{"title":"Decoration","description":"\u003cp\u003eAccessories that bring rooms to life. With vases, bowls, candle holders and pictures, you can set stylish accents and transform your home in an instant. Design objects that create atmosphere – and are always a tasteful gift idea.\u003c\/p\u003e","products":[{"product_id":"stig-sandqvist-teak-schale-vemdalen-daenemark-60er","title":"Stig Sandqvist Teak Bowl, Vemdalen Denmark, 1960s","description":"Stig Sandqvist teak bowl. Very nice teak bowl for small items such as pens for a desk. The bowl is made by STIG Sandqvist, Vemdalen Denmark. It is also signed SS.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e The teak bowl dates from the 60s and is in good vintage condition. There is a small damage to the top edge (pictured). However, it is minimal and hardly noticeable in the overall appearance. Considering the age of around 60 years, such a teak bowl can definitely show that it is original and has been used...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Dimensions:\u003cbr data-mce-fragment=\"1\"\u003e Length 52.5 cm\u003cbr data-mce-fragment=\"1\"\u003e Width 12.5 cm\u003cbr data-mce-fragment=\"1\"\u003e Height 3.5 cm\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e The bowl will be safely packaged and shipped with DHL.\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Stig Sandqvist","offers":[{"title":"Default Title","offer_id":47640691081563,"sku":"VTG-DCO-030","price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_4500.png?v=1780254642"},{"product_id":"barnaby-ormolu-keramik-gefaess-deckel-rot-weiss-1980er","title":"Barnaby Ormolu Ceramic Jar with Lid, red\/white, 1980s","description":"\u003cp\u003eA decorative ceramic vessel with a lid by Barnaby Ormolu, made around 1980 in the characteristic red and white color combination. The clear basic shape, the perfectly fitting lid, and the high-contrast coloring make the object a calm, independent piece of postmodern ceramic.\u003c\/p\u003e\n\u003cp\u003eBarnaby Ormolu stands in a tradition of postmodern ceramics, combining simple geometric basic shapes, strong color fields, and careful craftsmanship. Vessels of this type were deliberately positioned between utilitarian objects and decorative pieces in the 1980s – they can serve as storage or stand as sculptural accent objects on a sideboard, console, or shelf.\u003c\/p\u003e\n\u003cp\u003eThanks to the red-and-white contrast pair, the object can be used as a splash of color in more understated modern interiors or combined with other vintage and design pieces in eclectic rooms. The condition is very good. Shipping is securely packaged with DHL.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 25 cm, Diameter 26 cm.\u003c\/p\u003e","brand":"Barnaby Ormolu","offers":[{"title":"Default Title","offer_id":47645670080859,"sku":"VTG-DCO-027","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2517.png?v=1780414689"},{"product_id":"teakholz-eierbecher-6er-set-mid-century-1960er","title":"Teak Egg Cups Set of 6, 1960s","description":"\u003cp\u003eCharming set of six teak egg cups from the 1960s. The warm grain of the teak, the clean turned shape, and the meticulous craftsmanship make the set a typical example of Scandinavian table and home culture from this period.\u003c\/p\u003e\n\u003cp\u003eTeak was one of the defining materials in 20th-century Scandinavian design. Furniture, tableware, and small table accessories were frequently made from this wood in Denmark, Sweden, and Norway — functional, durable, and with a warm, calm appeal. Egg cups of this kind complement classic breakfast culture and are now sought-after vintage objects for collectors of Scandinavian design.\u003c\/p\u003e\n\u003cp\u003eThe set is suitable as an everyday classic on the breakfast table and equally as a calm decorative object on a sideboard or credenza.\u003c\/p\u003e\n\u003cp\u003eVery good condition.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":47660767478107,"sku":"VTG-DCO-026","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2668.png?v=1780406037"},{"product_id":"josef-werner-farbradierung-weinselig-ea-1980","title":"Josef Werner color etching \"Weinselig\" (Tipsy), circa 1980","description":"\u003cp\u003eThis original color etching \"Weinselig\" (Wine Bliss) was created by Josef Werner around 1980. It is an E.A. (Épreuve d'artiste) copy, signed by the artist. The work is framed and in very good condition.\u003c\/p\u003e\n\u003cp\u003eJosef Werner was born in 1945 and studied from 1970 to 1975 at the Academy of Fine Arts in Munich under Professor Karl Fred Dahmen. Since the 1970s, he has exhibited his work in numerous shows in Europe and the USA. His studio was located in New York from 1974 to 1984.\u003c\/p\u003e\n\u003cp\u003eThe etching is well-suited as a standalone art object in a living room, study, or a collection of graphic works. Its format makes it easy to place, yet its color, technique, and signature give it a clear artistic presence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFramed dimensions:\u003c\/strong\u003e 41 cm x 31 cm.\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very good condition.\u003c\/p\u003e","brand":"Josef Werner","offers":[{"title":"Default Title","offer_id":48130768044379,"sku":"VTG-DCO-022","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/josef_werner_farbradierung_weinselig_ea_kunst_4723.jpg?v=1776806471"},{"product_id":"deknudt-spiegelsaeule-belgien-1980er-design","title":"Deknudt Mirror Column, Belgium, 1980s","description":"\u003cp\u003eOriginal mirrored pillar from the Belgian manufacturer Deknudt, dating from the 1980s. Currently, two identical pillars are available, which can be purchased individually or as a pair — when placed symmetrically, they create a particularly balanced effect in a room.\u003c\/p\u003e\n\u003cp\u003eDeknudt Mirrors is one of the traditional Belgian mirror and frame manufacturers. The mirrored pillars of the 1980s are typical of the design vocabulary of this era: fully mirrored geometries, clear volumes, and the deliberate use of reflection as a design element. Such objects now combine well with postmodern furniture, Hollywood Regency accents, or modern interiors where a single shiny piece is used specifically.\u003c\/p\u003e\n\u003cp\u003eThe pillars can be used as small side tables or as plant stands — in both functions, they act as very decorative objects. The overall condition is good, with age-appropriate signs of wear on the body. The mirrored surfaces themselves are in perfect condition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 48 cm, Width 29 cm, Depth 29 cm.\u003cbr\u003e\u003cbr\u003e2 pillars are available.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":48144738615643,"sku":"VTG-TBL-003","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_4649.png?v=1780433018"},{"product_id":"jette-andersen-studiokeramik-gefaess-daenemark-1980er","title":"Jette Andersen Studio Pottery Vessel, Denmark 1980s","description":"\u003cp\u003eA handmade studio ceramic vessel by Danish artist Jette Andersen from the 1980s. The piece is marked on the bottom and combines a calm basic form with the characteristic, handcrafted expression of individual Scandinavian studio ceramics.\u003c\/p\u003e\n\u003cp\u003eStudio ceramics from this period consciously differentiate themselves from industrially produced ceramics. The pieces are designed as individual items, not in large editions, and show subtle differences in form, surface, and glaze. The Danish tradition stands in a long line with workshops and manufacturers such as Saxbo, Royal Copenhagen, Bing \u0026amp; Grøndahl, or the independent studios of the 1970s and 1980s, where many artists developed their own distinct positions.\u003c\/p\u003e\n\u003cp\u003eWith its clear form and subtle presence, the vessel is very well suited as a decorative object on sideboards, shelves, or tables and is also of interest to collectors of Scandinavian studio ceramics. Very good condition, no damage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 21 cm, Diameter 24 cm.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Jette Andersen","offers":[{"title":"Default Title","offer_id":48349715267931,"sku":"VTG-DCO-020","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_4703.png?v=1780691735"},{"product_id":"michael-harjes-kupfergefaess-bremen-1950er-1960er","title":"Hammered copper vessel, Michael Harjes, Metallkunstwerkstatt Bremen, 1950s\/early 1960s","description":"\u003cp\u003eHand-beaten copper vessel from the early creative period of \u003cstrong\u003eMichael Harjes (1926–2006)\u003c\/strong\u003e, crafted in the \u003cstrong\u003eMetallkunstwerkstatt Harjes\u003c\/strong\u003e in Bremen-St. Magnus. The base bears the characteristic workshop mark \"Angel in Triangle\" – the hallmark with which Harjes objects are still signed today, clearly attributing the piece to the workshop \u003cstrong\u003efounded by Friedrich Fidi Harjes in 1912\u003c\/strong\u003e and now run by the third generation.\u003c\/p\u003e\n\u003cp\u003eDistinctive hammered surface, powerful material presence, warm, iridescent original patina with fine verdigris inclusions – the typical features of the \u003cstrong\u003ehand-beaten copper vessels\u003c\/strong\u003e with which Michael Harjes, after taking over his father's workshop in 1952 and passing the \u003cstrong\u003emaster craftsman's examination in metalworking in 1954\u003c\/strong\u003e, continued the traditional Bremen beating and forging techniques. The early works in copper originated in a clearly defined period: the \u003cstrong\u003eworkshop switched to bronze casting by 1965\u003c\/strong\u003e, which is why signed hand-beaten copper works are offered significantly less frequently today than the well-known bronze candelabras of later years.