-1980er","title":"Studio Pottery Bowl with Cigarette Rest, 1980s — organic shape, earthy glaze","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eHand-formed studio pottery bowl from the 1980s with an organic, almost eye-shaped silhouette. Two pointed ends with indented grooves can serve as cigarette rests — the piece also functions as a key bowl, jewelry tray, or small catch-all. Dimensions: 16.5 × 15 × 5 cm.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe glaze shimmers in warm mustard, caramel, and earthy tones with dark streaks along the edges — a typical reduction firing effect, as developed in many small German potteries of the 1970s and 1980s. The unglazed foot ring shows the warm terracotta body. Condition: very good, with no chips or cracks.\u003c\/p\u003e","brand":"unknown","offers":[{"title":"Default Title","offer_id":53436723167579,"sku":null,"price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5947.png?v=1782333546"},{"product_id":"sitzende-studiokeramik-figur-signiert-1980er","title":"Seated Studio Pottery Figure · signed · 1980s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eA small, introverted figure sitting on the floor: knees drawn up, the spherical head slightly tilted to the side and downwards, the back softly rounded. The reduced, almost archaic-looking form thrives on its stillness—it does without any facial expression and yet conveys concentration, devotion, and contemplation. The hand-modeled surface features a dark iron glaze with warm, coppery shimmering spots on the shoulders, arms, and legs, which catches the light very nuancedly. Measuring 11.5 × 6 × 9.5 cm (W × D × H), the sculpture has a pleasant feel in the hand and fits anywhere: on a bookshelf, desk, windowsill, or as a quiet accent next to a candle.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe underside shows the unglazed, light shard with an incised artist's signature—a line monogram, presumably initials, set very hand-written. The thematic and formal proximity to contemplative, sacred studio ceramics of the 1980s is clear; comparable sitting, meditating figures were frequently created during this period in the environment of monastic workshops or by freelance sculptors with a spiritual focus. The condition is very good: uniform glaze, no breaks, only the typical, intentional surface texture of handmade studio ceramics.\u003c\/p\u003e","brand":"unknown","offers":[{"title":"Default Title","offer_id":53436811379035,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5942.jpg?v=1782335684"},{"product_id":"murano-glas-schale-sommerso-seguso-aschenbecher-flavio-poli","title":"Murano Sommerso Geode Bowl · red-opal · 1960s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eA triangular Sommerso bowl from Murano in the iconic geode shape: three gently rolled tips with a deep, hollow depression in between. In the center, a vibrant red-orange glass core glows, embedded in a milky-opalescent casing that shimmers between white, delicate rosé, and lavender depending on the light; a thin, uranium-yellow veil flashes on the outer edges, emphasizing the layered structure. The walls are thick and heavy in the hand, and the transitions between the glass layers are clearly visible—typical characteristics of high-quality Murano Sommerso work from the 1950s and 60s. With a diameter of 16.5 cm and a height of 7 cm, the bowl is generous enough for jewelry, cigar tobacco, or small still lifes, and compact enough for a coffee table, sideboard, or desk.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe Sommerso technique (\"submerged\") became an international phenomenon in the 1950s through Flavio Poli at Seguso Vetri d'Arte—Poli received the Compasso d'Oro in 1954 specifically for these multi-layered glass objects. The triangular geode presented here is one of the most famous form families of this era and was adopted in variations by several Murano manufacturers in the 1960s. Without a factory label, a clear attribution to a workshop is not possible; however, the style, glass quality, and layering are clearly attributable to the Seguso\/Poli school of the early 1960s. The condition is very good: no chips, no cracks, the polished base is clean, and the surface shows only the fine patina sheen to be expected from this glass quality after 60 years.\u003c\/p\u003e","brand":"Seguso","offers":[{"title":"Default Title","offer_id":53447145849179,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6104.png?v=1782466736"},{"product_id":"flaschentraeger-2-flaschen-kunstleder-messing-1960er","title":"Two-Bottle Carrier · Faux Leather \u0026 Brass · 1960s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eAn elegant bottle carrier for two bottles, as seen on every well-kept bar cart in the 1960s: two rectangular compartments made of black faux leather, framed by a structure of shiny brass wires, topped by a tall, gracefully curved carrying handle. The design is deliberately simple and graphic — soft edges, clear proportions, a touch of Parisian elegance. Visible brass rivets on the sides and bottom, as well as four small brass ball feet, give the object the typical jewelry-like character of French Mid-Century leather work. With a height of 36 cm (over the handle), a width of 23.5 cm, and a depth of 13.5 cm, the carrier is large enough for two standard wine bottles and compact enough to make a statement on any sideboard or bar cart.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eFormally, the piece clearly belongs to the Adnet style circle: black, slightly shiny faux leather (Skai) on brass — the same material signature that Jacques Adnet developed for accessories in Paris in the 1950s and 60s, and which was adopted by numerous French and Italian leather workshops during that period. The condition is very good: the faux leather is clean, intact, and without tears; the brass shows only the warm patina that has developed over 60 years; the carrying handle is firm. A decorative yet fully functional piece that is just as suitable for Sunday brunch as it is as a still life with two olive oil bottles in the kitchen.\u003c\/p\u003e","brand":"unknown","offers":[{"title":"Default Title","offer_id":53447227867483,"sku":null,"price":170.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6113.jpg?v=1782461380"},{"product_id":"v-nason-murano-sommerso-vase-blau-chartreuse-1970er","title":"V. Nason Murano Sommerso Vase · blue-chartreuse · 1970s · with label","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eA slender, prismatically cut Murano vase from V. Nason \u0026amp; C., 1970s — and a particularly beautiful example of the island's cut-sommerso tradition. The tall, multifaceted shape thrives on the interplay of the cut facets: light and color refract at the shoulders, the body remains crystal clear inside, while the outer edges and base glow in three rich layers — cobalt blue at the shoulder and neck base, a very light aqua layer in the middle, and an intense chartreuse green at the foot, rising like a flicker from the ground. With a height of 29 cm and a square base of 9 × 9 cm, the vase has an almost sculptural presence; it works equally well on its own as an accent in a glass group or with a single, tall stem.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe Sommerso technique (\"submerged\") was perfected in Murano in the 1950s and involves layering several sheets of glass in such a way that they fuse into one another as the form is created, without mixing the colors. On the front is the \u003cstrong\u003eoriginal attached factory label \"V NASON \u0026amp; C — MURANO ITALY\"\u003c\/strong\u003e with the typical NV monogram — an important authenticity and collector's feature that is rarely preserved on pieces from this workshop. The condition is very good: no chips, no cracks, the cut edges are clean, the polished base has no scratches. The intense depth of color is difficult to capture in photographs — against the light, the vase displays a much more vibrant play between blue and green.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53451901698395,"sku":null,"price":520.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6192.jpg?v=1782838410"},{"product_id":"belgo-chrom-tischleuchte-messing-chrom-hollywood-regency-1970er","title":"Belgo Chrom Table Lamp · Brass \u0026 Chrome · Hollywood Regency · 1970s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eA lavish table lamp by Belgo Chrom from the late 1970s, entirely in the Hollywood Regency manner of the Belgian house: a triple-tiered, square base of gleaming brass supports a columnar shaft of alternating brass and chrome rods, which rise like a small bundle of narrow pillars and are again brought together in a brass-chrome cube at the upper collar. This interplay between warm golden tones and cool silver tones is the material signature for which Belgo Chrom became internationally known in the 70s — an inherently clear, almost architectural gesture, carried by high-quality fittings. With a height of 71.5 cm and a shade dimension of 46 × 46 cm, the lamp has an impressive presence and is ideal for a distinguished sideboard, a console in an entrance area, or as a pair on a classic dining room buffet.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe original, trapezoidal fabric shade in warm natural white is bordered with a red-beige woven trim and matches the lamp stylistically; alternatively, it can be exchanged for a modern, black drum shade — this immediately opens the piece to more puristic interiors and emphasizes the sculptural shaft. The lamp is equipped with \u003cstrong\u003etwo E27 sockets\u003c\/strong\u003e; classic incandescent bulbs as well as LED light sources are possible; the cord switch is on the cable. The condition is very good: the brass shows only the delicate, warm patina to be expected after fifty years, the chrome is clear and without pitting, the connections are firm. A decorative statement piece that asserts itself equally well in a classic interior, a Hollywood Regency bedroom, or as a deliberate contrast in a minimalist apartment.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003e \u003c\/p\u003e","brand":"Belgo Chrom","offers":[{"title":"Default Title","offer_id":53452045615451,"sku":null,"price":550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6225.png?v=1782494012"},{"product_id":"murano-sommerso-schale-kobalt-aqua-1970er","title":"Murano Sommerso Bowl · cobalt blue \u0026 aquamarine · 1970s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eA compact, thick-walled Sommerso bowl from Murano, 1970s — and a very beautiful example of the more organic, softer line that emerged parallel to the sharply cut Sommerso vases of that period. At its center is a rich, cobalt blue core, like a drop under water, encased in an aquamarine glass mantle that becomes lighter and more transparent towards the rim. The shape is deliberately irregular: slightly oval, with two gently indented hollows on the rim, which can optionally be interpreted as cigarette rests or simply as a sculptural gesture. With a diameter of 10.5 cm and a height of 4.5 cm, the bowl is hand-sized and fits anywhere — coffee table, desk, sideboard, bedside table — as a small still life, as a jewelry tray for a ring and watch, or as a light catcher by the window.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe Sommerso technique (\"submerged\") layers several glass layers in such a way that the colors are staggered in depth without mixing — the intense contrast between cobalt and aquamarine in this piece thrives precisely on this layering. No factory or artist label is present, but the glass quality, the polished base, and the clear layering unequivocally place the piece in Murano in the late 1960s to 70s. The condition is very good: no chips on the rim, no cracks, only a few micro-fine inclusions in the glass, which are typical for hand-blown Murano work and not a defect.\u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53460373897563,"sku":null,"price":115.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6287.png?v=1782627434"},{"product_id":"bleikristall-splash-schale-klar-1970er","title":"Clear, thick-walled Splash bowl, European glass art, 1970s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eFormed from clear crystal glass, this bowl rests on the surface like a frozen drop of water. Five to six points grow organically from the thick-walled body, each one bulging, asymmetric yet balanced. The interplay with light is everything here: in sunlight, the light refracts at the edges; in partial shade, the glass becomes a cool, tranquil volume.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eWith its dimensions of 24 × 18.5 cm and 8 cm height, it sits confidently on a console, dining table, or sideboard — as a vide-poches for keys and jewelry, as a fruit bowl for a few lemons, or simply as a sculptural solo object. The form is typical of European glass art of the late 1960s and 1970s, when workshops in France, Belgium, Italy, and the former Czechoslovakia shaped this dramatic splash style.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"unknown","offers":[{"title":"Default Title","offer_id":53460399980891,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6595.png?v=1782855197"},{"product_id":"studiokeramik-familie-skulptur-brutalist-lkd-1983","title":"Signed studio pottery family group, brutalist, signed \"LKD 1983\"","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eFather and mother lean their heads towards each other, forehead to forehead, while four smaller figures—the children—cling to their legs. Grown from a single block, the group appears like a glacial erratic into which someone has skillfully carved an entire family. The surface is matte, slate-dark, traversed by fine incised lines that suggest hair and garments without fully articulating them. A few traces of red pigment on the shoulder evoke the workshop where this piece was created in 1983.