\u003c\/p\u003e\n\u003cp\u003eHarjes objects are documented in major houses for Mid-Century design – at \u003cspan class=\"inline-flex\" aria-label=\"Michael Harjes Decorative Objects - 12 For Sale at 1stDibs\" data-state=\"closed\"\u003e\u003ca rel=\"nofollow noopener\" class=\"reset interactable cursor-pointer decoration-1 underline-offset-1 text-super hover:underline\" href=\"https:\/\/www.1stdibs.com\/creators\/michael-harjes\/furniture\/decorative-objects\/\" target=\"_blank\"\u003e\u003cspan class=\"text-box-trim-both\"\u003e1stDibs\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e, \u003cspan class=\"inline-flex\" aria-label=\"Michael Harjes Auction Results: Past Sales \u0026amp; Hammer Prices\" data-state=\"closed\"\u003e\u003ca rel=\"nofollow noopener\" class=\"reset interactable cursor-pointer decoration-1 underline-offset-1 text-super hover:underline\" href=\"https:\/\/www.mutualart.com\/Artist\/Michael-Harjes\/96B1C22B81E374AC\/AuctionResults\" target=\"_blank\"\u003e\u003cspan class=\"text-box-trim-both\"\u003eMutualArt\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e, and on auction platforms like \u003cspan class=\"inline-flex\" aria-label=\"Harjes Metallkunst - Pendant candle holder in Netherlands\" data-state=\"closed\"\u003e\u003ca rel=\"nofollow noopener\" class=\"reset interactable cursor-pointer decoration-1 underline-offset-1 text-super hover:underline\" href=\"https:\/\/www.lot-art.com\/auction-lots\/Michael-Harjes-Harjes-Metallkunst-Pendant-candle-holder\/42867501-michael_harje_pendant-03.12.20-catawiki\" target=\"_blank\"\u003e\u003cspan class=\"text-box-trim-both\"\u003eCatawiki\/Lot-Art\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e. The workshop is listed in gallery and collector literature as one of the few remaining traditional German businesses for artistic metalwork; Friedrich Harjes worked with \u003cstrong\u003eHeinrich Vogeler\u003c\/strong\u003e in the Worpswede artists' colony in the 1920s.\u003c\/p\u003e\n\u003cp\u003eCollector's item for Mid-Century interiors, for display cabinet, sideboard or library, as well as for minimalist-modern rooms where handcrafted materials set accents. Original patina with age-related traces – consciously preserved as part of the material's history.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: Height 14 cm · Width 17 cm · Depth 15 cm. Material: Copper, hand-beaten. Signature: Workshop hallmark \"Angel in Triangle\" of the Metallkunstwerkstatt Harjes on the underside. Dating: 1950s\/early 1960s, early work by Michael Harjes.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Michael Harjes","offers":[{"title":"Default Title","offer_id":48349781786971,"sku":"VTG-DCO-019","price":525.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_4664.png?v=1780691759"},{"product_id":"zeitschriftenstaender-teakfurnier-geflochten-schwarzes-metall-1960er","title":"Magazine rack in teak and black lacquered metal, 1960s","description":"\u003cp\u003eCharming magazine rack from the 1960s, combining braided teak veneer with black-lacquered metal. The combination of warm wood tones and clearly defined black metal structure is very typical of the design language of this period and conveys a calm, Scandinavian-inspired aesthetic.\u003c\/p\u003e\n\u003cp\u003eTeak magazine racks were a classic piece of home furnishings in the 1960s and are particularly sought after today by lovers of Scandinavian Mid-Century design. The braided teak veneer also gives the object a handcrafted depth and makes it more than just a purely utilitarian item – the structure of the braiding brings a subtle textile effect into the room and emphasizes its vintage character.\u003c\/p\u003e\n\u003cp\u003eBeyond its original function, the stand can also be used as a decorative container – for example, in the bathroom for towels, in the living room for blankets, or as storage for smaller items. Very good condition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Width 45 cm, Depth 19 cm, Height 36 cm.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":49049332187483,"sku":"VTG-DCO-017","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2816.jpg?v=1776346794"},{"product_id":"bjoern-wiinblad-head-kerzenstaender-rosenthal-1970er","title":"Björn Wiinblad \"Head\" Candlestick for Rosenthal, 1970s","description":"\u003cp\u003eStriking candlestick from Björn Wiinblad's \"Head\" series for Rosenthal, manufactured in the 1970s. The unmistakable face shape and high-quality ceramic craftsmanship make the piece a clearly recognizable classic of Scandinavian design.\u003c\/p\u003e\n\u003cp\u003eBjörn Wiinblad (1918–2006) is one of the most famous Danish artists and designers of the 20th century. His characteristic graphic imagery with faces, figures, and floral motifs influenced numerous manufacturers for decades—in addition to his own studio in Kongens Lyngby, most notably his collaboration with Rosenthal, for which he designed a wide range of tableware, vases, sculptures, and decorative objects starting in the 1950s. The \"Head\" series is one of Wiinblad's iconic motifs and is now sought after internationally by collectors.\u003c\/p\u003e\n\u003cp\u003eThe candlestick serves as a standalone decorative object on sideboards, consoles, or dining tables, and also complements any collection of Scandinavian ceramics or Rosenthal design pieces. Very good condition—a timeless accessory for lovers of vintage design and 20th-century artist ceramics.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions: \u003c\/b\u003eH: 18 cm x W: 17 cm x D: 15 cm\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMore information about \u003ca href=\"https:\/\/artfillsspace.com\/blogs\/designer-and-manufaktures\/bjorn-wiinblad\" title=\"Björn Wiinblad\"\u003eBjörn Wiinblad\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":52712538276187,"sku":"VTG-DCO-014","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_1978_fd76a3e6-799a-477b-ac34-5d204ccea6ee.jpg?v=1779179847"},{"product_id":"messing-aschenbecher-set-halter-carl-auboeck-stil-1960er","title":"Brass Ashtray Set with Holder in the Style of Carl Auböck, 1960s","description":"\u003cp\u003eThis ashtray set from the 1960s reflects the design language of Carl Auböck and his workshop in Vienna. Carl Auböck is considered a central figure in Austrian Mid-Century design and is known for functional brass objects with calm, clear lines.\u003c\/p\u003e\n\u003cp\u003eThe set consists of four individual brass ashtrays and a holder, in which the individual trays sit securely and can be easily removed. The geometric basic shape and the characteristic patina of the brass give the object a warm, collector-oriented character.\u003c\/p\u003e\n\u003cp\u003eThe set is well-suited as a decorative object on a coffee table, sideboard, or desk and fits both Mid-Century interiors and modern rooms with individual vintage accents. It can also be used as a tray for small items or as a sculptural object, regardless of its original function.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":52712541389147,"sku":"VTG-DCO-013","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2013.jpg?v=1779250081"},{"product_id":"aschenbecher-set-halter-walter-bosse-zugeschrieben-1960er","title":"Ashtray set with holder, attributed to Walter Bosse, 1960s","description":"\u003cp\u003eThis ashtray set from the 1960s is in the design language of Walter Bosse. Walter Bosse (1904–1979) was an Austrian designer and sculptor whose small bronze and brass objects, often featuring animal and everyday motifs, are now among the sought-after collector's items of Austrian design.\u003c\/p\u003e\n\u003cp\u003eThe set consists of several ashtrays and a holder that functionally and decoratively brings the individual bowls together. The geometric basic shape and the clear composition of bowls and stand make the object both practical to use and a subtle design accent on a table, sideboard, or console.\u003c\/p\u003e\n\u003cp\u003eDue to its understated form, the set can be easily combined with Mid-Century furniture, brass objects, or other small vintage pieces. Even regardless of its original function, it is suitable as a storage object for small items such as keys, coins, or jewelry.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e.\u003c\/p\u003e","brand":"Walter Bosse","offers":[{"title":"Default Title","offer_id":52712544960859,"sku":"VTG-DCO-012","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2014_65d6e9fd-8c96-43b3-b3f7-74ad5e2c8291.jpg?v=1779250261"},{"product_id":"art-vannes-france-glasschale-nashorn-1970er","title":"Art Vannes France Glass Bowl Rhinoceros, 1970s","description":"\u003cp\u003eThis glass bowl dates from the 1970s and was made by Art Vannes France. A distinctive feature is the rhinoceros motif, which is incorporated into the glass as a fine relief, giving the bowl a sculptural quality.\u003c\/p\u003e\n\u003cp\u003eArt Vannes France is one of the French art glass manufacturers that worked with relief-like animal depictions and clear, solid forms in the second half of the 20th century. The bowl combines the quiet clarity of a utilitarian object with the impact of a small sculptural object on a sideboard, console, or shelf.\u003c\/p\u003e\n\u003cp\u003eThanks to its understated form and high-quality glass craftsmanship, the bowl can be easily combined with other vintage objects and fits into both classic and modern interiors. An authentic collector's item for lovers of French craftsmanship and glass design of the 1970s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e\u003c\/p\u003e","brand":"Art Vannes","offers":[{"title":"Default Title","offer_id":52712546992475,"sku":"VTG-DCO-011","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2030.jpg?v=1776347595"},{"product_id":"paul-kedlev-glasobjekt-flygsfors-glasbruk-skandinavisch-1960er","title":"Paul Kedlev (attributed) glass object for Flygsfors Glasbruk, 1960s","description":"\u003cp\u003eElegant glass object from the 1960s, attributed to designer Paul Kedlev and manufactured for the Swedish glass factory Flygsfors Glasbruk. The piece combines timeless design with the artisanal precision characteristic of Scandinavian glass production from that era.\u003c\/p\u003e\n\u003cp\u003ePaul Kedlev (1923–2014) is considered one of Scandinavia's influential glass designers. His works for Flygsfors — especially the \"Coquille\" series — are now classic examples of Swedish glass art and are internationally sought-after collector's items. They are characterized by clear lines, controlled color gradients, and a minimalist, almost sculptural approach to form.\u003c\/p\u003e\n\u003cp\u003eThe object is in very good condition and is suitable as both a decorative element for discerning collections and a statement piece in modern and classic interiors. Its subtle coloring and precise craftsmanship attest to the high quality of Flygsfors production. A highly recommended piece for lovers of Scandinavian design and vintage glass art.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e\u003c\/p\u003e","brand":"Flygsfors","offers":[{"title":"Default Title","offer_id":52712552694107,"sku":"VTG-DCO-010","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2037_856c8579-250f-478b-a28c-9b477b4e08a5.jpg?v=1780691766"},{"product_id":"flaschenhalter-korb-metall-vintage-1950er","title":"Metal and wicker bottle holder, 1950s","description":"\u003cp\u003eElegant vintage bottle holder from the 1950s in the typical material combination of that era: a sturdy metal frame and handcrafted wickerwork. The combination of these two materials gives the object a timeless elegance and its unmistakable vintage character.