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eAt 28 cm high, 15.5 cm wide, and weighing around 5 kilos, the hollow-formed ceramic sculpture is a complete solo piece—perfect for a console, a low sideboard, or as a serene centerpiece on a bookshelf. The brutalist aesthetic of the early 1980s, here translated into a deeply human, almost sacred gesture, makes the piece appealing to both studio pottery collectors and lovers of modern figurative sculpture. On the underside, the hand-incised artist's signature \"LKD 1983\" provides clear dating and unequivocal proof of its unique character.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53462147432795,"sku":null,"price":550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6357.png?v=1782663189"},{"product_id":"studiokeramik-vogel-paar-luesterglasur-signiert-1970er","title":"Pair of signed studio ceramic birds, luster glaze, 1970s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eTwo birds, close together, as on a silent winter morning—one crouched, its head drawn between its shoulders, the other upright, with its back wide open, almost like a small vessel for light. The glaze is a genuine luster glaze from reduction firing: deep slate-grey-blue in the shadowed areas, metallic bronze and coppery where the flame has touched the surface. Both birds are freely hand-built from one piece, their heads are small, deliberate accents, their beaks only hinted at—an archaic, almost prehistoric formal language reminiscent of Henry Moore or Mediterranean studio ceramics of the 1960s and 70s.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe larger bird measures 16.5 cm in height, 11 cm in width, and 12.5 cm in depth; the smaller one is 13 cm high, 9.5 cm wide, and 13 cm deep—together they weigh around 4 kg. Both bear an incised artist's signature on the underside (identical on both pieces, confirming their workshop affiliation as a pair) and an additional yellow inventory mark. As a set, they work well on a console, a dining table, or a low sideboard—two silent companions that instantly make any room feel older and calmer.\u003c\/p\u003e\n\u003ch2 class=\"font-editorial font-bold mb-2 mt-4 [.has-inline-images_\u0026amp;]:clear-end text-lg first:mt-0 md:text-lg [hr+\u0026amp;]:mt-4\"\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"unknown","offers":[{"title":"Default Title","offer_id":53462459646299,"sku":null,"price":480.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6344.png?v=1782663204"},{"product_id":"fernsehturm-skulptur-kupfer-bruniert-55cm-1960er","title":"Television Tower sculpture, turned patinated copper, 55 cm, 1960s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eTurned from a single shaft, the tower rises 55 cm high—not a souvenir, but a serious table sculpture that captures the silhouette of post-war television towers with calm precision. The dark burnished copper shaft supports three set-off platform rings whose polished edges emerge like narrow bands of light, below which is the typical central tower basket widening and above it all the needle-fine antenna tip. The form is clearly based on the Stuttgart TV Tower from 1956—the world's first reinforced concrete TV tower, which became the iconic model for a whole decade of German transmission towers.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe piece rests on a shallow, also dark burnished, dish base and, at 55 cm high, is an exceptionally large example of this object class—most comparable pieces are 30–48 cm. Its weight and material density suggest a solid turned piece, probably a \u003cstrong\u003ejourneyman's masterpiece from a metalworking profession\u003c\/strong\u003e (turner, toolmaker, or model maker) from the 1960s—such pieces were made in German training workshops as master's or journeyman's pieces and are today considered rare testaments to post-war craftsmanship. On a credenza, a sideboard, or as a solitaire on a desk, the tower immediately makes an impression: vertical, calm, with the warm copper tone that shimmers depending on the light.\u003c\/p\u003e","brand":"unknown","offers":[{"title":"Default Title","offer_id":53463881613659,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6500.png?v=1782838203"},{"product_id":"murano-sommerso-fischmaul-vase-kobalt-aquamarin-1960er","title":"Murano Sommerso Fishmouth Vase, Cobalt-Aquamarine, 1960s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe vase has something lively about it — as if someone had captured the water of a Mediterranean morning in glass. Deep cobalt blue sits on the inside, enveloped by a layer of clear aquamarine, with a wafer-thin mantle of crystal-clear glass on the very outside. This triple Sommerso layering — developed to mastery on Murano over decades and made iconic by designers such as Flavio Poli for Seguso Vetri d'Arte — gives the glass its characteristic optical depth. Depending on the light, the blue core seems to float, almost like a drop just falling into water.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe upper rim is pulled up in four directions, a classic fish mouth that gives the vase its sculptural presence. At 24 cm high, 16 cm wide, and 8 cm deep, it is a full-fledged solo piece — on a low side table, on a bright windowsill, or as a calming accent on a sideboard. Even without flowers, the vase functions as a pure sculpture: the solid glass, freely blown and pulled by hand by the glassmaker, has a pleasant weight and a depth that immediately creates atmosphere in any living space.\u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53463957143899,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6456.png?v=1782676908"},{"product_id":"barovier-toso-efeso-vase-ercole-barovier-amber-1968","title":"Barovier \u0026 Toso Efeso Vase, Amber-Brown with Air Bubbles, Italy 1968","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eHold the vase up to the light—and what was just a dark amber begins to come alive. Thousands of tiny air bubbles, each one a different size and position, float in the glass like rising effervescence in a resting glass of champagne. It is precisely this effect that has made Ercole Barovier's \"Efeso\" series one of the most important Murano classics of the 20th century since its introduction at the 1964 Venice Biennale. The color is not created by molten glass, but by a \"hot coloring without melting\" technique developed by Barovier himself: metal oxides are placed between two white-hot, transparent layers of glass—the heat triggers chromatic reactions that no two pieces can identically reproduce.