\u003c\/p\u003e\n\u003cp\u003eBottle holders of this type were a classic fixture in kitchens and dining rooms in the 1950s and are now sought-after decorative objects. They are ideal for presenting wine bottles and also serve as a stylish accessory on a sideboard, a console, or as part of a home bar setup. The robust design retains its charm for decades and harmoniously complements both classic and modern interiors.\u003c\/p\u003e\n\u003cp\u003eAn authentic piece of mid-century craftsmanship that can be used both functionally and decoratively.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":52719776170331,"sku":"VTG-DCO-008","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2151_da479093-5a5b-4841-8a2a-1d2aa4827aa2.jpg?v=1780691736"},{"product_id":"carl-auboeck-glaskaraffe-leder-messing-oesterreich-1950er","title":"Carl Auböck Glass Decanter with Leather and Brass, Austria 1950s","description":"\u003cp\u003eThis rare glass carafe was designed by Carl Auböck in the 1950s. It combines glass, red leather, and brass into a serene, clearly constructed object that displays the typical signature of the Auböck workshop in Vienna.\u003c\/p\u003e\n\u003cp\u003eCarl Auböck (1900–1957) is considered a central figure in Austrian Mid-Century design. The Auböck workshop is known for high-quality brass objects and for combining brass, leather, wood, and glass into items that straddle the line between utilitarian objects and small design pieces. This carafe is representative of this approach: a functional vessel that acquires its own very personal touch through the combination of materials.\u003c\/p\u003e\n\u003cp\u003eThe leather strap is removable, allowing the carafe to be presented both with and without the leather handle. It is in very good original condition and is suitable both for collecting Austrian design and as a sculptural object on a bar, sideboard, or credenza.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 25 cm, diameter top rim 12 cm, diameter base 9 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMore information about \u003ca href=\"https:\/\/artfillsspace.com\/blogs\/designer-and-manufaktures\/carl-aubock\" title=\"Carl Auböck\"\u003eCarl Auböck\u003c\/a\u003e can be found here\u003c\/strong\u003e\u003c\/p\u003e","brand":"Carl Auboeck","offers":[{"title":"Default Title","offer_id":52720802398555,"sku":"VTG-DCO-006","price":375.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2153.jpg?v=1780691769"},{"product_id":"hillo-design-schirmstaender-verchromt-daenemark-1970er","title":"Hillo Design Chromed Umbrella Stand, Denmark 1970s","description":"\u003cp\u003eStylish chrome-plated umbrella stand from the 1970s by the Danish manufacturer Hillo Design. Its clean, almost austere shape is reminiscent of Art Deco and Bauhaus lines, making the object versatile – it can be combined with both classic interiors and modern spaces where individual vintage objects are deliberately used.\u003c\/p\u003e\n\u003cp\u003eUmbrella stands of this type were consciously conceived in the 1970s as functional yet aesthetically independent objects. The chrome-plated metal gives the piece a cool, elegant effect while also ensuring a very robust, durable construction. Hillo Design stands in the tradition of Scandinavian metalworking from the second half of the century, combining functional home objects with clear, formally reduced designs.\u003c\/p\u003e\n\u003cp\u003eThe umbrella stand is very well suited for an entrance area, a hallway wardrobe, or as a subtle design object in a living room. Good to very good condition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 61 cm, Width 23.5 cm, Depth 26 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Hillo Design","offers":[{"title":"Default Title","offer_id":52800849281371,"sku":"VTG-DCO-005","price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2643.jpg?v=1776091605"},{"product_id":"grandjean-jourdan-vallauris-keramikvase-blau-signiert-1960er","title":"Grandjean-Jourdan Vallauris ceramic vase, blue, 1960s","description":"\u003cp\u003eElegant signed ceramic vase by Grandjean-Jourdan from Vallauris, Southern France, dated around the 1960s. The calm silhouette and intense blue hue give the piece a subtle yet very striking effect—typical of high-quality French studio ceramics of that period.\u003c\/p\u003e\n\u003cp\u003eVallauris is one of the most influential ceramic centers of the 20th century. For several decades, numerous well-known workshops and artists worked here, including Pablo Picasso, who brought international recognition to the region. The Grandjean-Jourdan family operated their own ceramic workshop in Vallauris and is now particularly sought after for their signed vases and vessels in deep blue and expressive hues.\u003c\/p\u003e\n\u003cp\u003eThe vase is very suitable as a serene object on a sideboard, console, or dining table and complements collections of French ceramics, Vallauris pieces, or Mid-Century interiors with a characterful splash of color. Very good condition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 29 cm, Diameter 19.5 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMore information about \u003ca href=\"https:\/\/artfillsspace.com\/blogs\/designer-and-manufaktures\/grandjean-jourdan-vallauris\" title=\"Grandjean Jourdan\"\u003eGrandjean Jourdan\u003c\/a\u003e\u003c\/p\u003e","brand":"Vallauris France","offers":[{"title":"Default Title","offer_id":52802823061851,"sku":"VTG-DCO-004","price":650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2377_33e8fd99-f391-482d-9001-6779c444f2af.jpg?v=1779249187"},{"product_id":"muranoglas-muschelschale-jakobsmuschel-italien-1960er","title":"Murano glass shell, Italy 1960s","description":"\u003cp\u003eImpressive large bowl made of clear Murano glass with yellow inclusions, crafted in the shape of a scallop shell. The glass combines a clear, transparent basic structure with fine color inclusions, giving the bowl a vibrant depth and a distinct sculptural presence.\u003c\/p\u003e\n\u003cp\u003eIts design language is reminiscent of Carlo Nason's designs and is in the tradition of Italian glass art of the 1960s, a period when Murano developed not only functional vessels but also pieces consciously understood as design objects. Natural forms such as shells, waves, or organic bowls are recurring motifs of this phase and can be found in the works of various manufacturers.\u003c\/p\u003e\n\u003cp\u003eWith its generous size, the bowl is very well suited as a central decorative object on a sideboard, a coffee table, or a console and works well in both Mid-Century interiors and modern rooms with selected vintage objects. Excellent condition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 14.5 cm, Width 35.5 cm, Depth 37 cm, Weight 2.4 kg.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":52813855719771,"sku":"VTG-DCO-003","price":180.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2770_0b9a3599-2b0d-4595-a000-e2a23c430a57.jpg?v=1776253882"},{"product_id":"mid-century-messing-schirmstaender-1950er","title":"Mid-Century Brass Umbrella Stand 1950s","description":"\u003cp\u003eThis brass umbrella stand dates from the 1950s and has an unusual shape reminiscent of a half-open umbrella. The perforated sheet metal makes the object particularly decorative and gives it a light, graphic effect.\u003c\/p\u003e\n\u003cp\u003eBrass objects from the Mid-Century period often combine function and decorative presence. This umbrella stand is not only practical, but also a characterful object for the hallway, entrance area, or cloakroom. The warm brass surface goes well with wood, stone, ceramics, and other vintage materials.\u003c\/p\u003e\n\u003cp\u003eThanks to its shape and material effect, the umbrella stand can make a strong impression even when not in use. It is a beautiful example of how everyday objects from the 1950s can possess design quality.\u003c\/p\u003e\n\u003cp\u003eThe condition is very good for a vintage object.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 65 cm, diameter 26 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":52828055339355,"sku":"VTG-DCO-002","price":320.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2867.jpg?v=1776420642"},{"product_id":"grosse-murano-glas-schale-feuerfarben-italien-1960er","title":"Large Murano Glass Bowl \"Fire\", Italy 1960s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:pb-2\"\u003eA particularly expressive large Murano glass bowl from the 1960s. The old Murano glass label is still present on the inside, clearly attributing the bowl to the Venetian glass tradition and further highlighting its collector's value.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:pb-2\"\u003eThe striking feature is above all the intense color scheme in the transition from deep red tones to warmer yellow and orange nuances, which give the bowl its character as \"fire\" glass. Such color gradients are created in Murano glassblowing by layering and fusing different glass masses — a craft technique that makes each bowl unique.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:pb-2\"\u003eWith its generous proportions, the bowl looks particularly good on a sideboard, a dining table or a console and works well in both Mid-Century interiors and modern rooms with selected vintage objects. The condition is immaculate, without damage.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:pb-2\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Width 50 cm, Depth 26.5 cm, Height 19 cm.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":52848684040539,"sku":"VTG-DCO-001","price":350.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_3016.jpg?v=1776808752"},{"product_id":"uta-fayl-rosenthal-venus-keramik-vase-1970er","title":"Ceramic Vase Venus by Uta Fayl for Rosenthal 1970s","description":"\u003cp\u003eThis ceramic vase, model \"Venus,\" was designed by Uta Fayl for Rosenthal's Studio Line and dates from the 1970s. The vase is signed Rosenthal on the base and has a compact, sculptural form.\u003c\/p\u003e\n\u003cp\u003eRosenthal Studio Line stands for a special combination of industrial ceramic production and artistic design. Many objects in this series were designed by artists and designers and display a distinctive formal language that goes beyond mere utility ceramics.\u003c\/p\u003e\n\u003cp\u003eThe \"Venus\" vase is an excellent collector's item and a decorative accent. Its size allows it to be placed on a sideboard, shelf, table, or in a display cabinet. It looks particularly good in combination with other ceramic objects, design books, or calm Mid-Century furniture.\u003c\/p\u003e\n\u003cp\u003eThe condition is excellent.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Width 12.5 cm, Depth 12.5 cm, Height 11 cm.\u003c\/p\u003e","brand":"Rosenthal","offers":[{"title":"Default Title","offer_id":52887564452187,"sku":"VTG-DCO-032","price":135.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_3218.jpg?v=1777386211"},{"product_id":"murano-glasschale-sommerso-seguso-flavio-poli-1960er","title":"Murano Glass Bowl Sommerso Seguso Italy Flavio Poli 1960s","description":"\u003cp\u003eThis striking Murano glass bowl dates from the 1960s and is presumably attributed to Flavio Poli for Seguso Vetri d’Arte. The bowl features an intense color effect with transparent, blue, green, yellow, orange, red, and brownish tones.\u003c\/p\u003e\n\u003cp\u003eParticularly interesting is the Sommerso technique, where layers of colored glass are encased, creating a special depth. This makes the object appear different depending on the light and viewing angle. The darker enclosed spots at the corners enhance the sculptural character of the bowl.\u003c\/p\u003e\n\u003cp\u003eMurano glass from this period is particularly interesting for collectors because it combines artisanal glass design, color, and decorative effect. This bowl is suitable as a standalone piece on a sideboard, coffee table, or shelf and also works very well in combination with minimalist furniture.\u003c\/p\u003e\n\u003cp\u003eThe condition is very good. There is no damage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Width 27.5 cm, Depth 27 cm, Height 11 cm.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Seguso","offers":[{"title":"Default Title","offer_id":52887708729691,"sku":"VTG-DCO-033","price":550.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_3199.jpg?v=1777387791"},{"product_id":"jens-quistgaard-quist-salz-pfeffer-streuer-1960er","title":"Quist Salt and Pepper Shakers by Jens Harald Quistgaard, 1960s","description":"\u003cp\u003eThis pair of salt and pepper shakers dates from the 1960s and was designed by Jens Harald Quistgaard for Quist. The objects have a Space Age-inspired tulip shape and are marked \"Quist\" on the underside.\u003c\/p\u003e\n\u003cp\u003eJens Harald Quistgaard is particularly known for Danish design with clear form, functionality, and material awareness. These small objects demonstrate how even everyday items can possess an independent design quality.\u003c\/p\u003e\n\u003cp\u003eThe chrome-plated hemispherical caps can be opened for refilling. Due to their compact shape and shiny surface, the shakers appear both functional and decorative. They are suitable as a collector's item, table object, or an addition to a collection of Danish design accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 7.8 cm, Diameter 4.5 cm.\u003c\/p\u003e","brand":"Quist","offers":[{"title":"Default Title","offer_id":52887777050971,"sku":"VTG-DCO-034","price":140.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_3191.jpg?v=1777388820"},{"product_id":"hannes-walker-bronze-granatapfel-stransky-1980er","title":"Hannes Walker Bronze Pomegranate for Stransky, 1980s","description":"\u003cp\u003eThis bronze sculpture in the shape of a pomegranate was created by Hannes Walker for Stransky. The object is signed and limited, it is copy 4 of 25. The work dates from approximately the 1980s.\u003c\/p\u003e\n\u003cp\u003eThe pomegranate as a motif is particularly interesting because it has a long symbolic tradition and at the same time offers a very sculptural form. Rendered in bronze, it becomes a small, heavy, and durable object with a strong material effect.\u003c\/p\u003e\n\u003cp\u003eWeighing almost a kilogram, the sculpture appears very present despite its compact size. It is suitable as a collector's item, as a decorative accent on a sideboard or table, and as a unique piece in a collection of bronze objects or applied arts from the late 20th century.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Length approx. 10.5 cm, Width approx. 10 cm, Height approx. 9.5 cm.\u003cbr\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e almost 1 kg.\u003c\/p\u003e","brand":"Stransky","offers":[{"title":"Original","offer_id":52958560125275,"sku":null,"price":650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_3292.jpg?v=1777408323"},{"product_id":"josef-frank-wandspiegel-messing-svenskt-tenn-1950er","title":"Josef Frank Wall Mirror, Brass, 1950s","description":"\u003cp\u003eVintage wall mirror by Josef Frank from the 1950s. The mirror features Frank's typical brass frame with a decorative ribbon frieze, bringing an iconic element of Scandinavian Mid-Century design to your wall.\u003c\/p\u003e\n\u003cp\u003eThe design is by Josef Frank for Svenskt Tenn: a curved, sculptural metal frame elegantly enclosing the clear mirror surface, giving it a plastic presence. Josef Frank (1885–1967) is one of the formative designers of the 20th century and has sustainably shaped Swedish living through his many years of work for Svenskt Tenn. Characteristic are his ornamental fabrics, organically shaped furniture, and metalwork with a calm, decorative elegance. The warmly shimmering brass frame appears both decorative and timelessly modern, and pairs very well with vintage furniture, Mid-Century pieces, or an eclectic mix.\u003c\/p\u003e\n\u003cp\u003eThe mirror is in good, age-appropriate vintage condition. The brass frame shows a developed patina with minor signs of wear that underline its authentic character. The mirror surface has slight, age-related scratches and shadows, as is common with original pieces from this period. Immediately ready for use and to hang – a very beautiful 50s original.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 48 cm, Width 36.5 cm.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Svenskt Tenn","offers":[{"title":"Default Title","offer_id":52943237251419,"sku":null,"price":680.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_3588.jpg?v=1778264201"},{"product_id":"elie-van-damm-abstrakte-eisenskulptur-familie-belgien-1960er","title":"Attributed to Elie Van Damm — Abstract Iron Sculpture \"Family\", Belgium 1960s","description":"\u003cp\u003eMassive iron sculpture in the form of a small family, attributed to the Belgian artist Elie Van Damm (also Eli Van Damm) and dated to the 1960s. The compact, powerful composition with closely grouped figures represents a serene, almost archaic visual language, as is often found in Belgian sculpture of this period.\u003c\/p\u003e\n\u003cp\u003eBelgian sculpture of the 1960s is characterized by an independent fusion of abstraction and figurative allusion. Heavy materials such as iron, bronze, or stone are deliberately used to create sculptures with a distinct physical presence. Elie Van Damm follows this tradition: her works focus on the essential, reducing bodies and groups to their basic form, thereby achieving a calm, monumental effect—even in a smaller format.\u003c\/p\u003e\n\u003cp\u003eThe sculpture is made entirely of iron and, at almost 21 kilograms, brings a considerable weight to the room. It thus unfolds a clear sculptural presence on a sideboard, console, credenza, or sturdy side table and is very suitable as a central collector's item—for example, in combination with brutalist furniture, dark woods, stone or leather surfaces, as well as other sculptural works of the 20th century.\u003c\/p\u003e\n\u003cp\u003eThe condition is good to very good; there is no damage. An authentic piece of Belgian sculpture from the 1960s for collectors and lovers of abstract sculpture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 47 cm, Width 17 cm, Depth 12 cm, Weight 20.9 kg.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Eli Van Damm","offers":[{"title":"Default Title","offer_id":52998111002971,"sku":null,"price":950.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_3733.jpg?v=1779124952"},{"product_id":"tamara-aladin-bulle-glasvase-blau-riihimaen-lasi-finnland-1970er","title":"Tamara Aladin \"Bubble\" Glass Vase for Riihimäen Lasi Oy, Finland 1970s","description":"\u003cp\u003eStriking blue glass vase, \"Bulle\" model, designed by Tamara Aladin for the Finnish manufacturer Riihimäen Lasi Oy and dated to the 1970s. The clear, almost architectural silhouette and the deep blue, hand-blown glass make this piece a typical example of Scandinavian glass design of this period — minimalist, precise, and with a calm, collector-oriented presence.\u003c\/p\u003e\n\u003cp\u003eTamara Aladin (1932–2019) is one of the most influential Finnish glass designers of the 20th century. From 1959 to 1976, she worked for Riihimäen Lasi Oy, one of the most important Finnish glass manufacturers of its time. Her vases combine the geometric clarity of Finnish modernism with bold, often monochromatic colors in shades of blue, smoky gray, amber, and green — a visual language that is highly sought after internationally today and aligns with designers such as Nanny Still, Helena Tynell, or Erkkitapio Siiroinen.\u003c\/p\u003e\n\u003cp\u003eThe \"Bulle\" model exemplifies this approach: a columnar body with calm volume, clearly defined edges, and a light effect that makes the blue glass appear in different depths depending on the incidence of light. On a sideboard, console, dining table, or in a display cabinet, the vase acts as an independent sculptural object — equally convincing on its own as it is in a group with other Scandinavian glass pieces. It harmonizes particularly well with Mid-Century furniture, teak, brass, and minimalist modern interiors.\u003c\/p\u003e\n\u003cp\u003eThe condition is excellent. An authentic Finnish design vase from the 1970s for collectors of Scandinavian glass and lovers of clearly designed objects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 18 cm, Width 6.5 cm, Depth 6.5 cm.\u003c\/p\u003e","brand":"Riihimäen Lasi Oy","offers":[{"title":"Default Title","offer_id":53027915333979,"sku":null,"price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_2366.jpg?v=1779247561"},{"product_id":"leopard-figur-keramik-italien-1960er-signiert","title":"Ceramic Leopard · Italy 1960s, signed","description":"\u003cp\u003eIn the 1960s, Italy was one of the leading centers for sculptural ceramics. Manufacturers such as Bitossi, Lenci, Ronzan, and Italica Ars produced distinctive animal figures during this period—often hand-painted, with stylized contours and vibrant glazes. This leopard clearly fits into this stylistic environment.