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThis vase from 1968 shows the rarer amber-brown variant with warm amber and gold tones, interspersed with darker oxide gradients. The classic Efeso silhouette—spherical body, narrow neck, widely flared lip—comes into its own with dimensions of 19 cm height and 16.5 cm diameter. On a sideboard, in a display cabinet, or as a solitaire on a side table, it is not simply decoration, but a collector's item with provenance and significance: a piece of Murano design history from the hand of one of the most important glass designers of the 20th century.\u003c\/p\u003e","brand":"Barovier \u0026 Toso","offers":[{"title":"Default Title","offer_id":53464118919515,"sku":null,"price":1150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6439.png?v=1782838344"},{"product_id":"murano-sommerso-vase-gelb-kobalt-applied-trail-1960er","title":"Murano Sommerso Vase, Yellow-Cobalt with applied glass ribs, 1960s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eA vase like a miniature theater: from a compact dark amber base, the glass body rises upwards in a chalice shape, amber-yellow, clear as captured summer afternoon sun — and cobalt blue glass ribs, applied like water droplets frozen in the act of falling, run down the outer wall. The upper lip is not drawn round, but freely and saddle-like curved, with the cobalt as a dark hem tracing the shape. A genuine Murano workshop piece from the 1960s: cast, free-blown and shaped with tweezers at that very moment of glowing heat.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eAt 21.5 cm high, 14 cm wide and 18 cm deep, the vase is an expressive solitaire — on a sideboard, a console or a bookshelf, as a sculptural statement piece that unfolds its full effect even without flowers. A remnant fragment of the original workshop label is preserved on the yellow lip, unfortunately too rubbed for a clear reading — the character of the label (rectangular, gold-colored) is typical for several Murano workshops of the 1960s and 70s, including Cenedese, AVEM and Salviati. The stylistic signature clearly points to the circle of Flavio Poli's and Antonio da Ros's Sommerso design language.\u003c\/p\u003e","brand":"unknown","offers":[{"title":"Default Title","offer_id":53476216799579,"sku":null,"price":260.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6602.png?v=1782855544"},{"product_id":"murano-sommerso-geode-schale-rubinrot-tuerkis-1960er","title":"Murano Sommerso Geode Bowl, Ruby Red in Turquoise, 1960s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe first glance reveals depth: a deep ruby red that seems to glow from within the bowl, enveloped by a narrow turquoise-aquamarine layer, and on the very outside, a wafer-thin coat of crystal clear glass. This triple Sommerso layering is the true masterpiece of the Murano workshops of the 1950s and 60s — Flavio Poli received the Compasso d'Oro, Italy's most prestigious design award, in 1954 for Seguso Vetri d'Arte for precisely this technique. The three gently rolled tips that shape the bowl into a triangular geode are the iconic formal vocabulary of this era and were adopted by numerous Murano manufacturers in the 1960s.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eWith a diameter of 16.5 cm and a height of 7 cm, the bowl is generously sized for jewelry, keys, or small still lifes — on a coffee table, sideboard, or desk, it unfolds its full sculptural effect. It also works as a standalone color object: empty, bathed in light, it almost looks like a small gemstone. The polished base remains clean, the surface only shows the fine patina sheen to be expected from high-quality Murano glass after more than sixty years — a genuine, aged, yet undamaged collector's item in very good condition.\u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53479827145051,"sku":null,"price":290.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6479.png?v=1782902892"},{"product_id":"artifort-hello-there-chair-jeremy-harvey-verchromt-1978","title":"Artifort \"Hello There\" Chair, Jeremy Harvey, chrome-plated, 1978","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eSit down and the chair greets you: the word \"Hello\" is cut out of the backrest, and \"There\" from the seat — a play on words in aluminum that has been one of the most iconic Pop Art statements in Dutch design since 1978. Jeremy Harvey, at the time one of the young designers in the circle of Nel Verschuuren, Bruno Ninaber van Eyben, and Gijs Bakker, designed the chair for Artifort as a conscious play with language, seating surface, and sculpture. The name is not just spoken — it is \"sat out.\" The manufacturer's logo \"Artifort\" is embossed in the cast aluminum at the bottom, a clear and undeniable proof of authenticity.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe version presented here is the \u003cstrong\u003erare chrome-plated variant\u003c\/strong\u003e — most Hello There Chairs were powder-coated in white, black, or red; the chrome variant is significantly rarer on the market and more sought after by collectors. With a height of 80 cm, a width of 38 cm, and a depth of 43 cm, the chair fits as a solitaire in a hallway, home office, or dining room, and can also be grouped in pairs or fours. All four glides are present. The chrome shows the typical age patina of over forty years in individual places — small areas with slight chrome loss, which are clearly documented in the pictures. There are no static defects; the chair is fully functional and in good original condition.\u003c\/p\u003e","brand":"Artifort","offers":[{"title":"Default Title","offer_id":53484038914395,"sku":null,"price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6708.jpg?v=1782930252"},{"product_id":"pierre-cardin-simo-klappbarer-barwagen-weiss-italien-1970er","title":"Pierre Cardin for Simo - Foldable Bar Cart in White Plastic, Italy 1970s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eA bar cart that folds down with a wave of the hand and slides flat into any niche: This was a small revolution in 1970. Pierre Cardin designed the concept, and it was produced by the Italian manufacturer Simo from food-grade plastic. The white tubular frame with its two removable trays, the raised handle, and the four castors resembles a stage for aperitivo – clear, bright, understated, yet confidently modern.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eWhen unfolded, the cart measures approximately 78 cm in height, 58 cm in width, and 38 cm in depth; when folded, it shrinks to a wall depth of just a few centimeters and disappears behind a door or next to a sideboard. The embossing \"For Aliments – Patented – Made in Italy\" can be seen under the upper tray. Solid vintage condition, without damage; the castors run smoothly. A Space Age classic for those who love Italian flair with understatement.