\u003c\/p\u003e\n\u003cp\u003eThe big cat stands in a self-assured pose, its body elegantly elongated. The painting follows the typical lines of the era—precisely placed rosettes on a warm background, capturing the essence of animal painting of that time. At 42 cm high, the piece has a noticeable stage presence and enough volume to be the main accent in a shelf, console, or sideboard arrangement.\u003c\/p\u003e\n\u003cp\u003eThe piece is signed—a mark of quality that significantly increases the collector's value of Italian mid-century ceramics and secures its attribution. Original condition from the 1960s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 42 cm · Width 20 cm · Depth 29 cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53058532213083,"sku":null,"price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_4010.png?v=1780692523"},{"product_id":"ilse-ludwig-korbel-enghalsvase-studio-keramik-tittmoning-1980er","title":"Ilse Ludwig-Korbel Narrow-Necked Vase · Studio Pottery, Tittmoning · 1980s, signed","description":"\u003cp\u003eIlse Ludwig-Korbel (born 1925 in Wetzlar) is one of the internationally recognized voices in German studio ceramics. After graduating from the Werkkunstschule Wiesbaden in 1948, she deepened her education from 1956 to 1957 in Darmstadt – as a student of Ida Erdös Meisinger and Hentschel – and passed her master craftsman examination in Kassel in 1957. In the same year, she opened her own workshop in Tittmoning, Upper Bavaria, where she developed an independent, multi-award-winning body of work over several decades.\u003c\/p\u003e\n\u003cp\u003eThe present narrow-necked vase from the 1980s is an exemplary piece from the artist's mature creative phase. The form follows the classic bottle vase: a soft, balanced body, a slender neck, and a precisely drawn shoulder line. This clarity is not an end in itself for Ludwig-Korbel, but rather a stage – the entire statement lies in the glaze.\u003c\/p\u003e\n\u003cp\u003eThe iridescent flowing glaze runs in fine gradations over the body, alternating between matte and glossy crystallizing zones and showing speckled areas in places. The interplay between depth and surface, between controlled application and firing chance, is the hallmark of her workshop. Each vase is therefore unique – the combination of form, firing, and glaze cannot be reproduced exactly twice.\u003c\/p\u003e\n\u003cp\u003eThe base of the vase bears the artist's typical signature, making its attribution unmistakable. An authentic collector's item of German studio ceramics from the 1980s, suitable for display in a showcase as well as for free placement – wherever a work deserves time and attention.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 14 cm · Body diameter 15 cm\u003c\/p\u003e","brand":"Ilse Ludwig-Korbel","offers":[{"title":"Default Title","offer_id":53088948027739,"sku":null,"price":920.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_4244.png?v=1779740009"},{"product_id":"miloslav-klinger-aschenbecher-tuerkis-zelezny-brod-sklo","title":"Miloslav Klinger Ashtray in Turquoise · Železný Brod Sklo, Czechoslovakia · 1960s\/70s","description":"\u003cp\u003eMiloslav Klinger (1922–1999) is considered one of the formative figures in Czechoslovak studio glass. After training at the Železný Brod Glass School under Jaroslav Brychta and Jan Stuchlík, and studying at the Academy of Arts, Architecture and Design in Prague (Karel Štipl studio, completed in 1948), Klinger returned to Železný Brod. From 1950, he designed sculptures and glass objects for Železný Brod Sklo (ZBS) – from the iconic \"Dancers\" for EXPO 58 in Brussels to clearly contoured utilitarian objects of the 1960s and 70s, which combined modernism, Bohemian craft tradition, and industrial serial production.\u003c\/p\u003e\n\u003cp\u003eThis ashtray stands precisely in this tradition of craftsmanship. The rich turquoise, a typical hue for the Železný Brod palette, is particularly intensified by the solidity of the glass wall. From every angle, the color changes in subtle gradations – appearing luminous and cool when viewed flat, and concentrated and deeper at the edges. The geometrically clear form with rounded rests combines function and sculpture, characteristic of Klinger's design work.\u003c\/p\u003e\n\u003cp\u003eThe object is in perfect original condition. A distinctive collector's item of Bohemian studio glass from the 1960s to 70s – suitable for display in a cabinet as well as an accent piece on a desk, sideboard, or lounge table. Ashtrays of this kind are no longer viewed merely functionally but are collected as sculptural glass objects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Width 16 cm · Depth 14 cm · Height 6 cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Klinger Miloslav","offers":[{"title":"Default Title","offer_id":53088949764443,"sku":null,"price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_4180.jpg?v=1779905271"},{"product_id":"bernard-heesen-glasschale-orange-de-oude-horn-niederlande","title":"Bernard Heesen Glass bowl in orange · Studio De Oude Horn, The Netherlands · 1980s\/90s","description":"\u003cp\u003eBernard Heesen (born 1958 in Leerdam) is one of the most important contemporary glass artists in the Netherlands. After studying architecture in Delft (1977 to 1984), he decided against building and for glass. His teacher was his own father, Willem Heesen, who founded Studio De Oude Horn in Acquoy near Leerdam in 1977. Bernard Heesen has worked there as an independent artist since 1986, and has managed the studio since 1995 — a workshop that is one of the most prominent addresses in the international studio glass scene and where Lino Tagliapietra and Andries Copier also worked as guest artists at times.\u003c\/p\u003e\n\u003cp\u003eThe present bowl dates from Heesen's creative period and is dated to the 1980s to 1990s. It is mouth-blown — at De Oude Horn, all pieces are created in a performative, collaborative work on hot glass, where the randomness of the flowing material deliberately becomes a design tool. This very tension between control and the inherent will of heat is Heesen's trademark.\u003c\/p\u003e\n\u003cp\u003eThe bowl presents itself in a warm, saturated orange. The wall flows softly and true to the material, every curve bears the trace of the free glassmaker's hand. With a diameter of 21.5 centimetres and a height of 12 centimetres, the piece has a striking size — clearly a design object, not a mere utility bowl.\u003c\/p\u003e\n\u003cp\u003eA collector's item of Dutch studio glass art, clearly attributable and with character. For all those who are not looking for another vase, but for an independently designed glass object.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter 21.5 cm · Height 12 cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bernhard Heesen","offers":[{"title":"Default Title","offer_id":53088952287579,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_4250.jpg?v=1779740012"},{"product_id":"runder-spiegel-schwarz-kunststoff-space-age-1970er","title":"Round mirror with black plastic frame · Space Age, 1970s","description":"\u003cp\u003eThe 1970s brought forth a distinctive design language in interior design: plastic evolved from an industrial auxiliary material to a full-fledged design material, black and strong bright colours replaced the wood shades of the 1960s, and round, sculptural forms characterized furniture and accessories. Mirrors with solid, moulded plastic frames — often circular, frequently in black — became a characteristic home object in this decade, positioned between Pop and Space Age.\u003c\/p\u003e\n\u003cp\u003eThe present mirror follows this trend. The frame is made of black plastic and tapers conically to a point at the front — a sculptural profile that makes the mirror body stand out from the wall and gives the round shape a sculptural presence. This funnel-shaped framing was typical of the home accessory lines of the era and still makes the mirror an effective focal point on any wall today.\u003c\/p\u003e\n\u003cp\u003eWith a diameter of 48.5 centimetres and a depth of only 5 centimetres, the mirror has the size of a classic wall mirror for a hallway, wardrobe, bathroom, or bedroom — compact enough for smaller wall areas, yet present enough for its own statement. The mirror surface is flawless, without foxing or edge oxidation. Very good original condition from the 1970s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Diameter 48.5 cm · Depth 5 cm\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53165909311835,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_4429.png?v=1780117847"},{"product_id":"fritz-van-daalen-studiokeramik-vase-krempe-1960er","title":"Fritz van Daalen Studio Ceramic Vase · Rimmed Form · 1960s · Aalen","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eStudio ceramic vase from the workshop of Fritz van Daalen, made in Aalen in the 1960s. 16.5 cm high, 14.5 cm wide, and 14 cm deep, with a characteristic wide-flared rim at the shoulder and an asymmetrically compressed mouth – both traces of the freehand forming that distinguishes this workshop from industrial serial ceramics.\u003c\/p\u003e\n\u003cp\u003eThe glaze holds the true appeal of the piece. Olive-brown, ocher, and black-manganese runs lie on a grey-silvery base tone, distributing themselves downwards from the shoulder in cloud-like streaks – a typical result of a reducing firing atmosphere in a chamber kiln, as was common in German studio ceramic workshops of the 1960s and 70s. The surface is matte-silky, grainy in the lighter zones, smoother in the dark runs. On the inside of the rim, parallel finger grooves show the craftsmanship; a separately applied dark brown-black interior glaze catches the light in the mouth area.\u003c\/p\u003e\n\u003cp\u003eThe impressed workshop stamp is visible on the inside of the rim – an oval VD ligature with the addition \"W. Germany\". This stamp clearly attributes the piece to the Fritz van Daalen workshop, which was founded in Schwäbisch Gmünd in 1938 and continued in Aalen from 1950\/51, where production continued until 1973. The combination of typical West German export marking and studio character dates the piece to the 1960s, the workshop's most productive phase.\u003c\/p\u003e\n\u003cp\u003eThe vase is equally effective as a solitaire on a console or in a sideboard arrangement – compact enough for any display cabinet, sculptural enough to function as a sculpture. The condition is very good, without cracks, glaze chips, or restorations. An old handwritten inventory label with the number \"487\" is still on the base – a dealer's note that can be removed if desired or kept as a trace of provenance.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53278869389659,"sku":null,"price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_4722.png?v=1781197200"},{"product_id":"oltrarno-messing-kaminholzhalter-florenz-1960er","title":"Brass Firewood Holder, Oltrarno Style, Florentine Craftsmanship, 1960s","description":"\u003cp\u003ePolished brass log holder in the characteristic design language of the \u003cstrong\u003eFlorentine Oltrarno workshops\u003c\/strong\u003e, made in Italy in the \u003cstrong\u003e1960s\u003c\/strong\u003e. Generous ring handle made of flat brass strip, set in a crescent-shaped trough of brass sheet, supported by four ball feet — an ambiguous construction that, when upright, acts as a sculptural crescent moon object in front of the fireplace, and when laid down, functions as a carrying basket with a ring handle for firewood, magazines or throws.\u003c\/p\u003e\n\u003cp\u003eStriking details: spherical end caps where the handle is screwed to the trough, continuous high-gloss polish and the typical restrained, geometrically clear design of 1960s Italian Hollywood Regency. Solid material thickness, mechanical screw assembly instead of welding — hallmarks of artisanal workshop production. The piece has been polished, and the warm, shimmering brass tone is fully showcased.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOltrarno\u003c\/strong\u003e — literally \"beyond the Arno\" — refers to the historic artisan quarter of Florence on the south bank, where the workshops of goldsmiths, frame makers, leather craftsmen, and \u003cstrong\u003emetalworkers\u003c\/strong\u003e have been concentrated since the 15th century. The Florentine brass tradition continues there to this day in renowned manufacturers such as \u003ca rel=\"nofollow noopener\" class=\"reset interactable cursor-pointer decoration-1 underline-offset-1 text-super hover:underline\" href=\"https:\/\/ilbronzetto.com\/\" target=\"_blank\"\u003e\u003cspan class=\"text-box-trim-both\"\u003eIl Bronzetto\u003c\/span\u003e\u003c\/a\u003e (since 1963, awarded \"Storica Attività di Eccellenza Fiorentina\" in 2024) and \u003ca rel=\"nofollow noopener\" class=\"reset interactable cursor-pointer decoration-1 underline-offset-1 text-super hover:underline\" href=\"https:\/\/www.italia.it\/en\/tuscany\/florence\/things-to-do\/crafts-in-oltrarno\" target=\"_blank\"\u003e\u003cspan class=\"text-box-trim-both\"\u003ePitti Mosaici\u003c\/span\u003e\u003c\/a\u003e. The term Oltrarno thus stands for a clearly identifiable tradition of quality and style in Italian brass processing.\u003c\/p\u003e\n\u003cp\u003eCollector's item for fireplace, entrance, living room or gallery — equally usable as a functional log holder and as a sculptural vintage statement. Suitable for Mid-Century, Hollywood Regency and Florentine-inspired interiors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: Width 40 cm · Height 38 cm · Depth 35 cm.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Oltrarno","offers":[{"title":"Default Title","offer_id":53317803737435,"sku":null,"price":420.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_4823.png?v=1780691807"},{"product_id":"keramik-collie-lebensgross-italien-1960er-85cm","title":"Life-sized Ceramic Collie · Italy 1960s · 72 cm Sculpture Bassano Tradition","description":"\u003cp\u003eUpright in the classic show stance, this life-sized ceramic collie remains, head slightly turned as if he has just heard a familiar step in the hallway. At 72 cm in height, he reaches the dimensions of a full-grown Rough Collie — a scale that is rare in 1960s Italian ceramics and immediately distinguishes the piece from the usual table-top format.\u003c\/p\u003e\n\u003cp\u003eThe fur pattern is not painted on but modeled into the still-soft clay. Flowing lines follow the growth direction of the sable coat, extending over the shoulder blades, flanks, and the long tufts of hair behind the ears. Overlaid is a lifelike painting in creamy white on the chest, collar, and forelegs, golden-amber on the cheeks and hips, and a dark chocolate tone marking the saddle and ear caps. The hand-painted eyes retain their amber highlight; the black nose sits moist and shiny beneath the typical narrow Collie stop. A clear overglaze encompasses the entire piece and develops a fine crackle in the white chest area, as occurs with six-decade-old high-fired glazes — a subtle hint of lived time, not damage.\u003c\/p\u003e\n\u003cp\u003eOn the underside, the hollow body bears an impressed circular mark with a five-pointed star and the inscription \"MADE IN ITALY,\" surrounded by the creamy-beige, unglazed bisque. This form of mark is closely associated with the ceramic tradition of Bassano del Grappa and Nove in Veneto, a region known since the 18th century for lifelike animal and nature motifs, and which in the 1960s supplied several manufacturers — including houses like Petucco e Tolio or specialized animal ateliers — with such large-format sculptures. Without an accompanying paper label, the mark does not allow for a named attribution, but the stylistic canon clearly points to this workshop tradition.\u003c\/p\u003e\n\u003cp\u003eIn a bright entryway, next to a mantelpiece, or as a serene guardian between two bookshelves, he seems like a family member just taking a break. Collectors of Italian ceramic animals from the Mid-Century era will immediately recognize the size, modeling quality, and authentic original patina. The condition is age-appropriate — the described patina and glaze crackle are visible; there are no breaks or repairs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Made in Italy","offers":[{"title":"Default Title","offer_id":53344933511515,"sku":null,"price":850.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5133.png?v=1781099736"},{"product_id":"uno-westerberg-pukeberg-glasschale-isglas-1960er","title":"Glass Bowl Uno Westerberg for Pukebergs Glasbruk, Ice Glass Technique, Sweden 1960s","description":"\u003cp\u003eHeavy, low glass bowl by Uno Westerberg for Pukebergs Glasbruk, made in Nybro in Sweden's Glass Kingdom, 1960s. Clear glass in a 35 cm wide and 13 cm high wave-rimmed form that is more landscape than vessel – the rim undulates in free hills and valleys, hand-folded in hot glass, with the characteristic pinch points at the wave crests. In daylight, the bowl appears almost colorless.\u003c\/p\u003e\n\u003cp\u003eThe real fascination lies in the surface: both the inner and outer walls are continuously structured using the \u003cstrong\u003eice glass technique\u003c\/strong\u003e – hot glass is dipped into cold water, and the resulting crack pattern is then melted down again. The result is a grainy, crater-like topography that refracts light into a thousand small reflections, making the bowl shimmer between an ice floe, a lunar surface, and old bark, depending on the lighting. A signature artisanal technique of Swedish glass, produced with high quality at Pukeberg between the late 1950s and early 1970s.\u003c\/p\u003e\n\u003cp\u003eUno Westerberg (1914–1985) began his career at Arvid Böhlmarks Lampfabrik in Stockholm at the age of 21 and later became the artistic director of Pukebergs Glasbruk. One of his overlaid table lamps is part of the collection at the Museum of Modern Art in New York; his \u003cstrong\u003eSpectra series\u003c\/strong\u003e – bowls and vases made of clear to greenish-tinted glass with organic rims and structured surfaces – was particularly exported to the USA and is now considered one of Westerberg's most sought-after lines. This bowl formally and technically follows the Spectra signature.\u003c\/p\u003e\n\u003cp\u003eCollector's item for a sideboard, library, coffee table, or display cabinet – solo as a sculptural object or filled with fruit, lemons, white stones, as a shallow water bowl with floating candles. A grand presentation for a subdued material, clear Swedish lines, very good vintage condition without rim chips or cracks.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Pukeberg","offers":[{"title":"Default Title","offer_id":53350882410843,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5086.png?v=1781036187"},{"product_id":"zeitungsstaender-chrom-palisander-kunstleder-1970er","title":"Italian Newspaper Rack, Chromed Metal, Rosewood and Faux Leather, 1970s","description":"\u003cp\u003eSimple Italian newspaper stand from the 1970s, 56 cm high and 41.5 cm wide, with an upright chrome-plated metal handle and a solid rosewood grip in deep chocolate brown. Two compartments made of black faux leather are suspended from the central crossbar via eyelets and can hold newspapers, magazines, or coffee table books.\u003c\/p\u003e\n\u003cp\u003eThe frame is made of round, highly polished chrome-plated metal in flowing curves, typical of Italian occasional furniture from the late 1960s and early 1970s. The rosewood grip shows a clear flame grain and gives the otherwise technical piece a warm, material touch. The construction is solid and stable, and it stands securely.\u003c\/p\u003e\n\u003cp\u003eThe combination of chrome, precious wood, and faux leather is part of the vocabulary of Milan's Brianza furniture during these years and can be found in related forms by designers such as Romeo Rega or Alessandro Albrizzi. The piece does not bear a manufacturer's mark — thus, its attribution remains limited to stylistic tradition.\u003c\/p\u003e\n\u003cp\u003eNext to an armchair or at the end of a sofa, the stand fulfills its function while remaining understated enough not to dominate a room. The chrome is in very good condition with no pitting or rust, the rosewood grip shows minimal signs of use, and the faux leather has age-related creases and a small detachment at one eyelet — structurally completely intact.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53353533800795,"sku":null,"price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5111.jpg?v=1781099502"},{"product_id":"art-deco-spiegel-tabletts-paar-streamline-1930er","title":"2 Art Deco Mirrored Trays · Streamline Moderne · 1930s","description":"\u003cp\u003eTwo mirror trays from the early 1930s in the typical design language of Streamline Moderne. Both feature a circumferential frame of chrome-plated metal with a triple longitudinal groove—a serial stripe motif that became part of the leading vocabulary of European arts and crafts after 1928. Inside is a clear, flat mirror; at each of the four corners is a cylindrically turned wooden handle, capped with round metal caps featuring a concentric bull's-eye pattern.