\u003c\/p\u003e","brand":"Simo","offers":[{"title":"Default Title","offer_id":53484240437595,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6696.png?v=1782930262"},{"product_id":"digsmed-danmark-teakschale-36cm-1960er","title":"Digsmed Denmark - Large Teak Bowl, Ø 36 cm, Denmark 1960s","description":"\u003cp\u003eHen\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eScandinavian craftsmanship in its purest form: This large teak bowl from the Danish manufacturer Digsmed in Langå shows why the company was one of the most sought-after addresses for high-quality home accessories in the 1960s. Vertically glued teak staves create a rich, constructively visible rim with shimmering wood tones between honey-colored and reddish-brown. The wide, architecturally profiled rim is a typical Digsmed signature and gives the bowl its sculptural presence.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eWith a diameter of 36 cm and a height of 13.5 cm, it is one of the larger items in the range — suitable as a fruit bowl on the dining table, a salad bowl for a large gathering, or a calm centerpiece on a chest of drawers. The inside bears the burned-in manufacturer's mark \"Digsmed Danmark\" with the characteristic Viking helmet logo. Condition very good, patinated surface, no cracks. A collector's item for all who appreciate Danish design in its most material-honest form.\u003c\/p\u003e","brand":"Henning Digsmed","offers":[{"title":"Default Title","offer_id":53510652461403,"sku":null,"price":275.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6799.jpg?v=1783194444"},{"product_id":"hohe-bodenvase-popcorn-glasur-handgedreht-deutschland-1960er","title":"WGP floor vase with popcorn glaze, hand-thrown, Germany 1960s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eA slender floor vase with a rich stage presence: 38 cm high, cylindrically shaped, covered with a popcorn or crater glaze that shimmers with sandy beige and honey-warm tones. The surface looks like fossilized sea foam – thousands of small craters in which the light refracts. In contrast, the recessed neck is glazed in deep black, adding visual tension to the vase.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eOn the base, next to the inscription \"handgedreht\" (hand-turned), there is an embossed coat-of-arms stamp, such as those used by smaller South German workshops in the 1960s. The craftsmanship is evident in the fine turning marks inside the neck and in the color gradients of the reactive glaze. With a diameter of 14.5 cm and its slender silhouette, the vase works equally well as a sculptural object on its own, or with a single long-stemmed branch or dried pampas plume.\u003c\/p\u003e","brand":"WGP","offers":[{"title":"Default Title","offer_id":53510663766363,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6812.jpg?v=1783195348"},{"product_id":"standaschenbecher-messing-teak-stiletto-1950er","title":"Brass \u0026 Teak Standing Ashtray in the Style of Carl Auböck, 1950s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eAn imposing 1950s standing ashtray that takes up the clear design language of the Wiener Werkstätte culture around Carl Auböck, without being signed. A massive, hemispherical brass bowl with a polished top plate and four evenly distributed ash grooves rests loosely on a delicate tripod made of black lacquered round steel in a typical stiletto silhouette. A turned teak handle is firmly connected to the rim of the bowl and serves as a carrying handle for the brass bowl itself - it can be easily lifted out of the ring, carried by the handle for emptying, and reinserted.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe combination of warmly patinated brass, velvety oiled teak, and the graphic black of the steel legs makes the piece a sculptural eye-catcher that can also be reinterpreted as a side table object, candlestick, or jewelry bowl for an entryway. With a total height of 53 cm, a width of 35 cm over the handle, and a base area of around 30 cm, it stands confidently next to an armchair, a sofa set, or a bar cart. Original condition with a beautiful age patina on the brass, all connections firm, perfect stability.\u003c\/p\u003e","brand":"unknown","offers":[{"title":"Default Title","offer_id":53510674153819,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6808.png?v=1783196237"},{"product_id":"kienzle-automatic-tischuhr-heinrich-moeller-messing-1959","title":"Kienzle Automatic Table Clock by Heinrich Möller, 1959","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eAn iconic piece of German clockmaking from the Black Forest: the Kienzle Automatic table clock from 1959, designed by Heinrich Möller, chief designer of the Kienzle clock factory in Schwenningen since 1931 and for over four decades. A square solid brass case frames the characteristic, seemingly floating dial – a circle of polished brass ring with delicate stick indices and slender hands, held between two dark tinted glass plates. Above the dial, the discreet \"Kienzle Automatic\" signature in italic script. Two discrete black pedestal feet visually lift the body from the surface, giving the clock its floating, graphic presence.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eMöller's design combines Bauhaus clarity with the material opulence of the late economic boom years and became a flagship of the Kienzle collection. With a height of 22 cm, a width of 21 cm, and a depth of only 3 cm, the clock fits on any sideboard, desk, or mantelpiece – 3 kg of weight ensure the stable, high-quality impression of a true prestige clock. Very good original condition with an evenly warm brass patina, undamaged glass plates, movement running.\u003c\/p\u003e","brand":"Kienzle","offers":[{"title":"Default Title","offer_id":53515348443483,"sku":null,"price":275.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6834.png?v=1783541329"},{"product_id":"franzoesische-raku-teekanne-vogel-5-chawan-studiokeramik-1970er","title":"French Raku Tea Set · Bird Teapot with 5 Chawan Bowls · 1970s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eAn extraordinary tea set of French Raku studio pottery from the 1970s, consisting of a sculptural, bird-shaped pot and five accompanying chawan bowls. The pot's body is bulging and oval, like a resting water bird: the pointed spout forms the beak, the ocher-glazed handle the stylized tail feather, and the removable lid with a single peephole takes on the bird's head silhouette. The contrast between smoke-fired blackened surfaces and white crackle glaze with fine dark cracks is the result of the classic Raku technique — reduction in sawdust after flash firing at around 900 degrees Celsius, which makes each piece unique.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe five chawan bowls adopt the same principle: an ocher-colored interior with a dense network of fine crackles, and dark, smoked edges and bases. The set is formally associated with the French Raku movement founded by Camille Virot in 1972, and at the same time incorporates the Wabi-Sabi aesthetic of the Japanese tea ceremony. The pot measures 32 cm in length, 20 cm in depth, and 16.5 cm in height, while the bowls each have a diameter of around 10 cm and a height of 4.5 cm. Unsigned, very good original condition across all six pieces.