\u003c\/p\u003e\n\u003cp\u003eThe larger tray measures 30.5 × 28 × 3.5 cm and is almost square; the wooden handles are made of dark, almost ebony-colored tropical wood, presumably rosewood or blackened precious wood. The narrower second tray measures 31 × 21.5 × 3.2 cm in a transverse rectangular dressing table format and features reddish-brown wooden handles in walnut or mahogany tones.\u003c\/p\u003e\n\u003cp\u003eBoth pieces share the same frame type and end cap construction and most likely come from the same model family—offered in different sizes and wood finishes, as was common in German, Austrian, and French arts and crafts workshops of the interwar period. Neither tray bears a maker's mark; the attribution remains limited to the stylistic circle and corresponds to the vocabulary of houses like WMF, BMF, Argentor, or comparable South German-Austrian manufacturers of this phase.\u003c\/p\u003e\n\u003cp\u003eTogether, the two trays form a functional boudoir ensemble—the larger for perfume bottles and jewelry boxes, the narrower for a brush set and mirror. The condition is age-appropriate: the mirror surface of the larger tray shows slight foxing at the edge, both frames bear the typical oxidation patina in the grooves, and the wooden handles show signs of use consistent with age. Structurally, both pieces are fully intact.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53357181665627,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5459.png?v=1781195849"},{"product_id":"art-deco-pressglas-schale-irene-walther-soehne-bernstein-1937","title":"Art Deco Pressed Glass Bowl \"Irene\" · August Walther \u0026 Söhne · Amber · 1937","description":"\u003cp\u003eOval pressed glass bowl \"Irene\" by August Walther \u0026amp; Söhne, manufactured around 1937 at the Saxon glass factory in Ottendorf-Okrilla near Dresden. Clear amber pressed glass, 36 × 22 × 9 cm, resting on four cushion-like raised feet, with two laterally curled volute handles as a typical identifying feature of the form.\u003c\/p\u003e\n\u003cp\u003eThe bowl dates from the heyday of German Art Deco pressed glass and is documented in the 1937 Walther pattern book under catalog number 22005. The decoration is consistently geometric: on the underside of the base, a raised quatrefoil cross with a central oval medallion, from which four blocky cross-shaped webs radiate, flanked by four large arched lobes. On the inside of the wall, fan-like arched bundles open towards the rim; the outer wall is structured by vertical fluting. The varying glass volume in relief zones, feet, and handles creates the warm play of light and dark for which Walther pressed glass is known — in thin zones, the bowl glows golden yellow; in the solid areas, the tone deepens to warm amber-brown.\u003c\/p\u003e\n\u003cp\u003eThe \"Irene\" model series was produced in several color variations — in addition to the amber presented here, also in green, blue, and colorless. The amber version (also called \"Butterscotch\" in contemporary Walther terminology) is one of the manufacturer's classic colors and was introduced into the range in 1932. The bowl does not bear an embossed factory mark — Walther \u0026amp; Söhne usually marked their pressed glass from the 1930s with paper adhesive labels, which were mostly lost in the decades thereafter. The unambiguous attribution is made via the form, the decoration, and comparison with the documented pattern book entry.\u003c\/p\u003e\n\u003cp\u003eWhether on a sideboard as a fruit bowl, on the coffee table as a serving bowl, or as a central piece of a set table, the bowl immediately asserts its impact. Collectors of Art Deco pressed glass and Walther manufacturer pieces will find here a documented model in the sought-after amber color variation. The condition is very good: no chips on the wavy rim, all four feet and both volute handles fully intact, no scratch grid in the base, no dishwasher dulling, no cracks.\u003c\/p\u003e","brand":"August Walter","offers":[{"title":"Default Title","offer_id":53408843137371,"sku":null,"price":80.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5814.png?v=1781872365"},{"product_id":"space-age-wandgarderobe-aluminium-1970er","title":"Space Age Wardrobe with Hat Rack, 1970s — Aluminum frame and white lacquered wood","description":"\u003cp\u003eA modular wall coat rack from the 1970s featuring the typical vocabulary of Space-Age design. Three horizontal rows of aluminum square rails are screwed together via four vertical axes, forming a strictly geometric grid measuring 74 cm wide and 109.5 cm high. The depth is 24.5 cm.\u003c\/p\u003e\n\u003cp\u003eTwelve cream-colored hook bodies are suspended within the rail grid; their hourglass shape with two round cutouts is a classic motif of Italian plastic design from that era. Additionally, shiny U-shaped metal claws are mounted on the upper two rows, serving as robust coat hooks. This provides about five to six effective hanging points for clothing, complemented by the upper hat shelf made of white lacquered or coated wood. Wall mounting is simple, using two hooks in the open upper rail ends.\u003c\/p\u003e\n\u003cp\u003eNo factory label is preserved — an orange-yellow residue on one of the hook bodies may be the remains of a manufacturer's sticker. The formal language, material combination, and modular construction place the piece within Italian production of the early 1970s.\u003c\/p\u003e\n\u003cp\u003eSuch a coat rack fits into the entrance area of a 70s-oriented apartment, a gallery or studio foyer, or as an honest functional sculpture in a collection of Space-Age furniture. Bright aluminum and muted cream white create a calm, understated color combination. Condition: overall good, with age-appropriate traces on the aluminum frame and a diagonal lacquer crack on the top side of the hat shelf, which faces the wall when mounted and is not visible in everyday use.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53409155285339,"sku":null,"price":320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5848.jpg?v=1781875630"},{"product_id":"studiokeramik-betende-figur-signiert-1980er","title":"Standing praying figure — signed studio pottery from the 1980s, bronze-colored glaze","description":"\u003cp dir=\"auto\"\u003e\u003cstrong\u003eSigned Studio Ceramics \"Praying Figure\", 1980s – Bronze Glaze\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eExpressive studio ceramic sculpture from the 1980s. The praying figure is interpreted in a modern, abstract form – powerful yet delicate.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eDimensions\u003cstrong\u003e:\u003c\/strong\u003e Height 28.5 cm, Width 15 cm, Depth 14 cm.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe surface is rough and volcanically textured with fine inclusions. The metallic shimmering bronze glaze shimmers between anthracite, olive green, and copper brown depending on the light – an effect achieved by reduction firing. The sculpture is signed.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eFrom different angles, a fascinating ambiguity emerges: sometimes it appears as a single contemplative figure, sometimes as two beings standing closely together. Typical of high-quality studio ceramics of the late 1970s and 1980s with influences from Romanesque art and modernism.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eCondition\u003cstrong\u003e:\u003c\/strong\u003e Very good, no restorations, beautiful original patina.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003ePerfect as a standalone piece on a sideboard, console, or bookshelf. Particularly effective against a plain wall in modern, minimalist, or collector's interiors.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53414551585115,"sku":null,"price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5925.png?v=1782838613"},{"product_id":"erwin-eisch-pfauenauge-vase-signiert-1987","title":"Erwin Eisch Peacock Eye Vase, signed 1987 — Glashütte Eisch Frauenau","description":"\u003cp\u003eBulbous vase made of mouth-blown glass with the famous peacock eye décor from the Eisch glass factory in Frauenau. Golden yellow to amber-coloured drops lie under clear glaze and shimmer iridescently between violet, pink and turquoise - a modern tribute to Tiffany's Favrile glass, reinterpreted by Erwin Eisch. The height is 16 cm, the diameter 9.5 cm.\u003c\/p\u003e\n\u003cp\u003eThe widely flared, wavy rim and the bulbous body give the vase its characteristic silhouette. The original signature \u003cstrong\u003eEisch 87\u003c\/strong\u003e is incised on the bottom, securely proving its authenticity and vintage. Condition: very good, no chips or restorations.\u003c\/p\u003e","brand":"Glashütte Eisch","offers":[{"title":"Default Title","offer_id":53429595963739,"sku":null,"price":140.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5805.png?v=1782283059"},{"product_id":"spiegeltablett-josef-frank-svenskt-tenn-messing-1950er","title":"Round Mirror Tray Brass, attributed to Josef Frank — Svenskt Tenn, 1950s","description":"\u003cp\u003eRound mirrored tray with a polished brass frame and triple loop brass wire handles on both sides – a design language closely associated with Josef Frank and his work for Svenskt Tenn in Stockholm. The tray measures 30 cm in diameter and is 3 cm high.\u003c\/p\u003e\n\u003cp\u003eThe mirror surface shows the warm discolorations at the edges typical of 1950s mercury mirrors – the so-called \"foxing\" patina, which is considered a design quality and immediately identifies the piece as authentically old. No maker's mark is present, which is why the tray is usually listed on the market as \"attributed to Josef Frank\". Condition: overall very good, brass with a beautiful original patina.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Josef Frank","offers":[{"title":"Default Title","offer_id":53431924851035,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5860.png?v=1782283065"},{"product_id":"studiokeramik-schale-aschenbecher-1980er","title":"Studio Pottery Bowl with Cigarette Rest, 1980s — organic shape, earthy glaze","description":"\u003cp\u003eHand-formed studio ceramic bowl from the 1980s with an organic, almost eye-shaped silhouette. Two pointed ends with pressed-in grooves can serve as cigarette rests — the piece also works as a key dish, jewelry tray, or small vide-poche. Dimensions: 16.5 × 15 × 5 cm.\u003c\/p\u003e\n\u003cp\u003eThe glaze shimmers in warm mustard, caramel, and earth tones with dark streaks along the edges — a typical reduction firing effect, as developed in many small German potteries of the 1970s and 1980s. The unglazed base ring shows the warm terracotta body. Condition: very good, no chips or breaks.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53436723167579,"sku":null,"price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5947.png?v=1782333546"},{"product_id":"sitzende-studiokeramik-figur-signiert-1980er","title":"Seated Studio Pottery Figure · signed · 1980s","description":"\u003cp\u003eA small, introspective figure sitting on the floor: knees drawn up, the spherical head tilted slightly to the side and downwards, the back softly rounded. The reduced, almost archaic-looking form thrives on its stillness—it conveys concentration, devotion, and contemplation without any facial expression. The hand-modeled surface features a dark iron glaze with warm, coppery shimmering spots on the shoulders, arms, and legs, which catch the light very subtly. Measuring 11.5 × 6 × 9.5 cm (W × D × H), the sculpture has a pleasant hand-held size and fits everywhere: on a bookshelf, a desk, a windowsill, or as a serene accent next to a candle.\u003c\/p\u003e\n\u003cp\u003eThe underside shows the unglazed, light clay body with an incised artist's signature—a stroke monogram, presumably initials, very handwritten. The thematic and formal proximity to contemplative, sacred studio ceramics of the 1980s is clear; comparable seated, meditating figures were often created during this period in the environment of monastic workshops or by freelance sculptors with a spiritual focus. The condition is very good: uniform glaze, no breaks, only the deliberate surface texture typical of handmade studio ceramics.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53436811379035,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_5942.jpg?v=1782335684"},{"product_id":"murano-glas-schale-sommerso-seguso-aschenbecher-flavio-poli","title":"Murano Sommerso Geode Bowl · red-opal · 1960s","description":"\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eA triangular Sommerso bowl from Murano in the iconic geode shape: three gently rolled tips with a deep, hollow depression in between. In the center, a vibrant red-orange glass core glows, embedded in a milky-opalescent casing that shimmers between white, delicate rosé, and lavender depending on the light; a thin, uranium-yellow veil flashes on the outer edges, emphasizing the layered structure. The walls are thick and heavy in the hand, and the transitions between the glass layers are clearly visible—typical characteristics of high-quality Murano Sommerso work from the 1950s and 60s. With a diameter of 16.5 cm and a height of 7 cm, the bowl is generous enough for jewelry, cigar tobacco, or small still lifes, and compact enough for a coffee table, sideboard, or desk.\u003c\/p\u003e\n\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:align-top\"\u003eThe Sommerso technique (\"submerged\") became an international phenomenon in the 1950s through Flavio Poli at Seguso Vetri d'Arte—Poli received the Compasso d'Oro in 1954 for a sommerso vase of this kind. The triangular geode presented here is one of the most famous form families of this era and was adopted in variations by several Murano manufacturers in the 1960s. Without a factory label, a clear attribution to a workshop is not possible; however, the style, glass quality, and layering are clearly attributable to the Seguso\/Poli school of the early 1960s. The condition is very good: no chips, no cracks, the polished base is clean, and the surface shows only the fine patina sheen to be expected from this glass quality after 60 years.\u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53447145849179,"sku":null,"price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6104.png?v=1782466736"},{"product_id":"flaschentraeger-2-flaschen-kunstleder-messing-1960er","title":"Two-Bottle Carrier · Faux Leather \u0026 Brass · 1960s","description":"\u003cp\u003eAn elegant two-bottle carrier, the kind that graced every well-appointed bar cart in the 1960s: two rectangular compartments made of black faux leather, set in a frame of gleaming brass wires, topped by a tall, gracefully curved carrying handle. The design is deliberately simple and graphic—soft edges, clear proportions, a touch of Parisian elegance. Visible brass rivets on the sides and bottom, along with four small brass ball feet, give the object the typical ornamental touch of French Mid-Century leatherwork. Measuring 36 cm high (above the handle), 23.5 cm wide, and 13.5 cm deep, the carrier is large enough for two standard wine bottles and compact enough to make a statement on any sideboard or bar cart.\u003c\/p\u003e\n\u003cp\u003eFormally, the piece clearly belongs to the Adnet style circle: black, slightly shiny faux leather (Skai) on brass—the same material signature that Jacques Adnet developed for accessories in Paris in the 1950s and 60s, which was adopted by numerous French and Italian leather workshops of that era. The condition is very good: the faux leather is clean, intact, and without tears, the brass shows only the warm patina acquired over 60 years, and the carrying handle is firm. A decorative yet fully functional piece, perfect for Sunday brunch or as a still life with two olive oil bottles in the kitchen.\u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53447227867483,"sku":null,"price":170.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6113.jpg?v=1782461380"},{"product_id":"v-nason-murano-sommerso-vase-blau-chartreuse-1970er","title":"V. Nason Murano Sommerso Vase · blue-chartreuse · 1970s · with label","description":"\u003cp\u003eA slender, prism-cut Murano vase from V. Nason \u0026amp; C., 1970s – and a particularly beautiful example of the island's cut-sommerso tradition. The tall, polygonal form thrives on the interplay of the cut facets: light and color break at the shoulders, the body remains crystal clear inside, while the outer edges and base glow in three rich layers – cobalt blue at the shoulder and neck, a very light aqua layer in the middle, and an intense chartreuse green at the foot, rising from the base like a flicker. With a height of 29 cm and a square base of 9 × 9 cm, the vase has an almost sculptural presence; it works equally well as a solitary piece or as an accent in a group of glass or with a single, tall stem.\u003c\/p\u003e\n\u003cp\u003eThe sommerso technique (\"submerged\") was perfected in Murano in the 1950s and consists of layering several glass layers so that they fuse together when the form is carried, without mixing the colors. On the front there is still the \u003cstrong\u003eoriginal glued factory label \"V NASON \u0026amp; C — MURANO ITALY\"\u003c\/strong\u003e with the typical NV monogram – an important authenticity and collector's feature that rarely remains with this workshop. The condition is very good: no chips, no cracks, the cut edges are clean, the polished base without scratches. The intense color depth is difficult to capture in photos – in backlight, the vase unfolds a significantly stronger interplay between blue and green.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53451901698395,"sku":null,"price":520.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6192.jpg?v=1782838410"},{"product_id":"murano-sommerso-schale-kobalt-aqua-1970er","title":"Murano Sommerso Bowl · cobalt blue \u0026 aquamarine · 1970s","description":"\u003cp\u003eA compact, thick-walled Murano Sommerso bowl from the 1970s — and a very beautiful example of the more organic, softer line that emerged parallel to the sharply cut Sommerso vases of that era. At its center lies a rich, cobalt blue core, like a drop underwater, enveloped by an aquamarine glass casing that becomes lighter and more transparent towards the rim. The shape is deliberately irregular: slightly oval, with two gently indented depressions at the rim, which can be interpreted as cigarette rests or simply as a sculptural gesture. With a diameter of 10.5 cm and a height of 4.5 cm, the bowl is palm-sized and fits everywhere — coffee table, desk, sideboard, nightstand — as a small still life, as a jewelry tray for rings and watches, or as a light catcher by the window.\u003c\/p\u003e\n\u003cp\u003eThe Sommerso technique (\"submerged\") layers several sheets of glass in such a way that the colors are staggered in depth without mixing — the intense contrast between cobalt and aquamarine in this piece thrives precisely on this layering. No factory or artist label remains, but the glass quality, the polished base, and the clear layering unequivocally place the piece on Murano in the late 1960s to 70s. The condition is very good: no chips on the rim, no cracks, only a few micro-fine inclusions in the glass, which are typical for hand-blown Murano work and not a defect.\u003c\/p\u003e","brand":"Murano","offers":[{"title":"Default Title","offer_id":53460373897563,"sku":null,"price":115.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6287.png?v=1782627434"},{"product_id":"bleikristall-splash-schale-klar-1970er","title":"Clear, thick-walled Splash bowl, European glass art, 1970s","description":"\u003cp\u003eFormed from clear crystal glass, this bowl rests like a frozen drop of water on the surface. Five to six points organically emerge from the thick-walled body, each one bulging, asymmetrical, yet in equilibrium. The interplay with light is everything here: In direct sunlight, the light refracts at the edges; in partial shade, the glass becomes a cool, calm volume.\u003c\/p\u003e\n\u003cp\u003eWith its dimensions of 24 × 18.5 cm and 8 cm height, it sits confidently on a console, dining table, or sideboard—as a vide-poches for keys and jewelry, as a fruit bowl for a few lemons, or simply as a sculptural solo object. The form is typical of European glass art from the late 1960s and 1970s, when workshops in France, Belgium, Italy, and what was then Czechoslovakia shaped this dramatic splash style.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ArtFillsSpace","offers":[{"title":"Default Title","offer_id":53460399980891,"sku":null,"price":120.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/files\/IMG_6595.png?v=1782855197"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/7641\/9931\/collections\/Bildschirmfoto_2024-02-26_um_23.03.00.png?v=1776256983","url":"https:\/\/artfillsspace.com\/en\/collections\/dekoration.oembed?page=4","provider":"ArtFillsSpace","version":"1.0","type":"link"}