\u003c\/p\u003e","brand":"unknown","offers":[{"title":"Default Title","offer_id":53545713598811,"sku":null,"price":850.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7017.png?v=1783541336"},{"product_id":"murano-sommerso-facettvase-graphit-mandruzzato-stil-1960er","title":"Murano Sommerso Faceted Vase Graphite in Mandruzzato style, 1960s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eSculptural Murano Sommerso faceted vase in deep graphite grey, created in the Italian glass tradition of the 1960s and in the design language of the Mandruzzato workshop—that Muranese family who further developed the Sommerso technique, developed by the Flavio Poli circle, into their own signature style through the characteristic facet cut (Italian \"molatura\"). A teardrop-shaped, smoky dark inner core is embedded in a clear crystal mantle; the all-around polished facets catch the light in sharp prisms and make the grey core appear to shift and float depending on the viewing angle.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe square, also faceted base gives the vase stability and an architectural presence that works on any sideboard, side table, or bookshelf—solo or in a group with other Sommerso vases of different sizes and colors. At 20.5 cm high with an 8 cm diameter, it is an ideal medium vase for single blooms or as a pure sculptural object. Without a factory mark, as was customary for Muranese workshop production of the era; very good original condition without chips or scratches in the cut.\u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53545771434331,"sku":null,"price":245.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7031.png?v=1783542539"},{"product_id":"murano-tischleuchte-rosa-bullicante-barovier-toso-stil-1950er","title":"Rare Murano Table Lamp Pink Bullicante Barovier \u0026 Toso, 1950s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eEnchanting 1950s Muranese table lamp in an unusually delicate old rose, crafted using the classic Bullicante technique, perfected by Barovier \u0026amp; Toso and Ercole Barovier on the island of Murano. The spherical glass body is structured by vertical melon ribbing, with thousands of controlled air bubbles rising in even rows in the spaces between them — each bubble pricked into the glowing glass mass, blown, and permanently enclosed in the second layer. This craftsmanship makes each piece unique and explains why authentic 1950s Bullicante objects are among the most coveted vintage Murano glass objects today.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe nickel-plated metal collar supports a height-adjustable harp and an E27 socket; the original vintage inline switch is still in the cable — both technically checked and functional. The pleated, cream-colored fabric shade with a fine border is also original to the lamp but can be easily replaced with a more contemporary shade if desired. Total height 54 cm, shade diameter 42 cm, glass body 23 cm in diameter — ideal proportions for a console, sideboard, or bedside table. Very good original condition across all components.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53545837232475,"sku":null,"price":950.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7042.png?v=1783665781"},{"product_id":"sommerso-kunstvase-bernstein-aubergine-hospodka-chribska-stil-1960er","title":"Sommerso Art Vase Amber \u0026 Aubergine in the style of Josef Hospodka for Chribska, 1960s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eSculptural Sommerso art vase from the 1960s in the distinctive design language of Josef Hospodka, chief designer of Chribska Glassworks in the Bohemian Giant Mountains. The massive glass body features an amber-colored base that transitions upwards into a deep aubergine – both color layers are encased as Sommerso within a clear crystal jacket. The transition appears like rising color clouds in water, enclosed and permanently frozen by a clear crystal layer.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe rim, freely drawn from the hot glass with its wave-like extended wings – often referred to as \"propeller shape\" by collectors – is Hospodka's signature from the 1960s and makes each vase unique, as this \"off-hand\" technique never allows for two identical pieces. At 27.5 cm in height and 15.5 cm in diameter across the extended rim, it is a striking solitary piece for a sideboard, windowsill, or as a focal point on the dining table. Without a factory mark, as was typical for most Chribska studio pieces of this era; excellent original condition with no chips or scratches.\u003c\/p\u003e","brand":"Chribska","offers":[{"title":"Default Title","offer_id":53562314228059,"sku":null,"price":285.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7147.jpg?v=1783665778"},{"product_id":"aseda-glasbruk-amber-vase-bo-borgstroem-b5-1970er","title":"Åseda Glasbruk Amber Vase by Bo Borgström, B5 Series, 1970s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eSculptural amber vase from Åseda Glasbruk in Småland, designed by Bo Borgström, who shaped the company's style from the 1960s onwards and positioned its art glass line internationally as far as North America and Australia. The pagoda-like silhouette with three strikingly offset rings on the neck is one of his characteristic forms — each ring is individually pulled from the hot glass, creating a rhythmic, almost architectural profile for the transition to the conical body. The warm amber coloring of the upper part contrasts beautifully with the clear crystal foot, which is crafted as a solid Sommerso base and bathes the vase in a warm ground glow as soon as light falls on it.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe piece belongs to the B5 series of the Åseda collection (B for Borgström, 5 for vase) and was produced in the early 1970s. With a height of 30.5 cm and a diameter of around 13 cm, the vase is a striking solitaire piece for a sideboard, windowsill or console — either on its own or in a series with other Borgström vases of different colors and heights. Without a label, as is common for many Åseda pieces from this period; very good original condition with no chips or scratches.\u003c\/p\u003e","brand":"Åseda Glasbruk","offers":[{"title":"Default Title","offer_id":53564297347419,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7165.png?v=1783669677"},{"product_id":"thonet-bugholzstuhl-nr-107-wiener-geflecht-um-1900","title":"Thonet bentwood chair no. 107, Vienna cane, circa 1900","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eAntique bentwood chair from the Viennese manufacturer Thonet, Model No. 107, circa 1900. The attribution was personally confirmed by Thonet from the family and factory archive — a rare certainty for a piece over a hundred years old. Characteristic of No. 107 is the fine interplay of slightly curved front legs (Sabre shape), a closed arch at the back as a supporting element, and the V-shaped backrest, crowned by a gently curved top rail. The frame is made of steamed beech bent with steam, and the original Viennese caning in the seat is preserved and intact.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe beech patina shows the warm, dark maturation that only develops in early bentwood chairs with over a century of use — small scratches and color variations underscore its authentic condition. The seat height corresponds to the historical coffee house standard, making the chair equally suitable for a dining table, a desk, or as a standalone piece in a hallway or bedroom. Whether placed individually or paired next to a round bistro table — this chair brings the clear signature of the Viennese bentwood tradition into any room.\u003c\/p\u003e","brand":"Thonet","offers":[{"title":"Default Title","offer_id":53564403056987,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_3613.png?v=1783670735"},{"product_id":"bmf-nagel-stoffi-kerzenhalter-7er-set-verchromt-1970er","title":"BMF Candle Holders, Set of 7, Ceasar Stoffi \u0026 Fritz Nagel, chrome-plated, 1970s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eSeven original modular candle holders by Ceasar Stoffi and Fritz Nagel for Bayerische Metallwaren Fabrik (BMF), Germany, 1970s. This system is one of the most significant German contributions to Space Age design and functions like a sculptural building block principle: each element is a three-armed holder made of chrome-plated die-cast zinc, whose pins can be inserted into the receptacles of the element below it – creating towers, pyramids, nested compositions, or loosely grouped landscapes on the dining table. The chrome-plated surface catches every candlelight and reflects it back as warm reflections, making the holder a sculpture with its own luminous character, especially at dusk.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eEach individual element measures approximately 6.5 cm in height and has a triangular base with an edge length of about 11.5 cm; the three candle receptacles have the standard diameter of 2.2 cm and fit all commercially available taper candles. The set of seven elements offers 21 candle receptacles and is thus suitable for an intimate dinner with two to three modules, as well as for a dramatic full composition for a large table or as a solitary sculpture on a console. Chroming in very good vintage condition, minor signs of use commensurate with age.\u003c\/p\u003e","brand":"BMF","offers":[{"title":"Default Title","offer_id":53580728369499,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7388.png?v=1783845731"},{"product_id":"horst-dahlbeck-dalbeck-bronze-kerzenstaender-5arm-gilde-1960er","title":"Horst Dahlbeck Brutalist Bronze Candelabra, 5-arm, Gilde Handwerk, 1960s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eSculptural bronze candlestick by Horst Dahlbeck, made for Gilde Handwerk, Germany, 1960s. The fan-shaped silhouette with five arms elegantly leaning outwards is one of the most expressive forms of German Brutalism – the sculptor and metal designer worked the massive bronze casting in such a way that the rough, hammered surface of the arms and the boat-shaped, flared base create a fascinating unity of weight and movement. The dark, honey-warm bronze patina highlights the craftsmanship of sand casting and makes the object a collector's item that functions as a small sculpture even without candles.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eWith a width of approx. 27 cm, a height of 18 cm and a depth of 9 cm, and weighing around 2.5 kg, the stand is pleasantly proportioned for a dining table, sideboard or console; the felt base protects high-quality furniture surfaces. The original Gilde Handwerk label is preserved – an argument, as it clearly proves the manufacturer's origin. Very good vintage condition with the natural patina that develops on bronze over decades.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003e \u003c\/p\u003e","brand":"Gilde","offers":[{"title":"Default Title","offer_id":53584799236443,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7435.jpg?v=1783885135"},{"product_id":"rudi-stahl-studiokeramik-flaschenvase-signiert-datiert-1978","title":"Rudi Stahl studio pottery bottle vase, signed and dated February 1978","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eHand-thrown studio ceramic bottle vase by Rudi Stahl (1918–1987), one of Germany's most important post-war studio ceramic artists from Höhr-Grenzhausen in the Westerwald region. The shape follows a classic bottle silhouette with a tall cylindrical body, a short conical shoulder transition, and a widely flaring flat plate mouth — a form that Rudi Stahl varied repeatedly throughout his most productive years. The fine grooves of the throwing process are still clearly visible on the freely thrown wall; the glaze runs in a beige-ochre sand tone over the upper two-thirds and transitions into a deep aubergine-black field with a finely iridescent metallic shimmer on the lower third. The upper inner plate is covered with the same dark feldspar glaze, so that the eye and fingertip repeatedly encounter this calm, matte-glossy element at the opening.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe underside bears a three-line incised signature that clearly establishes the collector's value of this unique piece — \"Feb 78\" for February 1978, \"Handarbeit\" (handmade) and the full artist's name \"Rudi Stahl\". The exact dating is an exceptional feature, as Rudi Stahl typically marked most of his vases with a model number instead of a date; a dated unique piece is thus a significantly rarer collector's item than the series vases usually signed only with a catalog number. Very good vintage condition with no chips or scratches.\u003c\/p\u003e","brand":"Rudi Stahl","offers":[{"title":"Default Title","offer_id":53584884859227,"sku":null,"price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7488.jpg?v=1783964481"},{"product_id":"murano-sommerso-splash-schale-gruen-gelb-etikett-1960er","title":"Murano Sommerso Splash Bowl, Green and Yellow, with Original Label Remnants, 1960s\/70s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eSculptural Murano Sommerso bowl in green and yellow, crafted in one of the Venetian Fornaci on the glassblowing island of Murano, 1960s to early 1970s. The splash shape is one of the most expressive forms of post-war Muranese — three corners raised from the central bowl taper upwards, two swinging out almost horizontally, two ascending, so that the silhouette is reminiscent of a frozen fountain or an opening blossom. The characteristic Sommerso technique embeds an intense emerald green layer of color into a core of golden-yellow, transparently blown crystal and additionally encases both layers with clear rock crystal glass. The result is a three-dimensional play of colors that is readable differently depending on the light: from above, the rich aquatic green dominates, viewed from the side, the yellow core shines through, and in backlighting, the solid corners catch the light as golden-green reflections.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eWith a 24 cm side length and 12 cm height, the bowl is a prominent solitaire piece for a sideboard, console, or dining table — as a fruit bowl, a pure sculpture, or an eye-catcher amidst minimalist decor. Very good vintage condition with no chips or scratches. The original paper label remains as a remnant and documents its origin from a Murano manufactory — an important detail for collectors of Venetian art glass.\u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53589996470619,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7601_6d72eb6e-8760-4323-ae43-242aaa8e435e.png?v=1783964592"},{"product_id":"graeflich-ortenburg-krugvase-619-ursula-beyrau-fat-lava-1960er","title":"Gräflich Ortenburg Jug Vase 619, Designed by Ursula Beyrau, yellow-orange Fat Lava, 1960s\/70s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eBulbous jug vase from the Gräflich Ortenburgsche Steingutmanufaktur Tambach, model 619, designed by Ursula Beyrau, 1960s to early 1970s. The form, measuring 16 cm wide, 15 cm deep, and 14 cm high, combines a flattened spherical shape with a short cylindrical neck and a wide round strap handle — one of the iconic jug vases of West German stoneware production, compact enough for a side table and expressive enough as a standalone piece on a sideboard. The glaze is a vibrant orange-yellow ground, over which a deep black to dark brown \"fat lava\" flow glaze runs in dense crater-like eruptions. The interplay of warm sun yellow and dark crust texture makes this vase a prime example of the fat lava technique, developed in the post-war manufactories of the Höhr-Grenzhausen and Tambach regions.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe underside is embossed with the coat of arms of the Counts of Ortenburg with a crown above, and below it the model number 619 — clear proof of origin that unequivocally attributes the vase to the Ortenburg manufactory and clearly distinguishes it from the many unmarked fat lava vases of the era. Very good vintage condition: glaze intact, no chips, no hairline cracks, foot rim clean. The vase is suitable as a collector's item for lovers of German post-war ceramics as well as a sculptural interior object for homes in a Mid-Century Modern style or in warm earth-tone interiors with a 1970s retro aesthetic.\u003c\/p\u003e","brand":"Gräflich Ortenburgschen Steingutmanufaktur Tambach","offers":[{"title":"Default Title","offer_id":53599207194971,"sku":null,"price":115.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7479.png?v=1784126740"},{"product_id":"murano-schale-rubinrot-silberfoil-bullicante-barovier-toso-stil-1960er","title":"Murano Bowl, ruby red with silver foil and Bullicante, Barovier \u0026 Toso style, 1960s\/70s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eSculptural Murano bowl in ruby red with embedded silver foil and regular bullicante bubbles, crafted in one of the Venetian Fornaci on the glassblowing island of Murano, 1960s to early 1970s. The Fazzoletto-like shape with four raised, wavy points and a deep central basin makes the bowl equally suitable as a flower bowl, a vide-poche for keys and jewelry, or a generous ashtray from post-war home decor. With a diameter of 13 cm and a height of 5.5 cm, it is the ideal format for a side table, sideboard, or console. Three techniques are combined in a single thick-walled body: the rich ruby red color layer is encased in clear crystal using the Sommerso technique, silver leaf particles float as glittering specks throughout the mantle (the Venetian \"a foglia d'argento\" technique), and in the thick base, the Bullicante bubble displays its characteristic grid of equally sized controlled air bubbles. In glancing light, the bowl sparkles like a ruby red starry sky.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eVery good vintage condition: no chips, no scratches, silver foil intact and without oxidation spots, the bubbles clear. The piece bears the typical hallmarks of the better Murano workshops of the 1960s – the combination of Bullicante with silver foil in ruby red was the signature of houses like Barovier \u0026amp; Toso, Alfredo Barbini, and Archimede Seguso. Even without a preserved factory mark, the stylistic kinship remains clearly recognizable and makes the bowl a collector's item for lovers of Venetian art glass.\u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53599291015515,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7465.png?v=1784148778"},{"product_id":"chribska-hospodka-cranberry-pink-sommerso-centerpiece-schale-1960er","title":"Chřibská cranberry-pink Sommerso bowl with four crystal prongs, attributed to Josef Hospodka, 1960s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eSculptural Sommerso centerpiece bowl in vibrant cranberry pink with clear crystal tips and a green accent in the base, blown at the Bohemian Chřibská Sklo in Northern Czechoslovakia, 1960s — very likely a design by chief designer Josef Hospodka, whose design language the piece embodies in every line. The classic Chribska splash form rises from the deep basin with four high-standing points to clear, colorless crystal tips, while the core layer in the Sommerso technique is encased as a strong cranberry-magenta color body in a clear crystal mantle. At the base transition, the characteristic light green color reflection appears, which Hospodka used in his 1960s series as a counterpoint to the warm cranberry core layer. With a width of 29.5 cm, a depth of 18 cm, and a height of 13 cm, the bowl has the large-format centerpiece size for the dining table, sideboard, or console — as a luminous eye-catcher, a representative fruit bowl, or a sculptural solitaire that stands on its own even when empty.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eVery good vintage condition: no chips, no scratches, the crystal clear and without cloudiness, the cranberry color shines unbroken. The bowl was freehand blown and pulled into the splash form; all four points are evenly raised and intact. A collectible piece of Czech Mid-Century art glass, whose sculptural power and chromatic presence made the Chribska workshops known far beyond Bohemia.\u003c\/p\u003e","brand":"Josef Hospodka","offers":[{"title":"Default Title","offer_id":53600846020955,"sku":null,"price":190.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_7693.png?v=1784148792"}],"url":"https:\/\/artfillsspace.com\/en\/collections\/neu.oembed?page=2","provider":"ArtFillsSpace","version":"1.0","type":"link"}